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- LA MIm7 FAmaj7 DOmaj7 SIbmaj7 MI7#9
E -----------------|-----------------|-7---8-----------|-----------------|
B -----------------|-----------------|-8--10-------8---|-----6---8~~~~~~~|
G -----------------|-----------------|-7---9-------9---|-----7---7-------|
D -5^7-7-7-7---7-7-|-5^7-7-7-7---7-7-|-9--10-------9---|-----7---6-------|
A -0---0-0-0---0-0-|-0---0-0-0---0-0-|-7---8-----------|---------7-------|
E -----------------|-----------------|-------------8---|-----6-----------|
|_|_|_| | |_| |_|_|_| | |_| | | } | | | !
/
LA MI FA RE SI MIE -----------------|-----------------|-7---8-------5---|-----7---7-------|
B ~7---------------|-----------------|-9--10-------7---|-----7---9-------|
G -----------------|-----------------|-9--10-------7---|-----8---9-------|
D -5^7-7-7-7---7-7-|-5^7-7-7-7---7-7-|-9--10-------7---|-----9---9-------|
A -0---0-0-0---0-0-|-0---0-0-0---0-0-|-7---8-------5---|-----9---7-------|
E -----------------|-----------------|-----------------|-----7-----------|
|_|_|_| | |_| |_|_|_| | |_| | | } | | | | }
- /
LA DO RE RE FA SOL E -0------3----5---|-----------------|~5------8----10--|-----------------|
B -2------5----7---|-----------------|~7-----10----12--|-----------------|
G -2------5----7---|-----------------|~7-----10----12--|-----------------|
D -2------5----7---|-----------------|~7-----10----12--|-----------------|
A -0------3----5---|-----------------|~5------8----10--|-----------------|
E -----------------|-----------------|-----------------|-----------------|
| _|. | ]| @ | _|. | ]| @
/ / / / / /- MI7#9
E -----------------|- - -
B -8---------------|- - -
G -7---------------|- - - [As a true Focus purist, I think it would be
D -6---------------|- - - blasphemous to transcribe yodelling for the
A -7---------------|- - - guitar...so I won't]
E -----------------|- - -
Note: Yes, the E7#9 at the end of measure 4 (and elsewhere) is the dreaded
"Hendrix" chord (as far as I can tell....either that, or I just use it
as a surrogate for distorted-guitar-chaos). The pinky slide from the
G in this chord to the F# (added sixth) at the start of the A is, at
best, a subtle effect. I think I hear it in places, others disagree.
Anyway, I like it, and it occurs naturally with my lousy (lazy) fingers.
On the A strumming in measures 1, 2, and others, pick real hard, and
shake the fretted A (D string). The out-of-tuneness this causes is very
noticable on the song. BTW, if your amp is not capable of at least 50%
total harmonic distortion, don't even bother with this song!
Key:
@ = whole note } = quarter rest
! = half note \__/ = tied notes (don't re-sound)
| = quarter note ^ = hammer or pull (you figure which one)
_| = single eighth note ~ = slide (you figure which way)
_|. = dotted eighth note
|_| = eighth notes
] = sixteenth note
- LA MIm7 FAmaj7 DOmaj7 SIbmaj7 MI7#9
E -----------------|--------------
B -----------------|--------------
G -----------------|--------------
D -5^7-7-7-7---7-7-|-5^7-7-7-7---7
A -0---0-0-0---0-0-|-0---0-0-0---0
E -----------------|--------------
...
-|---|-7---8-----------|--------
-|---|-8--10-------8---|-----6--
-|---|-7---9-------9---|-----7--
-|-7-|-9--10-------9---|-----7--
-|-0-|-7---8-----------|--------
-|---|-------------8---|-----6--
...
-|---------|
-|-8~~~~~~~|
-|-7-------|
-|-6-------|
-|-7-------|
-|---------|
|_|_|_| | |_| |_|_|_| |
..|_| | | } | | |
..!
- /
LA - MI FA RE SI MI
E -----------------|--------------
B ~7---------------|--------------
G -----------------|--------------
D -5^7-7-7-7---7-7-|-5^7-7-7-7---7
A -0---0-0-0---0-0-|-0---0-0-0---0
E -----------------|--------------
...
-|---|-7---8-------5---|-----7---7
-|---|-9--10-------7---|-----7---9
-|---|-9--10-------7---|-----8---9
-|-7-|-9--10-------7---|-----9---9
-|-0-|-7---8-------5---|-----9---7
-|---|-----------------|-----7----
...
-|-------|
-|-------|
-|-------|
-|-------|
-|-------|
-|-------|
|_|_|_| | |_| |_|_|_| |
..|_| | | } | | |
..| }
- /
- LA DO RE RE FA SOL
E -0------3----5---|--------------
B -2------5----7---|--------------
G -2------5----7---|--------------
D -2------5----7---|--------------
A -0------3----5---|--------------
E -----------------|--------------
...
-|---|~5------8----10--|----------
-|---|~7-----10----12--|----------
-|---|~7-----10----12--|----------
-|---|~7-----10----12--|----------
-|---|~5------8----10--|----------
-|---|-----------------|----------
...
-|-------|
-|-------|
-|-------|
-|-------|
-|-------|
-|-------|
| _|. | ]| @
.. | _|. | ]| @
- / / / / / /
- MI7#9
E -----------------|- -
B -8---------------|- -
G -7---------------|- -
D -6---------------|- -
A -7---------------|- -
E -----------------|- -
...
-|-
-|-
-|- [As a true Focus purist, I think it would be
-|- blasphemous to transcribe yodelling for the
-|- guitar...so I won't]
-|-
Note: Yes, the E7#9 at the end of
..measure 4 (and elsewhere) is the
..dreaded
"Hendrix" chord (as far as I
..can tell....either that, or I
..just use it
as a surrogate for
..distorted-guitar-chaos). The
..pinky slide from the
G in this chord to the F#
..(added sixth) at the start of
..the A is, at
best, a subtle effect. I
..think I hear it in places,
..others disagree.
Anyway, I like it, and it
..occurs naturally with my lousy
..(lazy) fingers.
On the A strumming in
..measures 1, 2, and others, pick
..real hard, and
shake the fretted A (D
..string). The out-of-tuneness
..this causes is very
noticable on the song. BTW,
..if your amp is not capable of at
..least 50%
total harmonic distortion,
..don't even bother with this
..song!
Key:
@ = whole note }
.. = quarter rest
! = half note
..\__/ = tied notes (don't
..re-sound)
| = quarter note ^
.. = hammer or pull (you figure
..which one)
_| = single eighth note ~
.. = slide (you figure which way)
_|. = dotted eighth note
|_| = eighth notes
] = sixteenth note
- SUONA ANCHE ..
Tablature chitarra di FOCUS Hocus Pocus Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti
