And how it's always another day
MI7 LAmJust after twelve o'clock's struck
LAm LAmi/SOL# REYou said "Now I only want you so I don't have to promise"
SOL SOL/FA DO/MI DO
Or the cigarette-girl in the sizzle hot-pants
All the words of love seem cruel and crass
DO SOL/SI RE/LA SOL/SIWhen you're tough and transparent as armoured glass
DO SOL/SI RE/LA MI/SOL#You're everywhere girl in an everyday mess
MI MI/RE
And it's all here and now
She hit him with that paper-weight Eiffel Tower
REm SOL REm SOLAnd I tried to hold on to you but I don't know how
DO DO/SI DO/SIb LAAnd I find it hard to swallow good advice
Am Am/B Am/C ?/D ?/D#
Like going down three times to only come up twice
LA/MICome up twice
The recurring device here is a major chord with the flat 7th in the bass.
It happens on "another day" "cigarette girl" and "here and now" and "good
advice".
Also lots of 1st & 2nd inversion chords. The most original part is the
bridge with the bassline walking up beneath the Am chord. Ami/B is, by
itself very dissonant, as the B isn't part of an Am or Am7, but in context
it sounds great. The end of the bridge is really strange with the same line
continuing through D D# E with the Beatles-like chanting going on against
And how it's always another day
MI7 LAmJust after twelve o'clock's struck
LAm LAmi/SOL#You said "Now I only want you so I
..don't have to promise"
Or the cigarette-girl in the
DO/MI DO..sizzle hot-pants
DO SOL/SI RE/LAAll the words of love seem cruel
..and crass
DO SOL/SIWhen you're tough and transparent
RE/LA SOL/SI..as armoured glass
You're everywhere girl in an
RE/LA MI/SOL#..everyday mess
MI MI/RE
And it's all here and now
LAm LAm/SIShe hit him with that paper-weight
..Eiffel Tower
REm SOL REmAnd I tried to hold on to you but
SOL..I don't know how
And I find it hard to swallow good
LA..advice
Am Am/B
.. Am/C ?/D ?/D#
Like going down three times to
..only come up twice
LA/MICome up twice
The recurring device here is a
..major chord with the flat 7th in
..the bass.
It happens on "another day"
.."cigarette girl" and "here
..and now" and "good
advice".
Also lots of 1st & 2nd inversion
..chords. The most original part
..is the
bridge with the bassline walking
..up beneath the Am chord. Ami/B
..is, by
itself very dissonant, as the B
..isn't part of an Am or Am7, but
..in context
it sounds great. The end of the
..bridge is really strange with
..the same line
continuing through D D# E with the
..Beatles-like chanting going on
..against
Accordi Testi COSTELLO ELVIS Crimes Of Paris. Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti