scroll
- (1) (A)X1 (2) (A)+(B)X1 (3) (A)+(B)+(C)X1
- (4) (A)+(B)X1 (5) (A)+(B)+(D)X1 (6) (A)+(B)+(E)X1
- (7) (A)+(B)+(X)X1 (8) (A)+(B)+(C)X1
[note: let the notes ring, lightly bend the bridge high then back to normal
while hitting each note for the same tone as I hear on my recording. These
notes have longer pauses between them than it looks - play it slow.]
(A)|0---------0----------|-1----2----1----2-----|3-------------|
|-----0---------0-----|0----0----0----0------|--------------|
|---------------------|----------------------|--(optional)--|
|---------------------|----------------------|-(to simulate)|
|---------------------|----------------------|-(bass slide)-|
|---------------------|----------------------|---------(3\)-|
[note: one bar is equal in real-time to one bar in part (A)]
(B)|---3-2-1---3-2-1---3-2-1--33-2-1-|--------------|--------------|
|---------------------------------|--------------|--------------|
|---------------------------------|--------------|--------------|
|---------------------------------|---[pause]----|---[pause]----|
|---------------------------------|--------------|--------------|
|---------------------------------|--------------|--------------|
[note: one bar is equal in real-time to one bar in part (A).]
(C)|13-12-8-7---0-1-0---13-12-8-7---0-1-0---|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|-13-12-8-7--12--13-8---13-12-8-7---13-12-8-|--15-15-----------|
|-------------------------------------------|--14--------------|
|-------------------------------------------|------------------|
|-------------------------------------------|------------------|
|-------------------------------------------|------------------|
|-------------------------------------------|------------------|
[note: As always - three bars - one format - spaced under ASCII constraints.]
(D)|-0-1-0-----------0-1-0-----------|-0-1-0---0-1-0---0-1-0---0-1-0--|-3-3--|
|---------0-1-0-----------0-1-0---|--------------------------------|-2-2--|
|---------------------------------|--------------------------------|-0----|
|---------------------------------|--------------------------------|------|
|---------------------------------|--------------------------------|------|
|---------------------------------|--------------------------------|------|
(E)|-----------0-1-0-------------0-1-0--|-1-----1-2----2-2-1---1-2----|-2-3--|
|-0-1-4-5-----------0-1-4-5----------|-----------------------------|------|
|------------------------------------|-----------------------------|------|
|------------------------------------|-----------------------------|------|
|------------------------------------|-----------------------------|------|
|------------------------------------|-----------------------------|------|
- (X)
- (1) (A)X1 (2) (A)+(B)X1 (3) (A)+(B)+(C)X1
- (4) (A)+(B)X1 (5) (A)+(B)+(D)X1 (6) (A)+(B)+(E)X1
- (7) (A)+(B)+(X)X1 (8) (A)+(B)+(C)X1
[note: let the notes ring, lightly
..bend the bridge high then back
..to normal
while hitting each note for the
..same tone as I hear on my
..recording. These
notes have longer pauses between
..them than it looks - play it
..slow.]
(A)|0---------0----------|-1----2-
|-----0---------0-----|0----0----0
|---------------------|-----------
|---------------------|-----------
|---------------------|-----------
|---------------------|-----------
...
-|---1----2-----|3-------------|
-|----0------|--------------|
-|-----------|--(optional)--|
-|-----------|-(to simulate)|
-|-----------|-(bass slide)-|
-|-----------|---------(3\)-|
[note: one bar is equal in
..real-time to one bar in part
..(A)]
(B)|---3-2-1---3-2-1---3-2-1--33
|-------------------------------
|-------------------------------
|-------------------------------
|-------------------------------
|-------------------------------
...
-|-2-1-|--------------|----------
-|--|--------------|-------------
-|--|--------------|-------------
-|--|---[pause]----|---[pause]---
-|--|--------------|-------------
-|--|--------------|-------------
...
-|----|
-|-|
-|-|
-|-|
-|-|
-|-|
[note: one bar is equal in
..real-time to one bar in part
..(A).]
(C)|13-12-8-7---0-1-0---13-12-8-7-
|---------------------------------
|---------------------------------
|---------------------------------
|---------------------------------
|---------------------------------
...
-|--0-1-0---|
-|-------|
-|-------|
-|-------|
-|-------|
-|-------|
|-13-12-8-7--12--13-8---13-12-8-7-
|---------------------------------
|---------------------------------
|---------------------------------
|---------------------------------
|---------------------------------
...
-|--13-12-8-|--15-15-----------|
-|----------|--14--------------|
-|----------|------------------|
-|----------|------------------|
-|----------|------------------|
-|----------|------------------|
[note: As always - three bars -
..one format - spaced under ASCII
..constraints.]
(D)|-0-1-0-----------0-1-0-------
|---------0-1-0-----------0-1-0--
|--------------------------------
|--------------------------------
|--------------------------------
|--------------------------------
...
-|----|-0-1-0---0-1-0---0-1-0---0
-|-|-----------------------------
-|-|-----------------------------
-|-|-----------------------------
-|-|-----------------------------
-|-|-----------------------------
...
-|-1-0--|-3-3--|
-|---|-2-2--|
-|---|-0----|
-|---|------|
-|---|------|
-|---|------|
(E)|-----------0-1-0-------------0
|-0-1-4-5-----------0-1-4-5-------
|---------------------------------
|---------------------------------
|---------------------------------
|---------------------------------
...
-|-1-0--|-1-----1-2----2-2-1---1-2
-|---|----------------------------
-|---|----------------------------
-|---|----------------------------
-|---|----------------------------
-|---|----------------------------
...
-|----|-2-3--|
-|-|------|
-|-|------|
-|-|------|
-|-|------|
-|-|------|
- (X)
- SUONA ANCHE ..
Tablature chitarra di BAUHAUS Three Shadows 1 Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti
