scroll
capo 2nd fret
all chords relative to capo
/ = down strum
\ = up strum
o = all strings open (if preceding Dsus2, then strings 1-4 open,
if preceding A, then strings 1-5 open, if preceding G, then 1-6
open)
note: The last line "the friends he'd made" is a typical Andersonian
chord-morph. You should play with the fingering until you find
a combination which moves the fewest fingers at one time. Anderson
likes to keep one finger planted and change the chords around it. In
this case, I think he does the following. He plants the 3rd finger of
the left hand as he changes from Dm to A7sus4. Am to C, he plants the
1st finger. C to Cadd9 he lifts the 3rd and places 2nd on the 6th
string, keeping the 1st and 4th fingers planted.
- LA LAsus4 LAm LA7sus4 DO DOadd9/FA# REsus2 REsus4 REm
-|--0-----0-----0-----0-----0-----0--------0-----3-----1-
-|--2-----3-----1-----3-----1-----1--------3-----3-----3-
-|--2-----2-----2-----0-----0-----0--------2-----2-----2-
-|--2-----2-----2-----2-----2-----0--------0-----0-----0-
-|--0-----0-----0-----0-----3-----3----------------------
-|--------------------------3-----2----------------------
F G o-Dsus2 o-A o-G
-|--1-----3--------0--0-----0--0-----0--3----------------
-|--1-----3--------0--3-----0--2-----0--3----------------
-|--2-----0--------0--2-----0--2-----0--0----------------
-|--3-----0--------0--0-----0--2-----0--0----------------
-|--3-----2-----------------0--0-----0--2----------------
-|--1-----3--------------------------0--3----------------
/ / / /A Am C o Dsus2
The minstrel in the gallery
/ / /A Dsus2 o A
looked down upon the smiling faces.
/ / / / /F C F F o G
He met the gazes - observed the spaces
/ / / /Dsus2 o A
between the old men's cackle.
/ / / / /A Am C o Dsus2
He brewed a song of love and hatred -
/ / / / / / /SOL- / / /
G Dsus2 o A
oblique suggestions and he waited.
- FA DO FA SOL DO
He polarized the pumpkin eaters -
FA DO FA SOL DO static-humming panel-beaters -
FA DO FA SOL DOfreshly day-glow'd factory cheaters
- FA DO FA SOL DO
(salaried and collar-scrubbing).
A Am C o Dsus2
He titillated men-of-action -
F C F F o G
belly warming, hands still rubbing
G Dsus2 o A
on the parts they never mention.
A Am C o Dsus2 G
He pacified the nappy-suffering,
G Dsus2 Dsus4 o A
infant-bleating one-line jokers -
- FA DO FA SOL DO
T.V. documentary makers
FA DO FA SOL DO (overfed and undertakers).
A Am C o Dsus2
Sunday paper backgammon players -
- FA DO FA DO
family-scarred and women-haters.
FA DO FA SOL DO Then he called the band down to the the stage
FA DOand he looked at all
- REm LA7sus4 LAm DO DOadd9/FA# FA
the friends he'd made.
(tr.) (tr.)
- LA LAsus4
eof
capo 2nd fret
all chords relative to capo
/ = down strum
\ = up strum
o = all strings open (if preceding
..Dsus2, then strings 1-4 open,
if preceding A, then strings
..1-5 open, if preceding G, then
..1-6
open)
note: The last line "the friends
..he'd made" is a typical
..Andersonian
chord-morph. You should play with
..the fingering until you find
a combination which moves the
..fewest fingers at one time.
..Anderson
likes to keep one finger planted
..and change the chords around it.
.. In
this case, I think he does the
..following. He plants the 3rd
..finger of
the left hand as he changes from
..Dm to A7sus4. Am to C, he
..plants the
1st finger. C to Cadd9 he lifts
..the 3rd and places 2nd on the
..6th
string, keeping the 1st and 4th
..fingers planted.
LA LAsus4 LAm LA7sus4 DO- DOadd9/FA# REsus2 REsus4 REm
-|--0-----0-----0-----0-----0----
-|--2-----3-----1-----3-----1----
-|--2-----2-----2-----0-----0----
-|--2-----2-----2-----2-----2----
-|--0-----0-----0-----0-----3----
-|--------------------------3----
...
-|-0--------0-----3-----1-
-|-1--------3-----3-----3-
-|-0--------2-----2-----2-
-|-0--------0-----0-----0-
-|-3----------------------
-|-2----------------------
F G o-Dsus2 o-A
.. o-G
-|--1-----3--------0--0-----0--0--
-|--1-----3--------0--3-----0--2--
-|--2-----0--------0--2-----0--2--
-|--3-----0--------0--0-----0--2--
-|--3-----2-----------------0--0--
-|--1-----3-----------------------
...
-|---0--3----------------
-|---0--3----------------
-|---0--0----------------
-|---0--0----------------
-|---0--2----------------
-|---0--3----------------
/ / / /A Am C o
..Dsus2
The minstrel in the gallery
/ / /A Dsus2 o A
looked down upon the smiling
..faces.
- / / / / /
F C F F o
..G
He met the gazes - observed the
..spaces
- / / / /
Dsus2 o A
between the old men's cackle.
- / / / / /
A Am C o
..Dsus2
He brewed a song of love and
..hatred -
/ / / / / / /- SOL / / /
G Dsus2 o A
oblique suggestions and he waited.
FA DO FA SOL DOHe polarized the pumpkin eaters
..-
FA DO FA SOL DOstatic-humming panel-beaters -
- FA DO FA SOL DO
freshly day-glow'd factory
..cheaters
- FA DO FA SOL DO
(salaried and collar-scrubbing).
A Am C o Dsus2
He titillated men-of-action -
F C F F o G
belly warming, hands still rubbing
G Dsus2 o A
on the parts they never mention.
A Am C o Dsus2
.. G
He pacified the nappy-suffering,
G Dsus2 Dsus4 o A
infant-bleating one-line jokers
..-
FA DO FA SOL DOT.V. documentary makers
FA DO FA SOL DO(overfed and undertakers).
A Am C o Dsus2
Sunday paper backgammon players -
FA DO FA DOfamily-scarred and women-haters.
FA DO FAThen he called the band down to
- SOL DO
..the the stage
FA DO and he looked at all
REm LA7sus4 LAm DOthe friends he'd made.
- DOadd9/FA# FA
(tr.) (tr.)
- LA LAsus4
eof
- SUONA ANCHE ..
Tablature chitarra di JETHRO TULL Minstrel In The Gallery Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti
