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- REm FA DO7 SOLm LA
e[--1----1------3---3---0--] _
B[--3----1------5---3---2--] \
G[--2----2------3---3---2--] |---> B,G and D plucked give the best sound.
D[--0----3------5---5---2--] _/
A[-------3------3---5---0--]
E[-------------------------]
I’ve tabbed out a couple of the fills used throughout the song. Applied on the
basic pattern, you get this (quite accurate) version:
Dm F C7Gm A Dm etc...
e[--1-------------1-----------------------1---]
B[--3--3----1-------1---1-5-3--2----------3---]
G[--2-------2---------2---3-3--2--2-0-----2---]
D[--0-0-----3---3---------5-5--2------3-2-0---]
A[------------3-------------------------------]
E[--------------------------------------------]
- / /
“up fill” “down fill”
Vary by using the high e string a bit more, skipping a few notes in the fill or
plucking a chord a few times instead. Which could look like this:
Dm F C7Gm A Dm etc...
e[--1-------1-----1----------------------1----]
B[--3-------1---------1---5-3--2-2--2-2--3----]
G[--2-------2-------------3-3--2-2--2-2--2----]
D[------0--------3--------5-5--2-2--2-2-------]
A[------------3-------------------0-----------]
E[--------------------------------------------]
You get the point :) Now besides at the top of the neck there are some other
places you can play around with the basic pattern. The e and B strings around the
10th fret are very suitable:
- REm FA DO7 LA
e[------10-10-10/12-10-8~~-(8)--10-8-----------------12-10-----------]
B[-(10)-10-10-10-------10~-(10)-----(10)-11--11--11-------(11)-10~~--]
G[--------------------------------------(10)(10)(10)-----------------]
D[-------------------------------------------------------------------]
To get back up the neck use this: (the same as the “down fill”)
REm FA DO7 SOLm LAe[-------------------0-------]
B[-10-8-6-5-3~--1~-----3-----]
G[-----------------------2---]
D[---------------------------]
You can do the same on the G and D strings around the 7th fret.
Start with G[-7-7-7/9-] and you’ll work the rest out easily...
RE -7-7-7---Get back up the neck with D[--7-5-3-2-0~----2-0----]
A[-------------3~-----3--]
After a while a trumpet enters to complete the Cuban atmosphere.
You can keep doing the basic pattern, but here’s a small part of the trumpet solo
to get you going on that one too.
e[--5~-------5~------6~-----------]
B[-----6-5-3----6-5-3---6-5-3-----]
G[----------------------------3~--]
D[--------------------------------]
And then the most difficult part: the solo. Kevin Futhey tabbed this one out
already and I think it’s very accurate.
e[-10--10~--8-10--8~---10-8---------------------------------8~-]
B[-10--10~--------10~-------11---------10~----------10-11-12---]
G[-----------------------------9-10-12------9-10-12------------]
D[-------------------------------------------------------------]
e[----------------------10-10-10-10-10/12-10-8--8~--10-8--------8------]
B[-6p5---8-8--[Outline-]10-10-10-10----------10-10~------11-8-11-11-10-]
G[-----7------[---A----]-----------------------------------------------]
D[------------[-Chord--]-----------------------------------------------]
e[--------------6-7-8/10-8\6----------------------------]
B[--------6-8/10-------------10-8-6----8----------------]
G[-7-7-7-9-------------------------9-7--10-9-7----------]
D[---------------------------------------------10-8-7~--]
Now back to the Dm / F / C7 / Gm / A scheme, and end on Dm.
- REm FA DO7 SOLm LA
e[--1----1------3---3---0-
B[--3----1------5---3---2-
G[--2----2------3---3---2-
D[--0----3------5---5---2-
A[-------3------3---5---0-
E[------------------------
...
-|-] _
-|-] \
-|-] |---> B,G and D plucked give the best sound.
-|-] _/
-|-]
-|-]
I’ve tabbed out a couple of the
..fills used throughout the song.
..Applied on the
basic pattern, you get this (quite
..accurate) version:
Dm F C7Gm A
.. Dm etc...
e[--1-------------1--------------
B[--3--3----1-------1---1-5-3--2-
G[--2-------2---------2---3-3--2-
D[--0-0-----3---3---------5-5--2-
A[------------3------------------
E[-------------------------------
...
-|---------1---]
-|---------3---]
-|-2-0-----2---]
-|-----3-2-0---]
-|-------------]
-|-------------]
- /
“up fill”
/ ..“down fill”
Vary by using the high e string a
..bit more, skipping a few notes
..in the fill or
plucking a chord a few times
..instead. Which could look like
..this:
Dm F C7Gm A
.. Dm etc...
e[--1-------1-----1-------------
B[--3-------1---------1---5-3--2
G[--2-------2-------------3-3--2
D[------0--------3--------5-5--2
A[------------3-----------------
E[------------------------------
...
-|---------1----]
-|-2--2-2--3----]
-|-2--2-2--2----]
-|-2--2-2-------]
-|--0-----------]
-|--------------]
You get the point :) Now besides
..at the top of the neck there are
..some other
places you can play around with
..the basic pattern. The e and B
..strings around the
10th fret are very suitable:
- REm FA DO7 LA
e[------10-10-10/12-10-8~~-(8)--10
B[-(10)-10-10-10-------10~-(10)---
G[--------------------------------
D[--------------------------------
...
-|-8-----------------12-10----
-|--(10)-11--11--11-------(11)
-|------(10)(10)(10)----------
-|----------------------------
...
-|-------]
-|-10~~--]
-|-------]
-|-------]
To get back up the neck use this:
..(the same as the “down fill”)
REm FA DO7 SOLm LAe[-------------------0-------]
B[-10-8-6-5-3~--1~-----3-----]
G[-----------------------2---]
D[---------------------------]
You can do the same on the G and D
..strings around the 7th fret.
Start with G[-7-7-7/9-] and
..you’ll work the rest out
..easily...
RE -7-7-7---Get back up the neck with D[--7-5-3-2-0~----2-0----]
A[-------------3~-----3--]
After a while a trumpet enters to
..complete the Cuban atmosphere.
You can keep doing the basic
..pattern, but here’s a small part
..of the trumpet solo
to get you going on that one too.
e[--5~-------5~------6~----------
B[-----6-5-3----6-5-3---6-5-3----
G[----------------------------3~-
D[-------------------------------
...
-|-]
-|-]
-|-]
-|-]
And then the most difficult part:
..the solo. Kevin Futhey tabbed
..this one out
already and I think it’s very
..accurate.
e[-10--10~--8-10--8~---10-8-----
B[-10--10~--------10~-------11--
G[-----------------------------9
D[------------------------------
...
-|----------------------------8~-]
-|-------10~----------10-11-12---]
-|-10-12------9-10-12------------]
-|-------------------------------]
e[----------------------10-10-10
B[-6p5---8-8--[Outline-]10-10-10
G[-----7------[---A----]--------
D[------------[-Chord--]--------
...
-|-10-10/12-10-8--8~--10-8-----
-|-10----------10-10~------11-8
-|-----------------------------
-|-----------------------------
...
-|---8------]
-|-11-11-10-]
-|----------]
-|----------]
e[--------------6-7-8/10-8\6-----
B[--------6-8/10-------------10-8
G[-7-7-7-9-----------------------
D[-------------------------------
...
-|-----------------------]
-|-6----8----------------]
-|--9-7--10-9-7----------]
-|--------------10-8-7~--]
Now back to the Dm / F / C7 / Gm /
..A scheme, and end on Dm.
- SUONA ANCHE ..
Tablature chitarra di BUENA VISTA SOCIAL CLUB Chan Chan Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti
