Verse 1
LA MI6 REmaj7I was dressed for succes, but success it never comes
And I'm the only one who laughs, at your jokes when they are so bad
REmaj7 LAAnd you jokes are always bad, but they're not as bad as this.
Chorus
Come join us in a prayer, we'll be waiting, waiting where
LAEverything's ending here.
Post chorus 1
And all the sterile striking it depends an empty dock you cast away
RE MI LAAnd rain upon you forehead where the mist's for hire if it's just too clear
RE MI LALets spend out last quarter stance randomly
Go down to the outlet once again
Verse 2
MI6 REmaj7Paved portraits of minions and slaves, crotch mavens and one night plays
Are they the only ones who laugh? At the jokes when they are so bad
REmaj7 LAAnd the jokes are always bad, but they're not as bad as this.
Chorus
Come join us in a prayer, we'll be waiting, waiting where
LAEverything's ending here.
Post chorus 2
And all the spanish candles unsold have gone away to this
RE MI LAAnd a "Run on piece of mount on" trembles shivers runs down the freeway
RE MI LAI guess she spent her last quarter randomly
I guess a guess is the best I'll do
Outro
D E A A (several times)
D E G E (last time)
Standard tuning tab
Verses
A (repeat 4x) E6 (4x) Dmaj7 (4x)
e-|--------------|--------------|--------------|--------
B-|--------2-----|--------2-----|--------2-----|--------
G-|--2--2--2--2--|--------1-----|--2--2--2--2--|--------
D-|--2--2-----2--|--2--2-----2--|--0--0-----0--|--------
A-|--0--0-----0--|--2--2-----2--|--------------|--------
E-|--------------|--0--0-----0--|--------------|--------
e-|-----------------|--0--------------------------------|--2-----
B-|--2--3--2--3--2--|--0-----2-----3-----2-----3-----2--|--3-----
G-|--2--2--2--2--2--|--1-----1-----1-----1-----1-----1--|--2-----
D-|--2--2--2--2--2--|--2-----2-----2-----2-----2-----2--|--0-----
A-|--0--0--0--0--0--|--2--------------------------------|--------
E-|-----------------|--0--------------------------------|--------
come join us in a prayer, we've been waiting, waiting where
RE/REmaj7 LA
e-|-----------------|--------
B-|--3--3--2--3--2--|--2-----
G-|--2--2--2--2--2--|--2-----
D-|--0--0--0--0--0--|--2-----
A-|-----------------|--0-----
E-|-----------------|--------
everything's ending here.
Post chorus
REsus2 MIe-|--------------------------------|-----------0-----------------|-----------
B-|-----------5--------------5-----|--------0--------------0--2--|--3--2--2--
G-|--------2--------------2--------|--------------------2--------|--2--2--2--
D-|-----0--------------0-----------|-----2-----------2-----------|--2--2--2--
A-|--------------------------------|-----------------------------|--0--0--0--
E-|--------------------------------|-----------------------------|-----------
And all the sterile striking it depends an empty dock you cast away
Alternate tuning tab
I played around with alternate tunings and came up with this which
sounds pretty good to me. It's a slack tuning, meaning strings are
lowered in pitch by slackening the tension. You tune the strings (low
to high) to: D-A-D-G-A-C#. You can do this by tuning the 1st string
(the high e) down until it matches the sound of the 2nd string played
on the 2nd fret (C#). Then tune the 2nd string down until it matches
the sound of the 3rd string played on the 2nd fret. Finally, tune the
6th string down two semi-tones to D. You can tune it so that it
sounds an octive lower than the 4th string. If you're not good at
hearing octives, tune it so the 6th string played on the 12th fret
matches the 4th string. The 3rd, 4th, and 5th strings are not
altered.
Verses
A (repeat 4x) E6 (4x) Dmaj7 (4x)
C#-|--------0-----|--------0-----|--------0-----|--
A -|--------0-----|--------2-----|--------0-----|--
G -|--2--2-----2--|--1--1-----1--|--2--2-----2--|--
D -|--2--2-----2--|--X--X-----X--|--0--0-----0--|--
A -|--0--0-----0--|--2--2-----2--|--0--0-----0--|--
D -|--------------|--2--2-----2--|--0--0-----0--|--
Post Chorus
C#-|-----------------------------|-----------------------------|--1--0--0--
A -|-----------7-----------7-----|-----------7-----------7-----|--0--0--0--
G -|-----------7-----------7-----|-----------9-----------9-----|--2--2--2--
D -|--------7-----------7--------|--------9-----------9--------|--2--2--2--
A -|-----5-----------5-----------|-----7-----------7-----------|--0--0--0--
D -|-----------------------------|-----------------------------|-----------
And all the sterile striking it depends an empty dock you cast away
Outro chords
RE MI LA RE MI SOL MIC#-|----------------------------------------------------------------
A -|----------------------------------------------------------------
G -|--------------2-------------------------------------------------
D -|--0-----2-----2--------------------0-----2-----5-----2----------
A -|--0-----2-----0--------------------0-----2-----5-----2----------
D -|--0-----2--------------------------0-----2-----5-----2----------
Verse 1
LA MI6I was dressed for succes,
..but success it never comes
LAAnd I'm the only one who laughs,
MI6..at your jokes when they are so
..bad
REmaj7And you jokes are always bad,
..but they're not as bad as this.
Come join us in a prayer,
..we'll be waiting, waiting where
LAEverything's ending here.
Post chorus 1
And all the sterile striking it
MI..depends an empty dock you cast
LA..away
And rain upon you forehead where
MI..the mist's for hire if it's just
LA..too clear
Lets spend out last quarter stance
LA..randomly
RE MI LAGo down to the outlet once again
Verse 2
Paved portraits of minions and
MI6..slaves, crotch mavens and one
..night plays
LAAre they the only ones who laugh?
.. At the jokes when they are
..so bad
REmaj7And the jokes are always bad,
LA.. but they're not as bad as
..this.
Chorus
Come join us in a prayer,
REmaj7..we'll be waiting, waiting where
LAEverything's ending here.
Post chorus 2
REAnd all the spanish candles unsold
MI LA..have gone away to this
And a "Run on piece of mount on"
MI..trembles shivers runs down the
LA..freeway
I guess she spent her last quarter
LA..randomly
RE MII guess a guess is the best I'll
..do
Outro
D E A A (several
..times)
D E G E (last time)
Standard tuning tab
Verses
A (repeat 4x) E6 (4x)
..Dmaj7 (4x)
e-|--------------|--------------|-
B-|--------2-----|--------2-----|-
G-|--2--2--2--2--|--------1-----|-
D-|--2--2-----2--|--2--2-----2--|-
A-|--0--0-----0--|--2--2-----2--|-
E-|--------------|--0--0-----0--|-
...
-|-------------|--------
-|-------2-----|--------
-|-2--2--2--2--|--------
-|-0--0-----0--|--------
-|-------------|--------
-|-------------|--------
e-|-----------------|--0----------
B-|--2--3--2--3--2--|--0-----2----
G-|--2--2--2--2--2--|--1-----1----
D-|--2--2--2--2--2--|--2-----2----
A-|--0--0--0--0--0--|--2----------
E-|-----------------|--0----------
...
-|----------------------|--2-----
-|-3-----2-----3-----2--|--3-----
-|-1-----1-----1-----1--|--2-----
-|-2-----2-----2-----2--|--0-----
-|----------------------|--------
-|----------------------|--------
come join us in a prayer,
..we've been waiting, waiting
..where
RE/REmaj7 LA
e-|-----------------|--------
B-|--3--3--2--3--2--|--2-----
G-|--2--2--2--2--2--|--2-----
D-|--0--0--0--0--0--|--2-----
A-|-----------------|--0-----
E-|-----------------|--------
everything's ending here.
Post chorus
e-|-------------------------------
B-|-----------5--------------5----
G-|--------2--------------2-------
D-|-----0--------------0----------
A-|-------------------------------
E-|-------------------------------
...
-|-|-----------0-----------------|
-|-|--------0--------------0--2--|
-|-|--------------------2--------|
-|-|-----2-----------2-----------|
-|-|-----------------------------|
-|-|-----------------------------|
...
-|-----------
-|--3--2--2--
-|--2--2--2--
-|--2--2--2--
-|--0--0--0--
-|-----------
And all the sterile striking
..it depends an empty dock you
..cast away
Alternate tuning tab
I played around with alternate
..tunings and came up with this
..which
sounds pretty good to me. It's a
..slack tuning, meaning strings
..are
lowered in pitch by slackening the
..tension. You tune the strings
..(low
to high) to: D-A-D-G-A-C#. You
..can do this by tuning the 1st
..string
(the high e) down until it matches
..the sound of the 2nd string
..played
on the 2nd fret (C#). Then tune
..the 2nd string down until it
..matches
the sound of the 3rd string played
..on the 2nd fret. Finally, tune
..the
6th string down two semi-tones to
..D. You can tune it so that it
sounds an octive lower than the
..4th string. If you're not good
..at
hearing octives, tune it so the
..6th string played on the 12th
..fret
matches the 4th string. The 3rd,
..4th, and 5th strings are not
altered.
Verses
A (repeat 4x) E6 (4x)
..Dmaj7 (4x)
C#-|--------0-----|--------0-----|
A -|--------0-----|--------2-----|
G -|--2--2-----2--|--1--1-----1--|
D -|--2--2-----2--|--X--X-----X--|
A -|--0--0-----0--|--2--2-----2--|
D -|--------------|--2--2-----2--|
...
-|--------0-----|--
-|--------0-----|--
-|--2--2-----2--|--
-|--0--0-----0--|--
-|--0--0-----0--|--
-|--0--0-----0--|--
Post Chorus
REsus2 MI LAC#-|-----------------------------|
A -|-----------7-----------7-----|
G -|-----------7-----------7-----|
D -|--------7-----------7--------|
A -|-----5-----------5-----------|
D -|-----------------------------|
...
-|-----------------------------|-
-|-----------7-----------7-----|-
-|-----------9-----------9-----|-
-|--------9-----------9--------|-
-|-----7-----------7-----------|-
-|-----------------------------|-
...
-|-1--0--0--
-|-0--0--0--
-|-2--2--2--
-|-2--2--2--
-|-0--0--0--
-|----------
And all the sterile striking it
..depends an empty dock you cast
..away
Outro chords
RE MI LA RE MI SOL MIC#-|------------------------------
A -|------------------------------
G -|--------------2---------------
D -|--0-----2-----2---------------
A -|--0-----2-----0---------------
D -|--0-----2---------------------
...
-|--------------------------------
-|--------------------------------
-|--------------------------------
-|-----0-----2-----5-----2--------
-|-----0-----2-----5-----2--------
-|-----0-----2-----5-----2--------
...
-|--
-|--
-|--
-|--
-|--
-|--
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