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PRELIMINARY NOTES:
SRV tuned down one half-step, so his E, A, D, G, B and E
strings were at Eb, Ab, Gb, Gb, Db, and Eb, respectively.
The chords listed here take this into account... that is,
you must lower them all by one half-step or tune your guitar
down by a half-step in order to duplicate the pitches on his
recording.
STYLISTIC NOTES: This song, more than any other (I think),
shows the influence that Jimi Hendrix had on SRV. So,
before you play this song, I recommend that you do a little
outside listening, specifically a lot of Hendrix, preferably
"Little Wing" and "Bold as Love" in order to get the feel of
this tune. You might also try listening to SRV's cut of
"Little Wing." It would be possible for me to tab out all
of the little intricacies of the tune, but there's nothing
*special* in it... that is, these little licks are all over
Stevie Ray's and Jimi's tunes. [Note: For a more
contemporary example of these licks in action, listen to
Pearl Jam's "Yellow Leadbetter" (sp?)].
Anyway, here's my transcription of the tune (Please forgive
any lyric mistakes I have made). Enjoy! (April '95)
TRANSCRIPTION NOTES:
Since there are three distinctive voicings of the E chord
used in this song, I've listed all three of them and
identified them separately as E1, E2 and E3. These names
have no meaning outside of this transcription: these chords
are all E major chords, but for this, they should be played
in the voicings I indicate.
(Chords are listed in order of appearance):
String
Chord\ 6 5 4 3 2 1
MI1 x x x 4 5 4- LA 5 7 7 6 5 5SOL#m 4 6 6 4 4 4FA#m 2 4 4 2 2 2
- SI 7 9 9 8 7 7DO 8 10 10 9 8 8DO# 9 11 11 10 9 9
- RE 10 12 12 11 10 10MI2 x 7 9 9 9 7FA 1 3 3 2 1 1
- MI3 0 2 2 1 0 0MIb 11 13 13 12 11 11SIb 6 8 8 7 6 6
- SOL# 4 6 6 5 4 4SOL 3 5 5 4 3 3MI7+9 0 7 6 7 8 (0)
INTRO (long and drawn out, with only two chords):
- LA FA#m
BODY:
MI1 MI1 LA LA SOL#m FA#mOh, hello baby, tell me, how high have you been
MI1 LA SOL#m FA#mWe all have missed you, and the... way you grin
MI1 MI1 LA LA SI DO DO#Day is necessary, every no-ow and then.
RE RE DO# DO SIThe sun could move on, givin' life back again... aaah
SI SI SI SI LA LA SI DO DO#Fly on, fly on, fly on, my friend.
D E2 [organ: E, then E7]
Go on... live again, love again.
MI1 MI1 LA LA SOL#m FA#mDay after day, ni-ight after night
MI1 MI1 LASuddenly singin', every minute
LA SOL#m FA#mAs the years go passin' by.... by, by, by...
FA#m FA MI3 MIb RE RE DO# DO SILong look in the mirror, we've come face to face.
SI SIb LA SOL# SOLWishin' all the love... we took for granted
SOL FA# FA MI7+9Lord, we'd have today.... aaahhh aaahhh
MI1 MI1 LA LA SOL#m FA#mLife without you, all the love... we passed our way
MI1 MI1 LAThe angels have waited for so long...
SOL#m FA#mNow they have their way... take your place
CODA (Repeat and fade out while soloing long and slow):
LA FA#mPRELIMINARY NOTES:
SRV tuned down one half-step, so
..his E, A, D, G, B and E
strings were at Eb, Ab, Gb, Gb,
..Db, and Eb, respectively.
The chords listed here take this
..into account... that is,
you must lower them all by one
..half-step or tune your guitar
down by a half-step in order to
..duplicate the pitches on his
recording.
STYLISTIC NOTES: This song, more
..than any other (I think),
shows the influence that Jimi
..Hendrix had on SRV. So,
before you play this song, I
..recommend that you do a little
outside listening, specifically a
..lot of Hendrix, preferably
"Little Wing" and "Bold as Love"
..in order to get the feel of
this tune. You might also try
..listening to SRV's cut of
"Little Wing." It would be
..possible for me to tab out all
of the little intricacies of the
..tune, but there's nothing
*special* in it... that is, these
..little licks are all over
Stevie Ray's and Jimi's tunes.
..[Note: For a more
contemporary example of these
..licks in action, listen to
Pearl Jam's "Yellow Leadbetter"
..(sp?)].
Anyway, here's my transcription of
..the tune (Please forgive
any lyric mistakes I have made).
..Enjoy! (April '95)
TRANSCRIPTION NOTES:
Since there are three distinctive
..voicings of the E chord
used in this song, I've listed all
..three of them and
identified them separately as E1,
..E2 and E3. These names
have no meaning outside of this
..transcription: these chords
are all E major chords, but for
..this, they should be played
in the voicings I indicate.
(Chords are listed in order of
..appearance):
String
-
Chord\ 6 5 4 3 2 1
- MI1 x x x 4 5 4LA 5 7 7 6 5 5SOL#m 4 6 6 4 4 4
- FA#m 2 4 4 2 2 2SI 7 9 9 8 7 7DO 8 10 10 9 8 8
- DO# 9 11 11 10 9 9RE 10 12 12 11 10 10MI2 x 7 9 9 9 7
- FA 1 3 3 2 1 1MI3 0 2 2 1 0 0MIb 11 13 13 12 11 11
- SIb 6 8 8 7 6 6SOL# 4 6 6 5 4 4SOL 3 5 5 4 3 3
- MI7+9 0 7 6 7 8 (0)
INTRO (long and drawn out, with
..only two chords):
LA FA#mBODY:
- MI1 MI1 LA LA SOL#m
Oh, hello baby, tell me, how high
FA#m ..have you been
MI1 LAWe all have missed you, and the...
SOL#m FA#m.. way you grin
MI1 MI1 LA LA SI DODay is necessary, every no-ow and
- DO#
..then.
- RE RE DO#
The sun could move on, givin' life
DO SI ..back again... aaah
SI SI SI SI LA LA SI DO DO#Fly on, fly on, fly on, my
..friend.
D E2 [organ:
..E, then E7]
Go on... live again, love
..again.
MI1 MI1 LA LA SOL#mDay after day, ni-ight after
FA#m..night
MI1 MI1 LASuddenly singin', every minute
LA SOL#m FA#mAs the years go passin' by....
..by, by, by...
FA#m FA MI3 MIb RELong look in the mirror, we've
RE DO# DO SI..come face to face.
SI SIb LA SOL# SOLWishin' all the love... we took
..for granted
SOL FA# FA MI7+9Lord, we'd have today.... aaahhh
.. aaahhh
- MI1 MI1 LA LA
Life without you, all the love...
SOL#m FA#m .. we passed our way
MI1 MI1 LAThe angels have waited for so
..long...
- SOL#m FA#m
Now they have their way... take
..your place
CODA (Repeat and fade out while
..soloing long and slow):
LA FA#m- SUONA ANCHE ..
Accordi Testi VAUGHAN STEVIE RAY Life Without You. Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti
