(In 3/4 time)
SOL LAm
I buried him down by the river
DO DO MIm LAm SOLCause that's where he liked to be
And every night when the moon is high
DO DO MIm LAm SOLI go there and weep openly
RE LAm
He and I were married
DO MIm SOLBy this river 'neath this willow tree
And with God and friends witnessing it
DO LAm SOLHe pledged his life to me
To me he was Earth
And I rooted in his soil
I to he was Sky vast and free
Of the burdens from which he toiled
Then one night a terrible fight
Words spoken better left unsaid
With his wedding vows ringing in my ears
He gave his life to me
They say to love is to bury
Those demons from which we all hide
But tonight by this river 'neath this willow tree
Becoming one of Earth and Sky
Da da da, da da da, da da da, etc...
Notes:
On that C/Em/Am/G thing that's all in one measure ("where he
liked to be"), I think it might just be a pair of C chords,
and I'm just hearing a walkdown from C down to G in the bass,
in other words:
C Em? Am? G
A ---3----2----0---------
E -------------------3---
On some of the Am's, I like to pick up my finger off of the
D string and put it right back down, again, something that I
don't think Michael's actually playing, but something that I
think sounds sort of cool in there. I picked up this trick
from REM's "Swan Swan H." (in 3/4 time -- maybe that's why I
think it sounds good).
(In 3/4 time)
SOL LAm
I buried him down by the river
DO DO MIm LAm SOLCause that's where he liked to be
And every night when the moon is
..high
I go there and weep openly
He and I were married
DO MImBy this river 'neath this willow
SOL..tree
And with God and friends
..witnessing it
He pledged his life to me
To me he was Earth
And I rooted in his soil
I to he was Sky vast and free
Of the burdens from which he
..toiled
Then one night a terrible fight
Words spoken better left unsaid
With his wedding vows ringing in
..my ears
He gave his life to me
They say to love is to bury
Those demons from which we all
..hide
But tonight by this river 'neath
..this willow tree
Becoming one of Earth and Sky
Da da da, da da da, da da da,
..etc...
Notes:
On that C/Em/Am/G thing that's all
..in one measure ("where he
liked to be"), I think it might
..just be a pair of C chords,
and I'm just hearing a walkdown
..from C down to G in the bass,
in other words:
C Em? Am? G
A ---3----2----0---------
E -------------------3---
On some of the Am's, I like to
..pick up my finger off of the
D string and put it right back
..down, again, something that I
don't think Michael's actually
..playing, but something that I
think sounds sort of cool in
..there. I picked up this trick
from REM's "Swan Swan H." (in 3/4
..time -- maybe that's why I
think it sounds good).
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