---6--------6--7--6---4---4-----6--7--6----6--6--6---4---------
---7--------7--7--7---7---7-----7--7--7----7--7--7---7---------
---6--------6--6--6---6---6-----6--6--6----6--6--6---6---------
---4--------4--4--4---6---6-----4--4--4----4--4--4---6---------
---4--------4--4--4---4---4-----4--4--4----4--4--4---4---------
I'm not convinced that the C#sus4 is right, but there are two
guitars going here, and it's tough to get the voicing exactly
right.
From here...
GTR I
Play me Old King Cole....
-----2-------2-------2-------2-------2-------2-------2-------2---
---3---3---3---3---3---3---3---3---2---2---2---2---2---2---2---2-
-4-------4-------4-------4-------3-------3-------3-------3-------
>snip here
Here's the way I've figured out the closing section to "the Musical Box"
on Broadway" when they play live (Check out Seconds Out to see what
I mean)
Here are the major patterns for the first bit (the "she's a lady" part)
all below are 2 beats each...
F# pattern D#m pattern C# pattern E pattern
e----9-7-9--------6-4-6--------4-2-4----------0--------------------------
B---7-7-7-7------4-4-4-4------2-2-2-2--------0-0-------------------------
G-------------------------------------------1---1------------------------
D------------------------------------------2-----2-----------------------
A--9------------6------------4------------2-------2----------------------
E------------------------------------------------------------------------
Below is 8 beats (2 measures)
F# pattern 2
e------------------------------------------------------------------------
B----2---2---2---0----2---2---2------------------------------------------
G-----3---3---3---1----3---3---3-----------------------------------------
D------4---4---4---2----4---4---4----------------------------------------
A------------------------------------------------------------------------
E---2---2---2---0----2---2---2---2---------------------------------------
Putting it together:
(the chord name is the pattern name here. each "/" is 1 beat)
FA# / FA# / FA# / FA# / MIbm / MIbm / MIbm / MIbm /
She's a lady, she's got time Oh
She's a lady, she is mine Oh
C# / C# / |E / E / |F# no. 2 :||
Brush back your hair, and let me get to know your face
Brush back your hair, and let me get to know your flesh.
Now Tony comes in on the organ.
-Organ: |F# B C# F# |/. B C# F# C#| D#m. A#m D#m. A#m |
I've been waiting here for so long
You stand there with your fixed expression casting doubt on all I have to say
DO# SOL#m SI / FA# MI FA# MI FA# MI FA# MI FA# MI
and all this time has passed me by It hardly seems to
why don't you touch me, touch me why don't you touch me, touch me
matter now
touch me now now now now now
||: F# . E F# E B E |B . E F# E B E F# :|| repeat this a few times
now now now now now
ending
The rapidly alternating part flips between an F# and a C#, and
finally ends on F#
---6--------6--7--6---4---4-----6--7--6----6--6--6---4---------
---7--------7--7--7---7---7-----7--7--7----7--7--7---7---------
---6--------6--6--6---6---6-----6--6--6----6--6--6---6---------
---4--------4--4--4---6---6-----4--4--4----4--4--4---6---------
---4--------4--4--4---4---4-----4--4--4----4--4--4---4---------
I'm not convinced that the C#sus4
..is right, but there are two
guitars going here, and it's tough
..to get the voicing exactly
right.
From here...
GTR I
Play me Old King Cole....
-----2-------2-------2-------2-------2-------2-------2-------2---
---3---3---3---3---3---3---3---3---2---2---2---2---2---2---2---2-
-4-------4-------4-------4-------3-------3-------3-------3-------
>snip here
Here's the way I've figured out
..the closing section to "the
..Musical Box"
on Broadway" when they play live
..(Check out Seconds Out to see
..what
I mean)
Here are the major patterns for
..the first bit (the "she's a
..lady" part)
all below are 2 beats each...
F# pattern D#m pattern C#
..pattern E pattern
e----9-7-9--------6-4-6-----
B---7-7-7-7------4-4-4-4----
G---------------------------
D---------------------------
A--9------------6-----------
E---------------------------
...
-|---4-2-4----------0-------------
-|--2-2-2-2--------0-0------------
-|----------------1---1-----------
-|---------------2-----2----------
-|-4------------2-------2---------
-|--------------------------------
...
-|-------------
-|-------------
-|-------------
-|-------------
-|-------------
-|-------------
Below is 8 beats (2 measures)
F# pattern 2
e---------------------------------
B----2---2---2---0----2---2---2---
G-----3---3---3---1----3---3---3--
D------4---4---4---2----4---4---4-
A---------------------------------
E---2---2---2---0----2---2---2---2
...
-|--------------------------------
-|--------------------------------
-|--------------------------------
-|--------------------------------
-|--------------------------------
-|--------------------------------
...
-|-------
-|-------
-|-------
-|-------
-|-------
-|-------
Putting it together:
(the chord name is the pattern
..name here. each "/" is 1
..beat)
She's
MIbm / MIbm / MIbm..a lady, she's got time Oh
/
She's
..a lady, she is mine Oh
C# / C# / |E
../ E / |F# no. 2 :||
Brush back your hair, and let
..me get to know your face
Brush back your hair, and let
..me get to know your flesh.
Now Tony comes in on the organ.
Organ: |F# B C# F# |/. B
-..C# F# C#| D#m. A#m D#m. A#m |
.. I've been waiting here for so
..long
You stand there with your fixed
..expression casting doubt on all
..I have to say
and all this time has
FA# MI FA# MI FA# MI.. passed me by It
FA# MI..hardly seems to
why don't you touch me,
..touch me why don't you touch me,
..touch me
matter now
touch me now now now now now
||: F# . E F# E B E |B . E F# E
..B E F# :|| repeat this a few
..times
now now now
..now now
ending
SI / / / DO# / / / FA# / / / SI / / / DO# / / / FA# / / SI DO# FA#
The rapidly alternating part flips
..between an F# and a C#, and
finally ends on F#
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