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C Standard tuning (C F A# D# G C)
Intro|------------------------------|
|------------------------------|
|------------444----------555--|
|-6--------------666--333------|
|-4--7--6--3-------------------| x 7
|----5--4--1-------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|-6--------4--------6--------------------------------|
|-4--7--6--2--5--4--4--7--6----3-------4------[5]----|
|----5--4-----3--2-----5--4------2--1----3-2---------|
|-----------------------------------------------------------------------------|
|-----------------------------------------------------------------------------|
|-----------------------------------------------------------------------------|
|--------------------------7777---------------------------------------7777----|
|-------------------------------6666----------------------------6666----------|
|-000000-666666----5-3-5-3------------000000-222222--3-2-3-2------------------|
|-------------------------------------|
|-------------------------------------|
|-------------------------------------|
|-----------5555------2222-1111-------|
|-4444-3333------2222-----------1111--|
|-------------------------------------|
|--------------------------------------|
|--------------------------------------|
|--------------------------------------|
|-------------------4-3----------------|
|------2-3---2tr3---2-1--3-2-----------|
|1tr2--0-1---------------1-0-----------|
|---------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|---[2]----5-6-5-----------[2]----5--6--5-----------|
|-2-----3--3-4-3--4-5-4--2-----3--3--4--3--4-5-4----|
|-0-----1---------2-3-2--0-----1-----------2-3-2----|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|---------666---------------------------------------666------------------------------|
|-----555-------222-444-333------444------------555-------222-444-333------444-------|-During solo
|-444------------------------333-----333----444------------------------333-----333---|
|---------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|---------7777--------------------------------------| - During second solo
|-----6666-------2222-4444-3333---------------------|
|-5555----------------------------2222-4444-3333----|
|--------------------------------------|
|--------------------------------------|
|--------------------------------------|
|-------------------4-3----------------|
|------2-3---2tr3---2-1--3-2-----------|
|1tr2--0-1---------------1-0-----------|
|---------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|---[2]----5-6-5-----------[2]----5--6--5-----------|
|-2-----3--3-4-3--4-5-4--2-----3--3--4--3--4-5-4----|
|-0-----1---------2-3-2--0-----1-----------2-3-2----|
After these parts repeat the first, second and third parts accordingly.
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
C Standard tuning (C F A# D# G C)
Intro|-----------------------------
|-----------------------------
|------------444----------555-
|-6--------------666--333-----
|-4--7--6--3------------------
|----5--4--1------------------
...
-|-|
-|-|
-|-|
-|-|
-|-| x 7
-|-|
|---------------------------------
|---------------------------------
|---------------------------------
|-6--------4--------6-------------
|-4--7--6--2--5--4--4--7--6----3--
|----5--4-----3--2-----5--4------2
...
-|-------------------|
-|-------------------|
-|-------------------|
-|-------------------|
-|-----4------[5]----|
-|--1----3-2---------|
|------------------------------
|------------------------------
|------------------------------
|--------------------------7777
|------------------------------
|-000000-666666----5-3-5-3-----
...
-|--------------------------------
-|--------------------------------
-|--------------------------------
-|--------------------------------
-|-6666---------------------------
-|-------000000-222222--3-2-3-2---
...
-|---------------|
-|---------------|
-|---------------|
-|-------7777----|
-|-6666----------|
-|---------------|
|------------------------------
|------------------------------
|------------------------------
|-----------5555------2222-1111
|-4444-3333------2222----------
|------------------------------
...
-|-------|
-|-------|
-|-------|
-|-------|
-|-1111--|
-|-------|
|---------------------------------
|---------------------------------
|---------------------------------
|-------------------4-3-----------
|------2-3---2tr3---2-1--3-2------
|1tr2--0-1---------------1-0------
...
-|-----|
-|-----|
-|-----|
-|-----|
-|-----|
-|-----|
|--------------------------------
|--------------------------------
|--------------------------------
|---[2]----5-6-5-----------[2]---
|-2-----3--3-4-3--4-5-4--2-----3-
|-0-----1---------2-3-2--0-----1-
...
-|-------------------|
-|-------------------|
-|-------------------|
-|-5--6--5-----------|
-|-3--4--3--4-5-4----|
-|----------2-3-2----|
|-------------------------------
|-------------------------------
|-------------------------------
|---------666-------------------
|-----555-------222-444-333-----
|-444------------------------333
...
-|-----------------------------
-|-----------------------------
-|-----------------------------
-|--------------------666------
-|-444------------555-------222
-|-----333----444--------------
...
-|-----------------------
-|-----------------------
-|-----------------------
-|-----------------------
-|-444-333------444------
-|----------333-----333--
...
-|-|
-|-|
-|-|
-|-|
-|-|-During solo
-|-|
|--------------------------------
|--------------------------------
|--------------------------------
|---------7777-------------------
|-----6666-------2222-4444-3333--
|-5555---------------------------
...
-|------------------
-|------------------
-|------------------
-|------------------
-|------------------
-|-2222-4444-3333---
...
-|-|
-|-|
-|-|
-|-| - During second solo
-|-|
-|-|
|---------------------------------
|---------------------------------
|---------------------------------
|-------------------4-3-----------
|------2-3---2tr3---2-1--3-2------
|1tr2--0-1---------------1-0------
...
-|-----|
-|-----|
-|-----|
-|-----|
-|-----|
-|-----|
|--------------------------------
|--------------------------------
|--------------------------------
|---[2]----5-6-5-----------[2]---
|-2-----3--3-4-3--4-5-4--2-----3-
|-0-----1---------2-3-2--0-----1-
...
-|-------------------|
-|-------------------|
-|-------------------|
-|-5--6--5-----------|
-|-3--4--3--4-5-4----|
-|----------2-3-2----|
After these parts repeat the
..first, second and third parts
..accordingly.
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . -
..note dotted; .. - note double
..dotted
Uncapitalized letters represent
..notes that are staccato (1/2
..duration)
Irregular groupings are notated
..above the duration line
Duration letters will always
..appear directly above the
..note/fret number it represents
..the
duration for. Duration letters
..with no fret number below them
..represent rests. Multi-
bar rests are notated in the form
..Wxn, where n is the number of
..bars to rest for. Low
melody durations appear below the
..staff
Tablature Legend
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number
..after the r, then release
..immediately)
/\ - slide into or out of
..(from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount
..to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as
..connecting device for
..hammers/pulls
<> - volume swell
..(louder/softer)
x - on rhythm slash represents
..muted slash
o - on rhythm slash represents
..single note slash
- SUONA ANCHE ..
Tablature chitarra di INCANTATION Golgotha Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti
