Hard to write down due to lots of syncopation uses. Every time the dots appear in the
transcription - it means that's it, and tho following note is a bit earlier, than it looks
like. I added the 4/4 counting.
To make it easy... this:
is really this:
\ / \PM/\ /
|0---0---0.-00.-0|
1 2 3 4
So let's say the dot will indicate the first note before the accent, so the next note
(after the dot) is shorter and weaker and it's stuck to the following , stressed note.
Luckily the verses are played mostly without those.
. - shortened note - in the syncopation
PM - palm mute - in the staccato
\ - down stroke
/ - up stroke
The "#" sequence is a modification of the G chord:
#1 x10033
Intro
|--------|
1 2 3 4
|----3-----------0-0.000---------2-2.222-----------3.333--33.-333|
|----3-----------1-1.111---------1-1.111-----------3.333--33.-333|
|----0-----------2-2.222---------2-2.222-----------0.000--00.-000|
|----0-----------2-2.222-------0-0-0.000-----------0.000--00.-000|
|----2-----0-2-0-0-0.000---0-2---0-0.000-0-1-0-----2.222-1-1.0-00|
|3---3---3-------0-0.000-3-------0-0.000-------3.3-3.333---------|
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
verse 1:
SOL LAmIf I was lookin' for you
Would you be easy to find?
SOL #Or would I be lookin' all night?
SOL LAmAnd if I got lost
Would you go lookin' for me?
SOL #1 #2Or would you be alright on your own?
SOL LAm RE7 SOL MIm7 DO(chorus)
|----3-----------0-0.000---------2-2.222-----------3.333---------|
|----3-----------1-1.111---------1-1.111-----------3.333---------|
|----0-----------2-2.222---------2-2.222-----------0.000---------|
|----0-----------2-2.222-------0-0-0.000-----------0.000---------|
|----2-----0-2-0-0-0.000---0-2---0-0.000-0-1-0-----2.222-----0-2-|3
|3---3---3-------0-0.000-3-------0-0.000-------3.3-3.333-3-3-----|
Chorus
Oh, in the light of day it feels right
DO SOL FA DOComfortable to the bone from head to toe
DO SOL FA DOBut come the evening when the shadows fall
Well, I call your name but it's not the same
As having you here
SOL LAm RE7 SOL # x2
Verse2:
SOL LAmIf I was a second too late,
Or a moment too soon,
SOL #Or out too long
SOL LAmTell me baby, would you wait a bit longer?
I wonder if you could
SOL # SOLOr would you be long gone? Would you be alone?
SOL LAm RE7 SOL MIm7
ChorusDO SOL FA DO
Oh, in the light of day it feels right
DO SOL FA DOComfortable to the bone from head to toe
Come the evening when shadows fall
LAm RE7Well, I call your name but it's not the same
As having you here
Verse3:
SOL LAmAs having you here
As knowing you're near
SOLAs feeling you there
#1 #2 SOLAs knowing you care
As whispering in your ear
RE7As my hands in your hair
SOL MIm7As knowing you're there
ChorusDO SOL FA DO
Oh, in the light of day it feels right
DO SOL FA DOComfortable to the bone from head to toe
But come the evening when the shadows fall
LAm RE7Well, I call your name but it's not the same
As having you here
Hard to write down due to lots of
..syncopation uses. Every time the
..dots appear in the
transcription - it means that's
..it, and tho following note is a
..bit earlier, than it looks
like. I added the 4/4 counting.
To make it easy... this:
0-0 000- 1 2 3 4
is really this:
\ / \PM/\ /
|0---0---0.-00.-0|
1 2 3 4
So let's say the dot will indicate
..the first note before the
..accent, so the next note
(after the dot) is shorter and
..weaker and it's stuck to the
..following , stressed note.
Luckily the verses are played
..mostly without those.
. - shortened note - in the
..syncopation
PM - palm mute - in the staccato
\ - down stroke
/ - up stroke
The "#" sequence is a modification
..of the G chord:
#1 x10033#2 x00033
Intro #1 #2
|--------|
SOL LAm RE7
|----3-----------0-0.000---------2
|----3-----------1-1.111---------1
|----0-----------2-2.222---------2
|----0-----------2-2.222-------0-0
|----2-----0-2-0-0-0.000---0-2---0
|3---3---3-------0-0.000-3-------0
...
-|-2.222-----------3.333--33.-333|
-|-1.111-----------3.333--33.-333|
-|-2.222-----------0.000--00.-000|
-|-0.000-----------0.000--00.-000|
-|-0.000-0-1-0-----2.222-1-1.0-00|
-|-0.000-------3.3-3.333---------|
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1
verse 1:
If I was lookin' for you
RE7Would you be easy to find?
SOLOr would I be lookin' all night?
SOL LAm
And if I got lost
RE7Would you go lookin' for me?
Or would you be alright on your
..own?
SOL LAm RE7 SOL MIm7
|----3-----------0-0.000---------2
|----3-----------1-1.111---------1
|----0-----------2-2.222---------2
|----0-----------2-2.222-------0-0
|----2-----0-2-0-0-0.000---0-2---0
|3---3---3-------0-0.000-3-------0
...
-|-2.222-----------3.333--------
-|-1.111-----------3.333--------
-|-2.222-----------0.000--------
-|-0.000-----------0.000--------
-|-0.000-0-1-0-----2.222-----0-2
-|-0.000-------3.3-3.333-3-3----
...
-|-|
-|-|
-|-|
-|-|
-|-|3
-|-|
Oh, in the light of day it feels
..right
DO SOL FAComfortable to the bone from head
..to toe
DOBut come the evening when the
SOL FA DO..shadows fall
Well, I call your name but it's
..not the same
As having you here
SOL LAm RE7 SOL # x2
Verse2:
SOL LAmIf I was a second too late,
RE7Or a moment too soon,
Or out too long
SOLTell me baby, would you wait a bit
LAm..longer?
I wonder if you could
SOLOr would you be long gone? Would
# SOL..you be alone?
SOL LAm RE7 SOL MIm7
Oh, in the light of day it feels
..right
DO SOL FAComfortable to the bone from head
..to toe
DO SOL FA DOCome the evening when shadows fall
LAm RE7Well, I call your name but it's
..not the same
As having you here
Verse3:
SOL LAmAs having you here
As knowing you're near
SOLAs feeling you there
#1 #2 SOLAs knowing you care
As whispering in your ear
RE7As my hands in your hair
SOL MIm7As knowing you're there
ChorusDO SOL FA DO
Oh, in the light of day it feels
..right
DO SOL FAComfortable to the bone from head
DO..to toe
But come the evening when the
SOL FA DO..shadows fall
LAm RE7Well, I call your name but it's
..not the same
As having you here
Tablature chitarra di Kt TUNSTALL Boo Hoo Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti