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Big Red Letter Day (Album)

suonato 1028 volte

BUFFALO TOM

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The songs are :

1. Sodajerk Attached
2. I'm Allowed                  Attached
3. Tree house                   Attached
4. Would Not Be Denied          Attached
5. Latest Monkey                Attached
6. My responsibility            Needed
7. Dry land                     Attached
8. Torch singer                 Attached
9. Late at night                Attached
10. Suppose                     Needed
11. Anything that way Attached

CHANGES : Added Sodajerk, Treehouse, Late at night, Dry Land, and Torch
Singer. Added more versions of certain songs.
Changed many chord names using ChordMagic posted on the net.
since v0.75 : Added Anything that way, changed some more lyrics, added yet
another version (sort of) of I'm Allowed !
since v0.85 Changed MANY lyrics thanks to Fred who had the lyrics sheets !
intro SOL - - - DO/SOL - - - DOmaj7
|3-------------------------------|3-------------------------------|
|3-------------------------0-0-0-|1-------------------------0-0-0-|
|0-------------------------0-0-0-|0-------------------------0-0-0-|
|0-------------------------0-0-0-|2-------------------------2-2-2-|
|2-------------------------------|3-------------------------------|
|3-------------------------------|3-------------------------------|
SOL - - - DO - - - DOmaj7
|3-------------------------------|3-------------------------------|
|3-------------------------0-0-0-|1---------------------1---0-0-0-|
|0-------------------------0-0-0-|0---------------------0---0-0-0-|
|0-------------------------0-0-0-|2---------------------2---2-2-2-|
|2-------------------------------|3-------------------------------|
|3-------------------------------|3-------------------------------|

SOL - - - DO/SOL - - - DOmaj7
|3---3-3-----3-3-----3-3---------|3---3-------3-------3-----------|
|3---3-3-3---3-3-3---3-3-3-0-0-0-|1---1-0-1---1-0-1---1-0-1-0-0---|
|0---0-0-0---0-0-0---0-0-0-0-0-0-|0---0-0-0---0-0-0---0-0-0-0-0---|
|0-------0-------0-------0-0-0-0-|2-------2-------2-------2-------|
|2-------2-------2-------2-------|3-------3-------3-------3-------|
|3-------3-------3-------3-------|3---------------3-------3-------|
SOL - - - DO - - - DOmaj7
|3---3-3-----3-3-----3-3---------|3---3---3---3---3-------3-------|
|3---3-3-3---3-3-3---3-3-3-0-0-0-|1---1-0-1---1-0-1-----0-1-0-0---|
|0---0-0-0---0-0-0---0-0-0-0-0-0-|0---0-0-0---0-0-0-----0-0-0-0---|
|0-------0-------0-------0-0-0-0-|2-------2-------2-------2-------|
|2-------2-------2-------2-------|3-------3-------3-------3-------|
|3-------3-------3-------3-------|3---------------3-------3-------|

The last four measures are repeated throughout the verse.
The "Could my eyelids" progression looks like this:
SOL - - - SOLsus2(add DO#)- - -
|3-3-3---------------------------|3-3-3---------------------------|
|3-3-3---------------------------|2-2-2---------------------------|
|0-0-0-----etc-------------------|0-0-0---etc---------------------|
|0-0-0---------------------------|0-0-0---------------------------|
|2-2-2---------------------------|0-0-0---------------------------|}(These two
|3-3-3---------------------------|3-3-3---------------------------|}strings are
optional, I leave them out)
DO/SOL - - - RE - DO -
|3---3-------3-------3-----------|2-----2---2-2-2-3-----3---------|
|1---1-0-1---1-0-1---1-0-1-0-0---|3---3-3---3-3-3-1---1-1---1-1-0-|
|0---0-0-0---0-0-0---0-0-0-0-0---|2---2-2---2-2-2-0---0-0---0-0-0-|
|2-------2-------2-------2-------|0---0-----0-0-0-2---2-2---2-----|
|3-------3-------3-------3-------|----------------3---------------|
|3-------3-------3-------3-------|--------------------------------|
play the intro between verses. The little phrase he throws in between verses
looks like this:
SOL - - - DO/SOL - - - DOmaj7
|3-----------------3-2---3-3-----|3-----------------------3-------|
|3-----------------3-------3---0-|1-----------------------1---0-0-|
|0-------------------------------|0-----------------------0---0-0-|
|0-------------------------------|2-----------------------2---2-2-|
|2-------------------------------|3-----------------------3-------|
|3-------------------------------|3-------------------------------|

solo: (two guitars on the album - you can play it over the chords by yourself)
SOL - - - DO - - -
|--------------------------------|--------------------------------|
|3---3-3-3---3-3-3-1-1-1---0-0-0-|1---1-0-1---1-0-1-1-0-----------|
|--------------------------------|------------------------2---0-0-|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
SOL - - - DO - - -
|------------------0-------------|------------------------0-------|
|3---3-3-3---3-3-3---3-1---0-0-0-|1---1-0-1---1-0-1---3-------3---|
|--------------------------------|--------------------------------|back to
|--------------------------------|--------------------------------|the intro
|--------------------------------|--------------------------------|riff
|--------------------------------|--------------------------------|

The "solid angle" progression is just arpeggiations of the intro.
outro:
SOL - - - DO - - -
|--------------------------------|--------------------------------|
|3---3-3-3---3-3-3-1-1-1---0-0-0-|1---1-0-1---1-0-1-1-0-----------|
|--------------------------------|------------------------2---0-0-|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
SOL - - - DO - - -
|--------------------------------|--------------------------------|
|3-------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|----------------------------0-2-|2-------------------------------|
|------------------0-2-3---------|--------------------------------|
|----------------3---------------|--------------------------------|
The song ends with a couple more measures of arpeggiation and then the
last two measures of the outro again.
Lyrics :
Watch an eyeball
Take a free fall
At the mention of a name
In it's socket
Like a rocket
Rises just the same

But could my eyelids
Cover what I did
The shutting of the door
Could these ceilings
Contain my feelings
Me down on the floor
Jerked my fountain
and ice cream mountain
I suppose I'm just too late
Form a line here
I think I'll die here
These people nauseate me
But if my patience
Were a spaceship
High up in orbit
Then I would rise here
Hypnotized here
Listen where I sing
Risen from where I sit
A solid angle
My legs do dangle
Off the counter's edge
Soft words spoken
Promises broken
Close my eyes instead
But could my eyelids
Cover what I did
The shutting of the door
Could these ceilings
Contain my feelings
Me down on the floor
Me down on the floor
Me down on the floor
Me down on the floor

SONG : I'm Allowed
Note: the chord progression stays the same throughout the song. Listen to the
song to get some sort of a picking pattern. Meanwhile you can get away with the
following.

Verse:
MIbMaj9 SOLm DOsus2 DOm DOsus2 (Add LA) SIbm
e-----3-------3-----------------6----6---6---||
B-----3-------3--4-3-3-4--------6----6---6---||
G-----3--5-3--5-----------------8----6---6---|| repeat for the verse
D-----5-------5-----------------8----8---8---||
A-----5-------3-----------3-5-6-6----8---8---||
E--3--3-------x-----------------x--6-6-5-6-5-||
Here Ed Cheng writes (It's about the same as I play it too, I didn't notate all
the strums that I use, Alexander) :
The way I play it (pretty much the same as Efren's):

(Capo 3rd fret)
SOLm DOm MI SIb LA/SIb
e-----3--3-3--3----3-3--------3-3-3-3-------6---6---||
B-----3--3-3--4-p3-3-4--------4-4-4-4-------3---3---||
G-----3--5-3--5----5-3--------3-3-3-3-------3---3---|| etc.
D-----5--5-5--5----5-5--------3-5-5-3-------3---3---||
A-----5--5-5--3----3-3----3-5-6-6-6-6-------x---x---||
E--3--3--3-3--x----x-x--------x-x-x-x-----6-6-5-5---||
(p=pull-off)
Chorus: All power chords. Just Hit :
SIb5 DO5 MIb5
e-------x-x--------x-x------------
B-------x-x--------x-x------------
G-------x-x--------x-x--8-8-------
D--8-8--x-x--10-10-x-x--8-8-------
A--8-8--x-x--10-10-x-x--6-6-------
E--6-6--x-x--8--8--x-x------------

Another version provided by Ed Cheng :
...and the way I do the chorus (different from Efren's):
SIb DO7sus9(x35333x) MI
SOLm DOsus2
Waited for an answer
MIbMaj9 SIbm
But I waited for 25 years
SOLm DOsus2
They stopped my bleeding
MIbMaj9 SIbm
But could never stop all those tears
SOLm DOsus2
I waited for the day when
MIbMaj9 SIbm
He came out from beneath all that weight
SOLm DOsus2
I tried to lift it
MIbMaj9
But it seems I got there too
SIb5 DO5 MIb5
Late
SIb5 DO5 MIb5
Just to late
SIb5 DO5 MIb5
Just to late
SIb5 DO5 MIb5 SIb5
Cause I'm allo_________wed
Note : Music repeats in the same manner from here....

Came to the party
But I got my own signals crossed
Thought I was welcome
But I felt like I should get lost
I know that I'm older
Cause I feel that everywhere
I could talk to no one
Cause I knew not one person
There
No one's there
They just stared
But they're allowed

As vivid as a car wreck
Watch them dripping off highway ramps
She came to me smiling
Her heart underneath both her hands
She spoke of a French boy
At least two times through the night
It could have been the liquor
Or the music but that is
All right
That's all right
She's allowed
And I'm allowed
I'm allowed
I'm allowed
SONG : I'm Allowed
Place a capo on the third fret for this song. Tabs are given for
when the third fret is capoed. The chord names above the tabs are
the relative open chords for when the third fret is capoed, with the
real chord names in parentheses.

Basically, there is one major chord progression:
(Rhythm pattern is not completely correct - listen to the recording
to get the right pattern)
h=hammer on
p=pull off
MIm(Gm) - - - LAm(Cm) - - -
e|--------0-----------------------|--------------------------------|
b|--------0-------------------1-1-|1---1---1p0-----0-h-1-----------|
g|--------0-------------2-0-0-----|2-------2-------2---------------|
d|2-------2-----------------------|2-------2-----------------------|
a|2-------------------------------|------------------------0---2---|
E|0-------------------------------|--------------------------------|

DO(Bb) - - - SOL(Bb) - RE/FA#(F/LA)
|--------------------------------|3--------3-------2-----2-3-2----|
|------------1---1-------1-------|3--------3-------3-----3----3---|
|0---------------0-0-0---0-------|0--------0-------2-----2--------|and back to
|0---h---2-------0---0---0-------|0--------0-------0--------------| Em
|3-------3-----------------------|2----------------0--------------|
|--------------------------------|3----------------2--------------|
The change during "noone's there" line is just this progression for
four measures:
SOL(Bb) - LAm(Cm) - DO(Bb) - - -
|3---3---3---3---3---3---3---3---|3---3---3-----------------------|
|0---0---0---0---1---1---1---1---|1---1---1-----------------------|
|0---0---0---0---2---2---2---2---|0---0---0----etc----------------|
|0---0---0---0---2---2---2---2---|2---2---2-----------------------|
|2---2---2---2---0---0---0---0---|3---3---3-----------------------|
|3---3---3---3-------------------|--------------------------------|
then play G D/F# E into the main progression again.
solo (played over the main progression):
MIm(Gm) - - - LAm(Cm) - - -
|--------0-----------------------|--------------------------------|
|--------0-------------0-----1-1-|1---1---1p0-----0-h-1-----------|
|--------0-------------2-0-0-----|2-------2-------2---------------|
|2-------2-----------------------|2-------2-----------------------|
|2-------------------------------|------------------------0---2---|
|0-------------------------------|--------------------------------|
DO(Bb) - - - SOL(Bb) - RE/FA#(F/LA)
|--------------------------------|--------3-------2------2----2---|
|---------------1---3----1-0-----|--------3-------3--------3------|
|---------------0----------------|0-------0-------2---------------|
|0-------2-----------------------|0-------------------------------|
|3-------3-----------------------|2-------------------------------|
|--------------------------------|3-------------------------------|
MIm(Gm) - - - LAm(Cm) - - -
|--------2---------------3---2---|0-------------------------------|
|--------0-----------------------|1-------1p0-----0-h-1-----------|
|--------0-----------------------|--------2-------2---------------|
|--------------------------------|--------2-----------------------|
|--------------------------------|------------------------0---2---|
|--------------------------------|--------------------------------|
DO(Bb) - - - SOL(Bb) - RE/FA#(F/LA)
|--------------------------------|--------3-----------------------|
|---------------1---3----1-0-----|--------3-----------------------|
|---------------0----------------|--------0-----------------------|
|0-------2-----------------------|--------------------------------|
|3-------3-----------------------|--------------------------------|
|--------------------------------|----------------2---3---2---0---|
SONG : Treehouse

Here is the intro and verse for "Treehouse":
SOL DOadd9
1 a & a 2 a & a 3 a & a 4 a & a 1 a & a 2 a & a 3 a & a 4 a & a
e|3-------3-----3-3---3---3---3---|3-------3-----3-3---3---3---3---|
B|3-------3-----3-3---3---3---3---|3-------3-----3-3---3---3---3---|
G|4-------4-----4-4---4---4---4---|5-------5-----5-5---5---5---5---|
D|5-------5-----5-5---5---5---5---|5-------5-----3-5---3---5---3---|
A|5-------5-----3-5---3---5---3---|3-------3-----3-3---3---3---3---|
E|3-------3-----3-3---3---3---3---|--------------------------------|

This pattern is used for almost the whole song, eith the exception
of the end of the chorus which is just D C D C
then back to the above.
SONG : Tree House
This is a pretty easy song - just G C and D chords. Listen
to the cd for the rhythm. You can capo the third fret if you want
(I've seen Bill do that in concert), but it isn't necessary. Chords
are written for no capo.
Main progression:
switch between a G-G7 chord and a Csus2-Cmaj7sus2 chord.
SOL-G7 DOsus2-Cmaj7sus2
3 3 3 3
4 5p4h5
5p3p5 5
5 3 3 X
2nd progression:
(at the "way up in the trees"-type lines)
switch between a D chord and a C-Csus4 chord
RE DO-Csus4 5 3
7 5h6p5
7 5 7 5
5 3 X X
at the "rotted to the core" part, it's just a G and Csus2 progression

lyrics:(need lots of help)
Seasons change and I have found you
Looks like you've been here a long time
Looks like you're here to stay
And I reason that that's ok
When though, when will you be leaving
You're way up in the trees
Or afloat on the seas
I can't afford your voice
but I have no choice

Your bird drizzles forth twice nightly
And I once held on to you so tightly
You were made of wood and cried that no one understood
But I had splinters in my fingers
Tears welled in my eyes
no surprise
Washed swiftly from the sands
Into my hands
Into my hands
Treehouse, your mind is like a treehouse
And I climb up the shaky ladder
Your bird flies with you in claws of orange hue
I watch you flying over my head
You could not care less
So you got more
Like driftwood from the shore
You were rotten to the core
rotten to the core
Seasons change...

SONG : Would not be denied
Intro Riff
DOsus2 SOLmaj7 DOsus2 SOLmaj7
e--------3-3-3----2-2-2----3-3-3----2-2-2-||
B--------3-3-3----3-3-3----3-3-3----3-3-3-||
G--------0-0-0----0-0-0----0-0-0----0-0-0-||
D--------0-0-0----0-0-0----0-0-0----0-0-0-||
A--0-2-3-3-3-3--2-2-2-2--3-3-3-3--2-2-2-2-||
E-----------------------------------------||
Csus2 Gmaj7 Amin
e--------3-3-3----2-2-2----||
B--------3-3-3----3-3-3----||
G--------0-0-0----0-0-0----||
D--------0-0-0----0-0-0----||
A--0-2-3-3-3-3--2-2-2-2--0-||
E--------------------------||
This riff is also used throughout the song. Usually the Amin at the end will be
strummed, instead of only the bass note.
Bridge :
During the bridge basically 3 chords are used : Bm (x24432), C5 (x355xx),
and Amin (x02210)
DOsus2 SOLmaj7
Would not be released
DOsus2
Could not be denied
SOLmaj7
I tried to say the words
DOsus2 SOLmaj7
But got tripped up inside
DOsus2 SOLmaj7
You can murder them with guns
DOsus2
Poison them with lye
SOLmaj7
You can a persons life
Amin
You can't squelch his pride
Note : Music repeats in the same manner from here....
The city's not my own
This world is not my home
But I'll carry it on my back
As far as my feet will roam

I opened up my eyes
        I offered up my coat
        I opened up my mouth
        But knots tied in my throat
Will not be denied
Will not be denied
SIm
If not for my innocence my
DO5
Guilt would stop right here
SIm
Reliving all my life in
C5 Amin
the span of just one year
SIm
My mouth's a hurricane
DO5
But something inside just died
Bmin
I'd always just assumed
C5 Amin
My evil would subside
Could I have been misled
Could you have misread
Please don't punish me
For things I have not said

The last's a lonely mile
        I'll remember it for a while
        You'll never speak to me
        Unless it's to revile
Will not be denied
Will not be denied
        Will not be denied
        Will not be denied
        Will not be denied
Denied
Denied
SONG : Would Not Be Denied

Main progression:
Mainly just a C and Bm progression. Lead up to the C by playing
ascending A and B notes on the fifth string, and add the
minor 6th to the Bm chord:
    C     Bm-sus6min
    3     2h3
    5     3
5 4 5 4 0-2-3 2
X X
after repeating this progression a number of times (varies in the song)
play an Am chord. (high to low strings:01220X)
The "Will not be denied" part is the same progression with overdriven
guitars.
2nd progression:
At the "if not for innocence"part is just this progression
(same chord formations without the add-ons)
|Bmin |C |
|Bmin |C Amin | (repeat 2x)
play with overdriven guitars.

SONG : Latest Monkey
Intro
SIb5 DO5 MIb5 SIb5 DO5 MIb5
e-------------------------------------------------||
B-------------------------------------------------||
G------------------8-8-8------------------------8-||
D-8-8-8--10-10-10--8-8-8--8----8-8-8--10-10-10--8-||
A-8-8-8--10-10-10--6-6-6--8----8-8-8--10-10-10--6-||
E-6-6-6--8--8--8---x-x-x--6----6-6-6--8--8--8---x-||

Verse :
Only the chords are shown here. Again listen to the music for the strumming
pattern.
SIb5 MIb5 RE5 DO5 MIb5
e-------------------------||
B-------------------------||
G---------8--7---------8--||
D-----8---8--7----10---8--||
A-----8---6--5----10---6--||
E-----6---x--x----8----x--||

SIb5 MIb5
The newest clown
RE5 DO5
He cries an old type of tears
MIb5
Watch them fall
SIb5 MIb5
There they lie
RE5 DO5
Crispy ancient and they leak
MIb5
Formaldahyde
SIb5 DO5
Go........ing
MIb5 SIb5
Going I'm gone
SIb5 DO5
Go away
MIb5 SIb5
Going
Note : Music repeats in the same manner from here....

His tears they sit
Crusty rusted in a box
Inside a drawer
Grandpa's news
Fragile words are yellowed through
Forever more
Going
Going I'm gone
Go away
Going

Note : After this chorus, repeat the intro riff and then repeat this during
the next three lines.

SIb5 DO5
Sadder than sad
MIb5 SIb5
She's feeling bad
SIb5 DO5 MIb5
The monkey's the one who laughs last
Hold me down
Cut me loose when
Nighttime falls
And lifts away
I'm a ball
Bouncing off of a brick wall
Into the day

Going
Going I'm gone
Go away
Going
Gone
I am gone I am gone
Go away
Going
SONG : Latest Monkey

Capo the third fret again to play open chords. The chord names are the
relative open chords for when the third fret is capoed, with the real
chord names in parentheses. (Tabs are also with a capo on the third fret)
Opening chord progression is:
SOL(Bb) LA(C) DO(Eb) SOL(Bb) SOL(Bb) LA(C) DO(Eb)
Progression 2 (played twice through the verses) is:

SOL(Bb) DO(Eb) MIm/SI(Gm/RE) MIm5(Gm5) LAsus2(Csus2) DO(Eb)
The progression through the chorus is similar to the opening progression, just
add that high Bb on the first string to all the chords
(i.e. for when the third fret is capoed: G(Bb) A(C) C(Eb) )
MI 3 3 3 SI 3 2 1
SOL 0 2 0 RE 0 2 2 LA 2 0 3
MI 3 X X
| G(Bb) | A(C) | C(Eb) | G(Bb) ) (repeat twice)
the mini-solo played before the second verse looks like this:
(played over progression 2)
h=hammer on s=slide
p=pull off
e-------------0-------0-------------------------------0h3---3---------
b-0---1---3---------------1---0---0h1p0---1---0---------------------0-
g-------------------------------------------------0-----------1s2-----
d---------------------------------------------------------------------
a---------------------------------------------------------------------
E---------------------------------------------------------------------

e---------------------------------------------------------------------
b---3---0---------------------------1----s--3---3---1---0---3---------
g--------------2--------0-----------------------------------0---------
d------------------2--------0---2---------------------------0---------
a---------------------------------------------------------------------
E---------------------------------------------------------------------
the "sadder than sad" progression is just the same as the opening progression
(repeat the first two measures 3 times and then play the last two measures to
lead into the next verse)
the song ends on the intro progression.
chords:
SOL(Bb) LA(C) DO(Eb) MIm/SI(Gm/RE) MIm5(Gm5) LAsus2(Csus2)3 0 0 0 X 0
3 2 1 0 X 0 0 2 0 0 X 2 0 2 2 2 2 2
2 0 3 2 2 0 3 X X X 0 X
SONG : Dry Land

Capo the fifth fret to play open chords. The chord names given
are the relative open chords, with the real chord names in
parentheses. Tab is given for when the fifth fret is capoed.
Chords:
RE(G) LA(D) RE7(G7) SOL(C) MIm(Am)2 0 2 X 0
3 2 1 3 0 2 2 2 0 0 0 2 0 0 2
X 0 X 2 2 X X X 3 0
opening progression:
part 1:
RE(G) LA(D) RE7(G7) SOL(C) RE(G) LA(D) RE7(G7) SOL(C)
part 2:
MIm(Am) LA(D) MIm(Am) LA(D) SOL(C)
part 1 of the opening progression is also played through the verses,
while part 2 is played through the chorus
solo: (played over part 2)
---------------------------------------------------------3s2-----3-3s5
-----------------------------------------0-----------0h3--------------
---------------------------0---------0-2--2p0-0--0h2------------------
-2-------0-0-0----0h2--2h4----2----2----------------------------------
-2---0-2--------------------------------------------------------------
-0--------------------------------------------------------------------

--5---5s3-------------------------------------------------------------
-----------3s5-3---3---3-3-3------------------------------------------
----------------------------------------------------------------------
----------------------------------------------------------------------
----------------------------------------------------------------------
----------------------------------------------------------------------
SONG : Dry Land

I wanted to add my version to this song, if you don't own a capo you could try
something like this. It's probably not perfect but sounds allright to me !
(Lyrics are provided by Efren)
The chords I use (No Capo !) : Gsus2 = 300033
       GMaj9 (F# Bass) = 200032
       G(No 3rd) (D Bass) = xx0033
       D = xx0232
Am = x02210
Intro : Gsus2 GMaj9 G(No 3rd) GMaj9 (repeat twice)
LAm RE LAm RE
lyrics:

SOLsus2 SOLMaj9
She comes to me
G(No 3rd) GMaj9
In her pre-washed bright blue jeans
SOLsus2 SOLMaj9
Bag sewn tightly
G(No 3rd) GMaj9
Pursed lips are kissing me
SOLsus2 SOLMaj9
Back up to college
G(No 3rd) GMaj9
Just a few miles down the road
SOLsus2 SOLMaj9
And we remember
G(No 3rd) GMaj9
Something we've never been told
LAm RE
Come up on dry land
Amin
I've had too much to drink
RE
I'm tired and need some sleep

Note : Music repeats in the same manner from here....
Come September
Cold mornings open up
Make incisions
And cut egos will erupt
What did you find
Hidden in your mind's deep recess
When the going gets tough
You and I must take a rest
Come up on dry land
Your coming into your own
But hey that's not my fault

Come up on to this Dry Land
Won't you let me lend a hand
Come up on to this Dry Land
        And when I surfaced
        Mountains opened up like fish
        Breathe through gills now
        And I'm making one small wish
        With heaven beside me
        There is no one can do me harm
But the devil inside me
At least then I can stay warm
Come up on dry land
She understood her fate
You can't take stands
Too late

Come up on to this dry land
Won't you let me lend a hand
Come up on to this dry land
SONG : Torch Singer

The chords I use for this song are : GMaj9 (F# Bass) = 200032
Csus2 = x30033
G = 320033
Listen to the song for the strumming pattern, it isn't difficult.
SOL SOLMaj9
These things crawl across my floor
DOsus2 SOLMaj9
I can't use them anymore
SOL SOLMaj9
There's a heaven in her band
DOsus2 SOLMaj9 DOsus2 SOLMaj9 DOsus2 SOLMaj9
Alleluias in my hand
Note : Music repeats in the same manner from here....
        All my patience love's insides
        She's just climbed the stage and died
        Lights that rose and fell again
Songs that thinned out near the end Oho
DOsus2 SOL
Her voice travelled off in the end
Though your miles are more than mine
The things I've taken in a bind
It's for certain, it's for sure
I've no use for them no more
        Making room within one's self
        For another's song to help
        And it all comes back to me
As I walk hungover down the street

oho
SOL SOLMaj9 DOsus2 SOLMaj9
And it all comes back to me (And it all comes back to me)
And it all comes back to me (And it all comes back to me)
And it all comes back to me (And it all comes back to me)

As I walk hungover down the street
She's a mother in disguise
I look different in her skies
        But it's morning so I say
        Here's a big red letter day
        Her skin's like whitewash like skim milk
Her words sing softly just like silk

There are some things I've got to say
        She won't understand anyway
        There are miles between our hearts
        There's salvation in false starts
Oho
I'm forsaken in the end (I'm forsaken in the end)
I'm forsaken in the end (I'm forsaken in the end)
I'm forsaken in the end (I'm forsaken in the end)
I'm forsaken in the end (I'm forsaken in the end)
SONG : Late At Night
[i] INTRO:
RE // RE(2) RE / REsus2 //// RE RE(2) RE /
[ii] PLAY THIS AT THE VERSES:

Dsus2-D // D(2) D Dsus2 O A(2)-Am
       I-i    close  my  door   at   ni-ight
  LAm  /    /   /  LA(2)-C
   But they get in  all-right
DO / / / SOL/RE //// RE //
And she turns on the light
(3 TIMES) AND AT THE END DO THE 'G/D-D' BREAK ONE TIME EXTRA.. THEN PLAY

[iii] THE CHORUS, LIKE THIS (I hope):
DO SOL
If I could hold them in my hand
   G                 O-Am
   I'd make them under-stand
  LAm               DO
   I'm not a haunted mind
  DO                   SOL/RE  //// RE //
   I'm not a thoughtless kind
(2 TIMES) AND AGAIN AN EXTRA 'G/D-D' BREAK.
THE SONG ENDS WITH PLAYING THIS 3 TIMES:

LAm DO
   I do it if I could
  DO               SOL/RE  //// RE //
   I hope you know I would
LYRICS:
I close my door at night,
But they get in all right,
And she turns on the light.
I, I held her hands so tight,
'Cause words don't come out right,
And she sees things at night.

But me, I'm closer to the door,
I don't get scared no more,
But I don't know the score.
(CHORUS )
If I could hold them in my hand,
I'd make them understand.
I'm not a haunted mind,
I'm not a thoughtless kind.
If I could put them in a jar,
I know they wouldn't scar,
I do it if I could,
I hope you know I would.

I close my door at night,
But she gets in all right
So I turn on the light.
I held her hand too tight,
Too hard to make it right,
So I could sleep at night.
(END:)
I do it if I could,
I hope you know I would. (3x)

CHORD-CAST (in order of appearance):
RE - xx0232 LA(2) - 002200 SOL/RE - 3x0033 RE(2) - xx0233 LAm - 002210 SOL - 3x0003
REsus2 - xx0230 DO - x32010

OTHER CRAPY FEATURES:
O = Play all strings (between two chords just 'play' 000000)
/ = Repeat chord
- = Fast change

SONG : Anything That Way
capo 3rd fret
SOL 355433 RE x57775 (x57785) DO x35553 (x35533)
MIm x79987 LA 577655
add miscellaneous hammer-ons to the D and C chords

Intro: G D C (X2) ...same chord progression continues throughout verse
The moon was full your whisky sour
Oh girl there's no need to be so down
Cause when you walk with me in the beginning of the day
You say I don't need anything that way
I'm wishing things could be the same
When things got broken you came
My moods were always changing they were blue then brown then grey
You say I don't need anything that way
You say I don't need anything that way
RE MIm
I'm fighting tooth and nail
LA
Against these demons in my head
No matter where I'm sleeping
My history's right there in bed
When things blew open you flew in
I was caught red-handed once again
Was I really robbing you of the best days of your life
I'm sorry I never meant anything that way
SOL RE DO SOL RE DO
G D Em C(use 8th fret barre chord)
SOL RE DO

The mailman came this way today
He said no sir I've got nothing for you today
Went outside in the morningtime but I got lost along the way
You say I don't need anything that way
No no I don't need anything that way
Oh no I don't need anything that way
I don't need anything that way that way
I don't need anything that way
The songs are :

1. Sodajerk
..Attached
2. I'm Allowed
..Attached
3. Tree house
..Attached
4. Would Not Be Denied
..Attached
5. Latest Monkey
..Attached
6. My responsibility
..Needed
7. Dry land
..Attached
8. Torch singer
..Attached
9. Late at night
..Attached
10. Suppose
..Needed
11. Anything that way
..Attached
CHANGES : Added Sodajerk,
..Treehouse, Late at night, Dry
..Land, and Torch
Singer. Added more versions of
..certain songs.
Changed many chord names using
..ChordMagic posted on the net.
since v0.75 : Added Anything
..that way, changed some more
..lyrics, added yet
another version (sort of) of I'm
..Allowed !
since v0.85 Changed MANY lyrics
..thanks to Fred who had the
..lyrics sheets !

intro
SOL - - - DO/SOL - - - DOmaj7
|3------------------------------
|3-------------------------0-0-0
|0-------------------------0-0-0
|0-------------------------0-0-0
|2------------------------------
|3------------------------------
...
-|-|3----------------------------
-|-|1-------------------------0-0
-|-|0-------------------------0-0
-|-|2-------------------------2-2
-|-|3----------------------------
-|-|3----------------------------
...
-|---|
-|-0-|
-|-0-|
-|-2-|
-|---|
-|---|

SOL - - - DO
- - - DOmaj7
|3------------------------------
|3-------------------------0-0-0
|0-------------------------0-0-0
|0-------------------------0-0-0
|2------------------------------
|3------------------------------
...
-|-|3----------------------------
-|-|1---------------------1---0-0
-|-|0---------------------0---0-0
-|-|2---------------------2---2-2
-|-|3----------------------------
-|-|3----------------------------
...
-|---|
-|-0-|
-|-0-|
-|-2-|
-|---|
-|---|
SOL - - - DO/SOL - - -
DOmaj7
|3---3-3-----3-3-----3-3--------
|3---3-3-3---3-3-3---3-3-3-0-0-0
|0---0-0-0---0-0-0---0-0-0-0-0-0
|0-------0-------0-------0-0-0-0
|2-------2-------2-------2------
|3-------3-------3-------3------
...
-|-|3---3-------3-------3---------
-|-|1---1-0-1---1-0-1---1-0-1-0-0-
-|-|0---0-0-0---0-0-0---0-0-0-0-0-
-|-|2-------2-------2-------2-----
-|-|3-------3-------3-------3-----
-|-|3---------------3-------3-----
...
-|--|
-|--|
-|--|
-|--|
-|--|
-|--|
SOL - - - DO - - - DOmaj7
|3---3-3-----3-3-----3-3--------
|3---3-3-3---3-3-3---3-3-3-0-0-0
|0---0-0-0---0-0-0---0-0-0-0-0-0
|0-------0-------0-------0-0-0-0
|2-------2-------2-------2------
|3-------3-------3-------3------
...
-|-|3---3---3---3---3-------3-----
-|-|1---1-0-1---1-0-1-----0-1-0-0-
-|-|0---0-0-0---0-0-0-----0-0-0-0-
-|-|2-------2-------2-------2-----
-|-|3-------3-------3-------3-----
-|-|3---------------3-------3-----
...
-|--|
-|--|
-|--|
-|--|
-|--|
-|--|

The last four measures are
..repeated throughout the verse.

The "Could my eyelids" progression
..looks like this:

SOL - - -
SOLsus2(add DO#)- - -
|3-3-3--------------------------
|3-3-3--------------------------
|0-0-0-----etc------------------
|0-0-0--------------------------
|2-2-2--------------------------
|3-3-3--------------------------
...
-|-|3-3-3-------------------------
-|-|2-2-2-------------------------
-|-|0-0-0---etc-------------------
-|-|0-0-0-------------------------
-|-|0-0-0-------------------------
-|-|3-3-3-------------------------
...
-|--|
-|--|
-|--|
-|--|
-|--|}(These two
-|--|}strings are
optional, I leave them
..out)
DO/SOL - - -
RE - DO -
|3---3-------3-------3----------
|1---1-0-1---1-0-1---1-0-1-0-0--
|0---0-0-0---0-0-0---0-0-0-0-0--
|2-------2-------2-------2------
|3-------3-------3-------3------
|3-------3-------3-------3------
...
-|-|2-----2---2-2-2-3-----3------
-|-|3---3-3---3-3-3-1---1-1---1-1
-|-|2---2-2---2-2-2-0---0-0---0-0
-|-|0---0-----0-0-0-2---2-2---2--
-|-|----------------3------------
-|-|-----------------------------
...
-|---|
-|-0-|
-|-0-|
-|---|
-|---|
-|---|
play the intro between verses.
..The little phrase he throws in
..between verses
looks like this:
SOL - - -
DO/SOL - - - DOmaj7
|3-----------------3-2---3-3----
|3-----------------3-------3---0
|0------------------------------
|0------------------------------
|2------------------------------
|3------------------------------
...
-|-|3-----------------------3----
-|-|1-----------------------1---0
-|-|0-----------------------0---0
-|-|2-----------------------2---2
-|-|3-----------------------3----
-|-|3----------------------------
...
-|---|
-|-0-|
-|-0-|
-|-2-|
-|---|
-|---|

solo: (two guitars on the album -
..you can play it over the chords
..by yourself)
SOL - - - DO - - -
|-------------------------------
|3---3-3-3---3-3-3-1-1-1---0-0-0
|-------------------------------
|-------------------------------
|-------------------------------
|-------------------------------
...
-|-|-----------------------------
-|-|1---1-0-1---1-0-1-1-0--------
-|-|------------------------2---0
-|-|-----------------------------
-|-|-----------------------------
-|-|-----------------------------
...
-|---|
-|---|
-|-0-|
-|---|
-|---|
-|---|

SOL - - -
DO - - -
|------------------0------------
|3---3-3-3---3-3-3---3-1---0-0-0
|-------------------------------
|-------------------------------
|-------------------------------
|-------------------------------
...
-|-|------------------------0-----
-|-|1---1-0-1---1-0-1---3-------3-
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
...
-|--|
-|--|
-|--|back to
-|--|the intro
-|--|riff
-|--|
The "solid angle" progression is
..just arpeggiations of the intro.
outro:
SOL - - -
DO - - -
|-------------------------------
|3---3-3-3---3-3-3-1-1-1---0-0-0
|-------------------------------
|-------------------------------
|-------------------------------
|-------------------------------
...
-|-|-----------------------------
-|-|1---1-0-1---1-0-1-1-0--------
-|-|------------------------2---0
-|-|-----------------------------
-|-|-----------------------------
-|-|-----------------------------
...
-|---|
-|---|
-|-0-|
-|---|
-|---|
-|---|
SOL - - - DO - - -
|-------------------------------
|3------------------------------
|-------------------------------
|----------------------------0-2
|------------------0-2-3--------
|----------------3--------------
...
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|2-----------------------------
-|-|------------------------------
-|-|------------------------------
...
-|--|
-|--|
-|--|
-|--|
-|--|
-|--|
The song ends with a couple more
..measures of arpeggiation and
..then the
last two measures of the outro
..again.
Lyrics :
Watch an eyeball
Take a free fall
At the mention of a name
In it's socket
Like a rocket
Rises just the same

But could my eyelids
Cover what I did
The shutting of the door
Could these ceilings
Contain my feelings
Me down on the floor
Jerked my fountain
and ice cream mountain
I suppose I'm just too late
Form a line here
I think I'll die here
These people nauseate me
But if my patience
Were a spaceship
High up in orbit
Then I would rise here
Hypnotized here
Listen where I sing
Risen from where I sit
A solid angle
My legs do dangle
Off the counter's edge
Soft words spoken
Promises broken
Close my eyes instead
But could my eyelids
Cover what I did
The shutting of the door
Could these ceilings
Contain my feelings
Me down on the floor
Me down on the floor
Me down on the floor
Me down on the floor

SONG : I'm Allowed
Note: the chord progression stays
..the same throughout the song.
..Listen to the
song to get some sort of a picking
..pattern. Meanwhile you can get
..away with the
following.
Verse:
MIbMaj9 SOLm DOsus2 DOm DOsus2 (Add LA)
SIbm
e-----3-------3-----------------6-
B-----3-------3--4-3-3-4--------6-
G-----3--5-3--5-----------------8-
D-----5-------5-----------------8-
A-----5-------3-----------3-5-6-6-
E--3--3-------x-----------------x-
...
-|---6---6--
-|---6---6--
-|---6---6--
-|---8---8--
-|---8---8--
-|-6-6-5-6-5
...
-|-||
-|-||
-|-|| repeat for the verse
-|-||
-|-||
-|-||
Here Ed Cheng writes (It's about
..the same as I play it too, I
..didn't notate all
the strums
..that I use, Alexander) :
The way I play it (pretty much the
..same as Efren's):
(Capo 3rd fret)
SOLm DOm MI
SIb LA/SIb
e-----3--3-3--3----3-3--------3-3
B-----3--3-3--4-p3-3-4--------4-4
G-----3--5-3--5----5-3--------3-3
D-----5--5-5--5----5-5--------3-5
A-----5--5-5--3----3-3----3-5-6-6
E--3--3--3-3--x----x-x--------x-x
...
-|-3-3-------6---6---||
-|-4-4-------3---3---||
-|-3-3-------3---3---|| etc.
-|-5-3-------3---3---||
-|-6-6-------x---x---||
-|-x-x-----6-6-5-5---||
(p=pull-off)
Chorus: All power chords. Just
..Hit :

SIb5 DO5 MIb5
e-------x-x--------x-x------------
B-------x-x--------x-x------------
G-------x-x--------x-x--8-8-------
D--8-8--x-x--10-10-x-x--8-8-------
A--8-8--x-x--10-10-x-x--6-6-------
E--6-6--x-x--8--8--x-x------------
Another version provided by Ed
..Cheng :
...and the way I do the chorus
..(different from Efren's):
SIb DO7sus9(x35333x) MI
SOLm DOsus2
Waited for an answer
MIbMaj9 SIbm
But I waited for 25 years
SOLm DOsus2
They stopped my bleeding
MIbMaj9 SIbm
But could never stop all those
..tears

SOLm DOsus2
I waited for the day when
MIbMaj9 SIbm
He came out from beneath all that
..weight
SOLm DOsus2
I tried to lift it
MIbMaj9
But it seems I got there too
SIb5 DO5 MIb5
Late
SIb5 DO5 MIb5
Just to late
SIb5 DO5 MIb5
Just to late
SIb5 DO5 MIb5 SIb5
Cause I'm allo_________wed
Note : Music repeats in the same
..manner from here....
Came to the party
But I got my own signals crossed
Thought I was welcome
But I felt like I should get lost

I know that I'm older
Cause I feel that
..everywhere
I could talk to no one
Cause I knew not one person

There
No one's there
They just stared
But they're allowed
As vivid as a car wreck
Watch them dripping off
..highway ramps
She came to me smiling
Her heart underneath both her
..hands

She spoke of a French boy
At least two times through the
..night
It could have been the
..liquor
Or the music but that is
All right
That's all right
She's allowed
And I'm allowed
I'm allowed
I'm allowed
SONG : I'm Allowed
Place a capo on the third fret for
..this song. Tabs are given for
when the third fret is capoed.
..The chord names above the tabs
..are
the relative open chords for when
..the third fret is capoed, with
..the
real chord names in parentheses.
Basically, there is one major
..chord progression:
(Rhythm pattern is not completely
..correct - listen to the
..recording
to get the right pattern)

h=hammer on
p=pull off

MIm(Gm) - - -
LAm(Cm) - - -
e|--------0----------------------
b|--------0-------------------1-1
g|--------0-------------2-0-0----
d|2-------2----------------------
a|2------------------------------
E|0------------------------------
...
-|-|------------------------------
-|-|1---1---1p0-----0-h-1---------
-|-|2-------2-------2-------------
-|-|2-------2---------------------
-|-|------------------------0---2-
-|-|------------------------------
...
-|--|
-|--|
-|--|
-|--|
-|--|
-|--|
DO(Bb) - - - SOL(Bb) - RE/FA#(F/LA)
|-------------------------------
|------------1---1-------1------
|0---------------0-0-0---0------
|0---h---2-------0---0---0------
|3-------3----------------------
|-------------------------------
...
-|-|3--------3-------2-----2-3-2--
-|-|3--------3-------3-----3----3-
-|-|0--------0-------2-----2------
-|-|0--------0-------0------------
-|-|2----------------0------------
-|-|3----------------2------------
...
-|--|
-|--|
-|--|and back to
-|--| Em
-|--|
-|--|
The change during "noone's there"
..line is just this progression
..for
four measures:
SOL(Bb) - LAm(Cm) - DO(Bb) - - -
|3---3---3---3---3---3---3---3--
|0---0---0---0---1---1---1---1--
|0---0---0---0---2---2---2---2--
|0---0---0---0---2---2---2---2--
|2---2---2---2---0---0---0---0--
|3---3---3---3------------------
...
-|-|3---3---3---------------------
-|-|1---1---1---------------------
-|-|0---0---0----etc--------------
-|-|2---2---2---------------------
-|-|3---3---3---------------------
-|-|------------------------------
...
-|--|
-|--|
-|--|
-|--|
-|--|
-|--|
then play G D/F# E
..into the main progression again.

solo (played over the main
..progression):
MIm(Gm) - - - LAm(Cm) - - -
|--------0----------------------
|--------0-------------0-----1-1
|--------0-------------2-0-0----
|2-------2----------------------
|2------------------------------
|0------------------------------
...
-|-|------------------------------
-|-|1---1---1p0-----0-h-1---------
-|-|2-------2-------2-------------
-|-|2-------2---------------------
-|-|------------------------0---2-
-|-|------------------------------
...
-|--|
-|--|
-|--|
-|--|
-|--|
-|--|
DO(Bb) - - -
SOL(Bb) - RE/FA#(F/LA)
|-------------------------------
|---------------1---3----1-0----
|---------------0---------------
|0-------2----------------------
|3-------3----------------------
|-------------------------------
...
-|-|--------3-------2------2----2-
-|-|--------3-------3--------3----
-|-|0-------0-------2-------------
-|-|0-----------------------------
-|-|2-----------------------------
-|-|3-----------------------------
...
-|--|
-|--|
-|--|
-|--|
-|--|
-|--|
MIm(Gm) - - -
LAm(Cm) - - -
|--------2---------------3---2--
|--------0----------------------
|--------0----------------------
|-------------------------------
|-------------------------------
|-------------------------------
...
-|-|0-----------------------------
-|-|1-------1p0-----0-h-1---------
-|-|--------2-------2-------------
-|-|--------2---------------------
-|-|------------------------0---2-
-|-|------------------------------
...
-|--|
-|--|
-|--|
-|--|
-|--|
-|--|
DO(Bb) - - - SOL(Bb) - RE/FA#(F/LA)
|--------------------------------|
|---------------1---3----1-0-----|
|---------------0----------------|
|0-------2-----------------------|
|3-------3-----------------------|
|--------------------------------|
...
-|--------3----------------------
-|--------3----------------------
-|--------0----------------------
-|-------------------------------
-|-------------------------------
-|----------------2---3---2---0--
...
-|-|
-|-|
-|-|
-|-|
-|-|
-|-|
SONG : Treehouse

Here is the intro and verse for
.."Treehouse":

SOL
DOadd9

1 a & a 2 a & a 3 a & a 4 a & a
..1 a & a 2 a & a 3 a & a 4 a & a
e|3-------3-----3-3---3---3---3--
B|3-------3-----3-3---3---3---3--
G|4-------4-----4-4---4---4---4--
D|5-------5-----5-5---5---5---5--
A|5-------5-----3-5---3---5---3--
E|3-------3-----3-3---3---3---3--
...
-|-|3-------3-----3-3---3---3---3-
-|-|3-------3-----3-3---3---3---3-
-|-|5-------5-----5-5---5---5---5-
-|-|5-------5-----3-5---3---5---3-
-|-|3-------3-----3-3---3---3---3-
-|-|------------------------------
...
-|--|
-|--|
-|--|
-|--|
-|--|
-|--|
This pattern is used for almost
..the whole song, eith the
..exception
of the end of the chorus which is
..just D C D C
then back to the above.

SONG : Tree House
This is a pretty easy song - just
..G C and D chords. Listen
to the cd for the rhythm. You can
..capo the third fret if you want
(I've seen Bill do that in
..concert), but it isn't
..necessary. Chords
are written for no capo.
Main progression:
switch between a G-G7 chord and a
..Csus2-Cmaj7sus2 chord.
SOL-G7 DOsus2-Cmaj7sus2 3 3 3 3
4       5p4h5
5p3p5   5
5       3
3 X

2nd progression:
(at the "way up in the trees"-type
..lines)
switch between a D chord and a
..C-Csus4 chord
RE DO-Csus4 5 3
7 5h6p5
7 5 7 5
5 3 X X
at the "rotted to the core" part,
..it's just a G and Csus2
..progression
lyrics:(need lots of help)
Seasons change and I have found
..you
Looks like you've been here a long
..time
Looks like you're here to stay
And I reason that that's ok
When though, when will you be
..leaving

You're way up in the trees
Or afloat on the seas
I can't afford your voice
but I have no choice
Your bird drizzles forth twice
..nightly
And I once held on to you so
..tightly
You were made of wood and cried
..that no one understood
But I had splinters in my fingers
Tears welled in my eyes
no surprise
Washed swiftly from the sands
Into my hands
Into my hands
Treehouse, your mind is like a
..treehouse
And I climb up the shaky ladder
Your bird flies with you in claws
..of orange hue
I watch you flying over my head
You could not care less
So you got more
Like driftwood from the shore
You were rotten to the core
rotten to the core
Seasons change...
SONG : Would not be denied

Intro Riff
DOsus2 SOLmaj7 DOsus2 SOLmaj7
e--------3-3-3----2-2-2----3-3-3-
B--------3-3-3----3-3-3----3-3-3-
G--------0-0-0----0-0-0----0-0-0-
D--------0-0-0----0-0-0----0-0-0-
A--0-2-3-3-3-3--2-2-2-2--3-3-3-3-
E--------------------------------
...
-|---2-2-2-||
-|---3-3-3-||
-|---0-0-0-||
-|---0-0-0-||
-|-2-2-2-2-||
-|---------||
Csus2 Gmaj7 Amin
e--------3-3-3----2-2-2----||
B--------3-3-3----3-3-3----||
G--------0-0-0----0-0-0----||
D--------0-0-0----0-0-0----||
A--0-2-3-3-3-3--2-2-2-2--0-||
E--------------------------||

This riff is also used throughout
..the song. Usually the Amin at
..the end will be
strummed, instead of only the bass
..note.

Bridge :
During the bridge basically 3
..chords are used : Bm (x24432),
..C5 (x355xx),
and Amin (x02210)

DOsus2 SOLmaj7
Would not be released
DOsus2
Could not be denied
SOLmaj7
I tried to say the words
DOsus2 SOLmaj7
But got tripped up inside

DOsus2
You can murder them with guns
SOLmaj7
DOsus2
Poison them with lye
SOLmaj7
You can a persons life
Amin
You can't squelch his
..pride

Note : Music repeats in the same
..manner from here....

The city's not my own
This world is not my home
But I'll carry it on my back
As far as my feet will roam
I opened up my eyes
I offered up my coat
I opened up my mouth
But knots tied in my
..throat
Will not be denied
Will not be denied
SIm
If not for my innocence my
DO5
Guilt would stop right here
SIm
Reliving all my life in
C5 Amin
the span of just one year
SIm
My mouth's a hurricane
DO5
But something inside just died
Bmin
I'd always just assumed
C5 Amin
My evil would subside
Could I have been misled
Could you have misread
Please don't punish me
For things I have not said

The last's a lonely mile
I'll remember it for a
..while
You'll never speak to me
Unless it's to revile

Will not be denied
        Will not be denied
        Will not be denied
        Will not be denied
Will not be denied
Denied
Denied
SONG : Would Not Be Denied
Main progression:
Mainly just a C and Bm
..progression. Lead up to the C
..by playing
ascending A and B notes on the
..fifth string, and add the
minor 6th to the Bm chord:
C Bm-sus6min
3 2h3
5 3 5 4 5 4
0-2-3 2 X X
after repeating this progression a
..number of times (varies in the
..song)
play an Am chord. (high to low
..strings:01220X)

The "Will not be denied" part is
..the same progression with
..overdriven
guitars.
2nd progression:
At the "if not for innocence"part
..is just this progression
(same chord formations without the
..add-ons)
|Bmin |C |
|Bmin |C Amin |
..(repeat 2x)
play with overdriven guitars.

SONG : Latest Monkey
Intro
SIb5 DO5 MIb5 SIb5 DO5 MIb5
e---------------------------------
B---------------------------------
G------------------8-8-8----------
D-8-8-8--10-10-10--8-8-8--8----8-8
A-8-8-8--10-10-10--6-6-6--8----8-8
E-6-6-6--8--8--8---x-x-x--6----6-6
...
-|----------------||
-|----------------||
-|--------------8-||
-|-8--10-10-10--8-||
-|-8--10-10-10--6-||
-|-6--8--8--8---x-||
Verse :
Only the chords are shown here.
..Again listen to the music for
..the strumming
pattern.
SIb5 MIb5 RE5 DO5 MIb5
e-------------------------||
B-------------------------||
G---------8--7---------8--||
D-----8---8--7----10---8--||
A-----8---6--5----10---6--||
E-----6---x--x----8----x--||
SIb5 MIb5
The newest clown
RE5 DO5
He cries an old type of tears
MIb5
Watch them fall
SIb5 MIb5
There they lie
RE5 DO5
Crispy ancient and they leak
MIb5
Formaldahyde
SIb5 DO5
Go........ing
MIb5 SIb5
Going I'm gone
SIb5 DO5
Go away
MIb5 SIb5
Going
Note : Music repeats in the same
..manner from here....
His tears they sit
Crusty rusted in a box
Inside a drawer
Grandpa's news
Fragile words are yellowed
..through
Forever more
Going
Going I'm gone
Go away
Going

Note : After this chorus, repeat
..the intro riff and then repeat
..this during
the next three lines.
SIb5 DO5
Sadder than sad
MIb5 SIb5
She's feeling bad
SIb5 DO5
The monkey's the one who laughs
MIb5
..last
Hold me down
Cut me loose when
Nighttime falls
And lifts away
I'm a ball
Bouncing off of a brick wall
Into the day
Going
Going I'm gone
Go away
Going

Gone
I am gone I am gone
Go away
Going
SONG : Latest Monkey
Capo the third fret again to play
..open chords. The chord names are
..the
relative open chords for when the
..third fret is capoed, with the
..real
chord names in parentheses. (Tabs
..are also with a capo on the
..third fret)
Opening chord progression is:

SOL(Bb) LA(C) DO(Eb) SOL(Bb)
SOL(Bb) LA(C) DO(Eb)
Progression 2 (played twice
..through the verses) is:
SOL(Bb) DO(Eb) MIm/SI(Gm/RE) MIm5(Gm5) LAsus2(Csus2) DO(Eb)
The progression through the chorus
..is similar to the opening
..progression, just
add that high Bb on the first
..string to all the chords
(i.e. for when the third fret is
..capoed: G(Bb) A(C) C(Eb)
.. )
MI 3 3 3 SI 3 2 1 SOL 0 2 0
RE 0 2 2 LA 2 0 3 MI 3 X X
| G(Bb) | A(C) | C(Eb)
..| G(Bb) ) (repeat twice)
the mini-solo played before the
..second verse looks like this:
(played over progression 2)
h=hammer on s=slide
p=pull off
e-------------0-------0----------
b-0---1---3---------------1---0--
g--------------------------------
d--------------------------------
a--------------------------------
E--------------------------------
...
-|---------------------0h3---3----
-|-0h1p0---1---0------------------
-|-----------------0-----------1s2
-|--------------------------------
-|--------------------------------
-|--------------------------------
...
-|-----
-|---0-
-|-----
-|-----
-|-----
-|-----

e---------------------------------
b---3---0-------------------------
g--------------2--------0---------
d------------------2--------0---2-
a---------------------------------
E---------------------------------
...
-|--------------------------------
-|--1----s--3---3---1---0---3-----
-|--------------------------0-----
-|--------------------------0-----
-|--------------------------------
-|--------------------------------
...
-|----
-|----
-|----
-|----
-|----
-|----

the "sadder than sad" progression
..is just the same as the opening
..progression
(repeat the first two measures 3
..times and then play the last two
..measures to
lead into the next verse)
the song ends on the intro
..progression.
chords:
SOL(Bb) LA(C) DO(Eb)
MIm/SI(Gm/RE) MIm5(Gm5) LAsus2(Csus2)3 0 0 0
X 0 3 2 1 0 X 0
0 2 0 0 X 2 0 2 2 2
2 2 2 0 3 2 2 0
3 X X X 0 X
SONG : Dry Land

Capo the fifth fret to play open
..chords. The chord names given
are the relative open chords, with
..the real chord names in
parentheses. Tab is given for
..when the fifth fret is capoed.
Chords:
RE(G) LA(D) RE7(G7) SOL(C) MIm(Am)
2 0 2 X 0 3 2 1 3
0 2 2 2 0 0
0 2 0 0 2 X 0 X 2
2 X X X 3 0
opening progression:
part 1:
RE(G) LA(D) RE7(G7) SOL(C)
part 2:
RE(G) LA(D) RE7(G7) SOL(C)
MIm(Am) LA(D) MIm(Am) LA(D) SOL(C)
part 1 of the opening progression
..is also played through the
..verses,
while part 2 is played through the
..chorus
solo: (played over part 2)
----------------------------------
----------------------------------
---------------------------0------
-2-------0-0-0----0h2--2h4----2---
-2---0-2--------------------------
-0--------------------------------
...
-|-----------------------3s2-----3
-|-------0-----------0h3----------
-|---0-2--2p0-0--0h2--------------
-|-2------------------------------
-|--------------------------------
-|--------------------------------
...
-|-3s5
-|----
-|----
-|----
-|----
-|----

--5---5s3-------------------------
-----------3s5-3---3---3-3-3------
----------------------------------
----------------------------------
----------------------------------
----------------------------------
...
-|--------------------------------
-|--------------------------------
-|--------------------------------
-|--------------------------------
-|--------------------------------
-|--------------------------------
...
-|----
-|----
-|----
-|----
-|----
-|----

SONG : Dry Land
I wanted to add my version to this
..song, if you don't own a capo
..you could try
something like this. It's probably
..not perfect but sounds allright
..to me !
(Lyrics are provided by Efren)
The chords I use (No Capo !) :
..Gsus2 = 300033
GMaj9 (F# Bass) = 200032
G(No 3rd) (D Bass) =
..xx0033
D = xx0232
Am = x02210
Intro : Gsus2 GMaj9 G(No 3rd)
..GMaj9 (repeat twice)
LAm RE LAm RE
lyrics:

SOLsus2 SOLMaj9
She comes to me
G(No 3rd) GMaj9
In her pre-washed bright blue
..jeans
SOLsus2 SOLMaj9
Bag sewn tightly
G(No 3rd) GMaj9
Pursed lips are kissing me
SOLsus2 SOLMaj9
Back up to college
G(No 3rd) GMaj9
Just a few miles down the road
SOLsus2 SOLMaj9
And we remember
G(No 3rd) GMaj9
Something we've never been told

LAm RE
Come up on dry land
Amin
I've had too much to drink
RE
I'm tired and need some sleep
Note : Music repeats in the same
..manner from here....
Come September
Cold mornings open up
Make incisions
And cut egos will erupt
What did you find
Hidden in your mind's deep recess
When the going gets tough
You and I must take a rest
Come up on dry land
Your coming into your own
But hey that's not my fault
Come up on to this Dry Land
Won't you let me lend a hand
Come up on to this Dry Land

And when I surfaced
Mountains opened up like
..fish
Breathe through gills now
And I'm making one small
..wish
With heaven beside me
There is no one can do me
..harm
But the devil inside me
At least then I can stay warm

Come up on dry land
She understood her fate
You can't take stands
Too late
Come up on to this dry land
Won't you let me lend a hand
Come up on to this dry land

SONG : Torch Singer
The chords I use for this song are
..: GMaj9 (F# Bass) = 200032
Csus2 = x30033
G = 320033
Listen to the song for the
..strumming pattern, it isn't
..difficult.
SOL SOLMaj9
These things crawl across my
..floor
DOsus2 SOLMaj9
I can't use them anymore
SOL SOLMaj9
There's a heaven in her band
DOsus2 SOLMaj9
Alleluias in my hand
DOsus2 SOLMaj9 DOsus2 SOLMaj9
Note : Music repeats in the same
..manner from here....
All my patience love's
..insides
She's just climbed the
..stage and died
Lights that rose and fell
..again
        Songs that thinned out
..near the end      Oho
  DOsus2
Her voice travelled off in the
SOL
..end
Though your miles are more than
..mine
The things I've taken in a
..bind
It's for certain, it's for
..sure
I've no use for them no
..more
Making room within one's
..self
For another's song to help
And it all comes back to
..me
As I walk hungover down
..the street
oho
SOL SOLMaj9
And it all comes back to me (And
DOsus2 SOLMaj9
.. it all comes back to me)
And it all comes back to me (And
..it all comes back to me)
And it all comes back to me (And
..it all comes back to me)
As I walk hungover down
..the street
She's a mother in disguise
I look different in her
..skies
But it's morning so I say
Here's a big red letter
..day
Her skin's like whitewash
..like skim milk
Her words sing softly just
..like silk
There are some things I've
..got to say
She won't understand
..anyway
There are miles between
..our hearts
There's salvation in false
..starts
Oho
I'm forsaken in the end (I'm
..forsaken in the end)
I'm forsaken in the end (I'm
..forsaken in the end)
I'm forsaken in the end (I'm
..forsaken in the end)
I'm forsaken in the end (I'm
..forsaken in the end)
SONG : Late At Night
[i] INTRO:
RE // RE(2) RE / REsus2 //// RE RE(2) RE /
[ii] PLAY THIS AT THE VERSES:
Dsus2-D // D(2) D Dsus2 O
..A(2)-Am
I-i close my door at
..  ni-ight
  LAm  /    /   /  LA(2)-C
   But they get in  all-right
DO / / / SOL/RE ////
And she turns on the light
RE //
(3 TIMES) AND AT THE END DO THE
..'G/D-D' BREAK ONE TIME EXTRA..
..THEN PLAY
[iii] THE CHORUS, LIKE THIS (I
..hope):
  DO                         SOL
   If I could hold them in my hand
   G                 O-Am
   I'd make them under-stand
  LAm               DO
   I'm not a haunted mind
DO SOL/RE ////
I'm not a thoughtless kind
RE //
(2 TIMES) AND AGAIN AN EXTRA
..'G/D-D' BREAK.

THE SONG ENDS WITH PLAYING THIS 3
..TIMES:

LAm DO
   I do it if I could
  DO               SOL/RE  //// RE
   I hope you know I would
//
LYRICS:

I close my door at night,
But they get in all right,
And she turns on the light.
I, I held her hands so tight,
'Cause words don't come out right,
And she sees things at night.
But me, I'm closer to the door,
I don't get scared no more,
But I don't know the score.

(CHORUS )
If I could hold them in my hand,
I'd make them understand.
I'm not a haunted mind,
I'm not a thoughtless kind.

If I could put them in a jar,
I know they wouldn't scar,
I do it if I could,
I hope you know I would.
I close my door at night,
But she gets in all right
So I turn on the light.

I held her hand too tight,
Too hard to make it right,
So I could sleep at night.
(END:)
I do it if I could,
I hope you know I would. (3x)
CHORD-CAST (in order of
..appearance):
RE - xx0232 LA(2) - 002200 SOL/RE - 3x0033
RE(2) - xx0233 LAm - 002210 SOL - 3x0003 REsus2 - xx0230 DO - x32010
OTHER CRAPY FEATURES:
O = Play all strings (between two
..chords just 'play' 000000)
/ = Repeat chord
- = Fast change

SONG : Anything That Way
capo 3rd fret
SOL 355433 RE x57775 (x57785) DO x35553 (x35533)
MIm x79987 LA 577655
add miscellaneous hammer-ons to
..the D and C chords
Intro: G D C (X2) ...same
..chord progression continues
..throughout verse
The moon was full your whisky sour
Oh girl there's no need to be so
..down
Cause when you walk with me in the
..beginning of the day
You say I don't need anything that
..way
I'm wishing things could be the
..same
When things got broken you came
My moods were always changing they
..were blue then brown then grey
You say I don't need anything that
..way
You say I don't need anything that
..way
RE MIm
I'm fighting tooth and nail
LA
Against these demons in my head
No matter where I'm sleeping
My history's right there in bed

When things blew open you flew in
I was caught red-handed once again
Was I really robbing you of the
..best days of your life
I'm sorry I never meant anything
..that way
SOL RE DO SOL RE DO
G D Em C(use 8th fret barre
..chord)
SOL RE DO
The mailman came this way today
He said no sir I've got nothing
..for you today
Went outside in the morningtime
..but I got lost along the way
You say I don't need anything that
..way
No no I don't need anything that
..way
Oh no I don't need anything that
..way
I don't need anything that way
..that way
I don't need anything that way
SUONA ANCHE ..

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