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Daytripper

suonato 469 volte

EMMANUEL TOMMY

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Standard Tuning
straight eights
Q=130
/
Gtr I
q q q q q q q q
|-0--0--0--0--|-0--0--0---0---|
|-3--3--3--3--|-3--3--3---3---|
|-------------|---------3---2-|
|-------------|---------------|
|-------------|---------------|
|-------------|---------------|
H E Q E
q q q q q q q q
|--0----0---0---0---|--0---0--0--0--|
|--3----3---3---3---|--3---3--3--3--|
|-(2)-0-------------|---------------|
|---------2---0-----|--2------------|
|-----------------2-|-(2)-----------|
|-------------------|--0------------|
E Q Q Q E q
q q q q q q q q
|-0--0--0---0---|--0----0---0---0---|
|-3--3--3---3---|--3----3---3---3---|
|---------------|-------------------|
|---------0---2-|-(2)---------------|
|---------------|-----2---1---0-----|
|---------------|-----------------3-|
H E Q E +E Q Q Q E
q q q q q q q q
||---0---0---0---0---|--0---0----0----0----||
||o--3---3---3---3---|--3---3----3----3---o||
||-------------------|---------------------||
||---2-----------2p0-|-(0)----4-(4)---0h2--||
||o-(2)--------2-----|------2-------2-----o||
||---0-----3h4-------|---------------------||
Q. E E E E E +Q E E +E E E E
E E E E +E E +Q Q +Q H
|-/5--4-2-0-(0)--------|----------------------|
|---------------0-(0)--|--3---(3)----3--------|
|----------------------|--2---(2)----2--------|
|------------------2p0-|-(0)------4-(4)---0h2-|
|---------------2------|-------2--------2-----|
|--0------3h=4---------|----------------------|
Q. E E E E E +Q E E +E E E E
E E E E +E E E E +Q
|-/5--4-2-0-(0)-------|--------------------|
|---------------0---0-|-(0)----------------|
|-----------------2-0-|-(0)----------------|
|-----------------2p0-|-(0)----4-(4)---0h2-|
|---------------2-----|------2-------2-----|
|--0------3h=4--------|--------------------|
Q. E E E E E +Q E E +E E E E
E E E E +E E Q E E E E +Q E E
|-5---3--2--0--(0)-----------|-------0--(0)-------------------|
|-------------------0--------|-----------0---3--(3)-----0h=2--|
|----------------------2--0--|--(0)--0-------4--(4)-----0h=2--|
|-------------------2--------|-----------2-----------2--------|
|-0---------3h==4------------|--------------------------------|
|----------------------------|--------------------------------|
Q. E E E E E +E E E E +E E E E
E E E E +E E E E +Q
|-/5--4-2-0-(0)-------|--------------------|
|---------------0---0-|-(0)----------------|
|-----------------2-0-|-(0)----------------|
|-----------------2p0-|-(0)----4-(4)---0h2-|
|---------------2-----|------2-------2-----|
|--0------3h=4--------|--------------------|
Q. E E E E E +Q E E +E E E E
(with a percussive feeling!)
H. Q E e +H E E +E E +E E +E E +E E
|-^2-------------|-0--2--(2)-------/4-|-(4)--2--(2)--0--(0)--2--(2)------|
|-^0-------------|-0--2--(2)--------5-|-(5)--2--(2)--0-------2--(2)--2---|
|-^3-------------|-1--3--(3)--------4-|-(4)--3--(3)--1--(1)--3--(3)--3---|
|-^4-------------|----4---------------|------4--(4)--2-------4--(4)--4---|
|-^4-------------|--------------------|----------------------------------|
|--2---x--x--x---|--------x---2--x----|--x-------x-------x-------2-------|
Q Q Q Q Q Q Q Q Q Q Q Q
LA7 SOL#7 DO#7+9
H E E E E +Q E. S E E E E +Q Q E E +E E
|--------------------|-------------------|----------0----------|
|-(2)-------2--5-2-8-|-(8)--8--8-8-8---7-|-(7)--7------7-(7)-5-|
|-(3)-------3----3-6-|-(6)--6--6-6-6---5-|-(5)--5------------4-|
|-(4)-------2------5-|-(5)--5--5-5-5---4-|-(4)--4------------3-|
|-------4-4-4------7-|-(7)-----------x-6-|-(6)--6------------4-|
|--2--2-2-2-2------5-|-(5)-----------x-4-|-(4)--4-4------------|
E E E E Q. E +H. E E +Q E E Q. E
FA#m7/SI
+Q E S S E E E E +E q q E q
|--------------------|---------------||
|-(5)--5-5-5-5-5---5-|-(5)-5--5--5-5-||
|-(4)--4-4-4-4-4---2-|-(2)-2--2--2-2-||
|-(3)--3-3-3-3-3---4-|-(4)-4--4--4-4-||
|-(4)--4-4-4-4-4---2-|-(2)-2--2--2-2-||
|----------------x---|---------------||
+Q E S S E E E E +E Q Q E Q
Q Q E E +Q +H h
||------0-----0-(0)--|-(0)-----------------||
||o---------3--------|-----------3--------o||
||-------------------|-----------2---------||
||---------------2p0-|-(0)----4-(4)---0h2--||
||o-----------2------|------2-------2-----o||
||--0-----3h4--------|---------------------||
Q. E E E E E +Q E E +E E E E
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a -
acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it
represents the duration for.  Duration letters with no fret number below them represent
rests.  Multi-bar rests are notated in the form Wxn, where n is the number of bars to rest
for.  Low melody durations appear below the staff
Tablature Legend
h   - hammer-on
p   - pull-off
b   - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
[n]  - artificial harmonic
PM  - palm muting
<>  - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend

| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
:  - bar (freetime)
$  - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths,
s16 = swing 16ths
Standard Tuning
straight eights
Q=130
/
Gtr I
q q q q q q q q
|-0--0--0--0--|-0--0--0---0---|
|-3--3--3--3--|-3--3--3---3---|
|-------------|---------3---2-|
|-------------|---------------|
|-------------|---------------|
|-------------|---------------|
H E Q E
q q q q q q q q
|--0----0---0---0---|--0---0--0--0
|--3----3---3---3---|--3---3--3--3
|-(2)-0-------------|-------------
|---------2---0-----|--2----------
|-----------------2-|-(2)---------
|-------------------|--0----------
...
-|--|
-|--|
-|--|
-|--|
-|--|
-|--|
E Q Q Q E q
q q q q q q q q
|-0--0--0---0---|--0----0---0---0
|-3--3--3---3---|--3----3---3---3
|---------------|----------------
|---------0---2-|-(2)------------
|---------------|-----2---1---0--
|---------------|----------------
...
-|---|
-|---|
-|---|
-|---|
-|---|
-|-3-|
H E Q E +E Q Q Q
..E
q q q q q q q
.. q
||---0---0---0---0---|--0---0--
||o--3---3---3---3---|--3---3--
||-------------------|---------
||---2-----------2p0-|-(0)----4
||o-(2)--------2-----|------2--
||---0-----3h4-------|---------
...
-|--0----0----||
-|--3----3---o||
-|------------||
-|-(4)---0h2--||
-|-----2-----o||
-|------------||
Q. E E E E E +Q E E +E
.. E E E
E E E E +E E +Q Q +Q
.. H
|-/5--4-2-0-(0)--------|---------
|---------------0-(0)--|--3---(3)
|----------------------|--2---(2)
|------------------2p0-|-(0)-----
|---------------2------|-------2-
|--0------3h=4---------|---------
...
-|-------------|
-|----3--------|
-|----2--------|
-|-4-(4)---0h2-|
-|-------2-----|
-|-------------|
Q. E E E E E +Q E
..E +E E E E
E E E E +E E E E +Q
|-/5--4-2-0-(0)-------|---------
|---------------0---0-|-(0)-----
|-----------------2-0-|-(0)-----
|-----------------2p0-|-(0)----4
|---------------2-----|------2--
|--0------3h=4--------|---------
...
-|-----------|
-|-----------|
-|-----------|
-|-(4)---0h2-|
-|-----2-----|
-|-----------|
Q. E E E E E +Q E E
..+E E E E
E E E E +E E Q E
.. E E E +Q E E
|-5---3--2--0--(0)-----------|-
|-------------------0--------|-
|----------------------2--0--|-
|-------------------2--------|-
|-0---------3h==4------------|-
|----------------------------|-
...
-|------0--(0)-------------------|
-|----------0---3--(3)-----0h=2--|
-|-(0)--0-------4--(4)-----0h=2--|
-|----------2-----------2--------|
-|-------------------------------|
-|-------------------------------|
Q. E E E E E +E
.. E E E +E E E E
E E E E +E E E E +Q
|-/5--4-2-0-(0)-------|---------
|---------------0---0-|-(0)-----
|-----------------2-0-|-(0)-----
|-----------------2p0-|-(0)----4
|---------------2-----|------2--
|--0------3h=4--------|---------
...
-|-----------|
-|-----------|
-|-----------|
-|-(4)---0h2-|
-|-----2-----|
-|-----------|
Q. E E E E E +Q E E
..+E E E E

(with a percussive feeling!)
H. Q E e +H E
.. E +E E +E E +E E +E
.. E
|-^2-------------|-0--2--(2)------
|-^0-------------|-0--2--(2)------
|-^3-------------|-1--3--(3)------
|-^4-------------|----4-----------
|-^4-------------|----------------
|--2---x--x--x---|--------x---2--x
...
-|-/4-|-(4)--2--(2)--0--(0)--2-
-|--5-|-(5)--2--(2)--0-------2-
-|--4-|-(4)--3--(3)--1--(1)--3-
-|----|------4--(4)--2-------4-
-|----|------------------------
-|----|--x-------x-------x-----
...
-|-(2)------|
-|-(2)--2---|
-|-(3)--3---|
-|-(4)--4---|
-|----------|
-|--2-------|
Q Q Q Q Q Q Q Q
.. Q Q Q Q
LA7
H E E E E +Q E. S E
SOL#7
.. E E E +Q Q E E +E E
DO#7+9
|--------------------|------------
|-(2)-------2--5-2-8-|-(8)--8--8-8
|-(3)-------3----3-6-|-(6)--6--6-6
|-(4)-------2------5-|-(5)--5--5-5
|-------4-4-4------7-|-(7)--------
|--2--2-2-2-2------5-|-(5)--------
...
-|-------|----------0----------|
-|-8---7-|-(7)--7------7-(7)-5-|
-|-6---5-|-(5)--5------------4-|
-|-5---4-|-(4)--4------------3-|
-|---x-6-|-(6)--6------------4-|
-|---x-4-|-(4)--4-4------------|
E E E E Q. E +H.
.. E E +Q E E Q. E
FA#m7/SI
+Q E S S E E E E +E q q E
..q
|--------------------|------------
|-(5)--5-5-5-5-5---5-|-(5)-5--5--5
|-(4)--4-4-4-4-4---2-|-(2)-2--2--2
|-(3)--3-3-3-3-3---4-|-(4)-4--4--4
|-(4)--4-4-4-4-4---2-|-(2)-2--2--2
|----------------x---|------------
...
-|---||
-|-5-||
-|-2-||
-|-4-||
-|-2-||
-|---||
+Q E S S E E E E +E Q Q E
..Q
Q Q E E +Q +H h
||------0-----0-(0)--|-(0)-----
||o---------3--------|---------
||-------------------|---------
||---------------2p0-|-(0)----4
||o-----------2------|------2--
||--0-----3h4--------|---------
...
-|------------||
-|--3--------o||
-|--2---------||
-|-(4)---0h2--||
-|-----2-----o||
-|------------||
Q. E E E E E +Q E E +E
.. E E E
Duration Legend

W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a -
acciaccatura
+ - note tied to previous; . -
..note dotted; .. - note double
..dotted
Uncapitalized letters represent
..notes that are staccato (1/2
..duration)
Irregular groupings are notated
..above the duration line
Duration letters will always
..appear directly above the
..note/fret number it
represents the duration for.
..Duration letters with no fret
..number below them represent
rests. Multi-bar rests are
..notated in the form Wxn, where n
..is the number of bars to rest
for. Low melody durations appear
..below the staff
Tablature Legend

h - hammer-on
p   - pull-off
b   - bend
pb  - pre-bend
r - bend release (if no number
..after the r, then release
..immediately)
[n] - artificial harmonic
PM - palm muting
<> - volume swell
..(louder/softer)
x - on rhythm slash represents
..muted slash
o - on rhythm slash represents
..single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$  - Segno
&  - Coda
Tempo markers -  =
..BPM(8/16=s8/s16), where s8 =
..swing 8ths,
s16 = swing 16ths
SUONA ANCHE ..

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