This is the 7/8 guitar part that Belew plays during the singing:
----------------!----------------!-- ----------------!---------------!
----------2-----!----------2-----!-- ----------2-----!---------2-----!
--2---4-----4---!--2---4-----4---!- etc...--2---4-----4---!--2---4----4---!
----4---4-----4-!----4---4-----4-!-- ----3---3-----3-!----3---3----3-!
----------------!----------------!-- ----------------!---------------!
----------------!----------------!- ----------------!---------------!
----------------!----------------!----------------!
----------2-----!----------2-----!----------5-----!
--1---4-----4---!--1---4-----4---!--5---7-----7---! repeat the same pattern
----3---3-----3-!----3---3-----3-!----7---7-----7-! at the 5th fret.
----------------!----------------!----------------!
----------------!----------------!----------------!
The fripp line on top of the belew 7/8 is basically the same riff in
alternating bars of 6 and 7, but KEEPING THE SAME 8th note value.
This produces the funky intervals you hear... and you thought it
was a delay! (I know *I* did first time I heard it... 8-)).
------------------|---------------|
------------2-----|----------2----|
--2---4-------4---|--2---4--------|
----2---2-------2-|----2---2---2--|
------------------|---------------| etc. over the 7/8 above...
------------------|---------------|
The chording during fripps' wacked out picking in the intro and
between verses seems to be a barred 9th chord, dropping the
unison on the G string to the major 7th, ie
--2-----2--2----|
--2-----2--2----|
--4-----3--4----|
--4-----4--4----|
--2-----2--2----|
--2-----2--2----|
with appropriate whammy bar antics for the first chord, then up to a
Dsus2 (5th & 7th frets) then again another 3rd.
Oh yeah, when the 13/8 and 7/8 fall back together, they play for
about 3 bars both in 7 *then* drop the bass note as noted above.
Some one is yet to figure out the "wacked out fripp part".
However, it's based on the following:
------------------------------------------------
------------------------------------------------
------------------------------------------------
-----5-7-5-------5-7-5-------5-7-5--------------
-5-8-------8-5-8-------8-5-8-------8------------ etc
------------------------------------------------
Which modulates up to the 7th fret, then 10th, then 11th. The rhythm
is strange, I can't pin down if it's sextuplets, 6 against 4, or what.
It seems like he adds some notes sometimes to make things fit in.
This is the 7/8 guitar part that
..Belew plays during the singing:
----------------!----------------!
----------2-----!----------2-----!
--2---4-----4---!--2---4-----4---!
----4---4-----4-!----4---4-----4-!
----------------!----------------!
----------------!----------------!
...
-|-- ----------------!-------
-|-- ----------2-----!-------
-|- etc...--2---4-----4---!--2---4
-|-- ----3---3-----3-!----3--
-|-- ----------------!-------
-|- ----------------!-------
...
-|--------!
-|--2-----!
-|----4---!
-|-3----3-!
-|--------!
-|--------!
----------------!----------------!
----------2-----!----------2-----!
--1---4-----4---!--1---4-----4---!
----3---3-----3-!----3---3-----3-!
----------------!----------------!
----------------!----------------!
...
-|---------------
-|----------5----
-|--5---7-----7--
-|----7---7-----7
-|---------------
-|---------------
...
-|-!
-|-!
-|-! repeat the same pattern
-|-! at the 5th fret.
-|-!
-|-!
The fripp line on top of the belew
..7/8 is basically the same riff
..in
alternating bars of 6 and 7, but
..KEEPING THE SAME 8th note value.
This produces the funky intervals
..you hear... and you thought it
was a delay! (I know *I* did first
..time I heard it... 8-)).
------------------|--------------
------------2-----|----------2---
--2---4-------4---|--2---4-------
----2---2-------2-|----2---2---2-
------------------|--------------
------------------|--------------
...
-|-|
-|-|
-|-|
-|-|
-|-| etc. over the 7/8 above...
-|-|
The chording during fripps' wacked
..out picking in the intro and
between verses seems to be a
..barred 9th chord, dropping the
unison on the G string to the
..major 7th, ie
--2-----2--2----|
--2-----2--2----|
--4-----3--4----|
--4-----4--4----|
--2-----2--2----|
--2-----2--2----|
with appropriate whammy bar antics
..for the first chord, then up to
..a
Dsus2 (5th & 7th frets) then again
..another 3rd.
Oh yeah, when the 13/8 and 7/8
..fall back together, they play
..for
about 3 bars both in 7 *then* drop
..the bass note as noted above.
Some one is yet to figure out the
.."wacked out fripp part".
However, it's based on the
..following:
----------------------------------
----------------------------------
----------------------------------
-----5-7-5-------5-7-5-------5-7-5
-5-8-------8-5-8-------8-5-8------
----------------------------------
...
-|--------------
-|--------------
-|--------------
-|--------------
-|-8------------ etc
-|--------------
Which modulates up to the 7th
..fret, then 10th, then 11th. The
..rhythm
is strange, I can't pin down if
..it's sextuplets, 6 against 4, or
..what.
It seems like he adds some notes
..sometimes to make things fit in.
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