Chords:
Bb6 x1303x C#o x45353
Dm7-5 xx0111 or x5656x Bb/d x5333x
DOm7-5 x3434x DO9 x35333
REm/FA xx3231 FA+ x4322x
Bo x23131
A more logical (or at least euphonious) progression at the end of the intro and other places, would be Bb Bo Cm C#o. Bb/b matches what Dylan sings... Euphony never was his middle name anyway.
The Dm7 at "meet me" sounds like a Dm7-5 in some verses, but since that clashes with the singing, I'd recommend a plain Dm7.
The figure at the end of the bridge is transcribed according to what is played. The chord names in the tab are more or less what results if the bass and the song are considered; in the text I've suggested a simpler version that does more or less the same (Dm/f - F+ - F7 - F+).
And remember: the bass notes that are played too early, which gives the swing character.
SIb6 SOLm REm7-5 SOL7 DOm7-5 REm/FA FA
|-------------------------|-1---3-4-----------3-----|-------------------------|
|-------3-----------3-----|-1-----------3-----3-----|-4---6-4-----3-----1-----|
|-------0-----3-----3-----|-1-----------4-----4-----|-3-----------2-----2-----|
|-----3-----3-5-----5---0-|-------------3-----------|-4-----------3-----3-----|
|-1-----------------------|-------------5---------3-|----------------------(1)|
|-------------------------|-----------3-------------|-------------------------|
SIb /SI DOm FA+
|-------------------------|
|-3-----3-----4-----2-----|
|-3-----3-----3-----2-----|
|-3-----3-----5-----3-----|
|-1-----2---3-------4-----|
|-------------------------|
Bb Bo
The seasons, they are turning
Cm7 C#o
And my sad heart is yearning : . : .
Bb/d Bb C9 |--------------------3-----|
To hear again the songbird's sweet melodious tone |-3------------------3-----|
Bb Gm7 |-3------------------3-----|
Won't you |-5-----5-4-3--------5-----|
Dm7 G7 |-3-----------7------------|
meet me |--------------------------|
Cm7-5 Dm/f F Bb /b Cm7 F tone
out in the moonlight alone
The dusky light the day is losing
Orchids, poppies, black-eyed susan
The earth and sky that melts with flesh and bone
Won't you meet me
DOm7-5 REm/FA FA SIb FA+
out in the moonlight alone
The air is thick and heavy
All along the levee
Where the geese into the countryside have flown
Won't you meet me
DOm7-5 REm/FA FA SIb
out in the moonlight alone
SOLm
Well, I'm preaching peace and harmony
DOm
The blessings of tranquility
SOLm DO7
Yet I know when the time is right to strike
SIb
I take you 'cross the river, dear
DO7
You've no need to linger here
REm/FA FA+ FA FA+
I know the kinds of things you like
Dm/f Eo F9 Fm7+5
|-10--10--9---9---|-8---8---9---9---|
|-10--10--8---8---|-8---8---9---9---|
|-10--10--9---9---|-8---8---8---8---|
|(10)-------------|-----------------|
|(8)--(implied throughout)----------|
|-----------------|-----------------|
The clouds are turning crimson
The leaves fall from the limbs and
The branches cast their shadows over stone
Won't you meet me
out in the moonlight alone
The boulevards of cypress trees
The masquerade of birds and bees
The petals pink and white, the wind has blown
Won't you meet me
out in the moonlight alone
The trailing moss in mystic glow
The purple blossom soft as snow
My tears keep flowing to the sea.
Doctor, lawyer, Indian chief
It takes a thief to catch a thief
For whom does the bell toll for, love?
It tolls for you and me. *)
Old pulses running through my palm
The sharp hills are rising from
Yellow fields with twisted oaks that groan
Won't you meet me
out in the moonlight alone
[instr. verse, ending with:]
freely
|-------------------------------------------------5----||
|----------------------------------------4-(3)----3----||
|---------------------------------5--3------------3----||
|------------------------/5---3-------------------3----||
|------------------3--1--------------------------------||
|-2-2-2-2/4-2-0-1--------------------------------------||
*) In recent shows (August 2002) these lines have been changed to:
The trailing moss and mystic glow
Purple blossoms soft as snow
My tears keep flowing without end
Doctor, lawyer, Indian chief
It takes a thief to catch a thief
For whom does the bell toll for, love? It tolls for you, my friend
|