Skitarrateaccordi testi spartiti e tablature

area personale

email *

password *

resta collegato

Doggie Style Cyber Sex With Marilyn Monrobot

suonato 334 volte

PRESCHOOL TEA PARTY MASSACRE

Tablature chitarra

Auto
scroll

Gtr I (D A D G B E) - 'Guitar'
Gtr II (D A D G B E) - 'Synth'
Gtr III (D A D G B E) - 'Synth II'
Gtr IV (D A D G B E) - 'Guitar Pan Right'

Intro
Cybergrind Q=161
RE5 /
  Gtr II
                -3-                  -3-
  S E.   Q     Q Q Q   S E.   Q     Q Q Q
|--------------------|--------------------|
|--------------------|--------------------|
|-5-5----7-----8-7-5-|-5-5----7-----8-7-5-|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
| Gtr I
-3- -3-
| S S E S S E q q q S S E S S E q q q
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0-|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0-|
-3- -3-
S E. Q Q Q Q S E. Q Q Q Q
|--------------------|---------------------|
|--------------------|---------------------|
|-5-5----7-----8-7-5-|-5-5----7-----8-7-5--|
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
-3- -3-
| S S E S S E q q q S S E S S E q q q
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0--|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0--|
Yarrgh
RE5
/ -3- -3-
S E. Q Q Q Q S E. Q Q Q Q
|--------------------|--------------------|
|--------------------|--------------------|
|-5-5----7-----8-7-5-|-5-5----7-----8-7-5-|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
-3- -3-
| S S E S S E q q q S S E S S E q q q
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0-|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0-|
-3- -3-
S E. Q Q Q Q S E. Q Q Q Q
|--------------------|---------------------|
|--------------------|---------------------|
|-5-5----7-----8-7-5-|-5-5----7-----8-7-5--|
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
-3- -3-
| S S E S S E q q q S S E S S E q q q
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0--|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0--|

Noise
Gtr IV
PM--------| PM--------|
W W E E E E E E E E E E E E E E E E
|----------|----------|-----------------|-----------------|
|----------|----------|-----------------|-----------------|
|----------|----------|-----------------|-----------------|
|----------|----------|-0-0-------------|-0-0-------------|
|----------|----------|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|
|----------|----------|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|
Sample
N.C.
Wx12
|---------|
|---------|
|---------|
|---------|
|---------|
|---------|

Raaarggh
  Q=70
  RE5
  Gtr II
e E e E e S e S e e E e E e S e S e
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-5-----7-----8---7---5-|-5-----7-----8---7---5-|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|

| Gtr I
| PM---------------------------------------------
| S S E S S E e s e s e S S E S S E e s e s e
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-0-0---0-0---0---0---0-|-0-0---0-0---0---0---0-|
|-0-0---0-0---0---0---0-|-0-0---0-0---0---0---0-|
e E e E e S e S e e E e E e S e S e
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-5-----7-----8---7---5-|-5-----7-----8---7---5-|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|---------------------------------------------|
| S S E S S E e s e s e S S E S S E e s e s e
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-0-0---0-0---0---0---0-|-0-0---0-0---0---0---0-|
|-0-0---0-0---0---0---0-|-0-0---0-0---0---0---0-|
Outro
RE5
Gtr III
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|
|---------------------------------|---------------------------------|

| Gtr II
| e E e E e S e S e e E e E e S e S e
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-5-------7-------8-----7-----5---|-5-------7-------8-----7-----5---|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|

| Gtr I
| PM-----------------------------------------------------------------
| S S E S S E e s e s e S S E S S E e s e s e
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-0-0-----0-0-----0-----0-----0---|-0-0-----0-0-----0-----0-----0---|
|-0-0-----0-0-----0-----0-----0---|-0-0-----0-0-----0-----0-----0---|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3----*|
|---------------------------------|------------------------------------*|
| e E e E e S e S e e E e E e S e S e
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|-5-------7-------8-----7-----5---|-5-------7-------8-----7-----5------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|

|---------------------------------------------------------------|
| S S E S S E e s e s e S S E S S E e s e s e
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|-0-0-----0-0-----0-----0-----0---|-0-0-----0-0-----0-----0-----0------*|
|-0-0-----0-0-----0-----0-----0---|-0-0-----0-0-----0-----0-----0------*|

Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
h   - hammer-on
p   - pull-off
b   - bend
pb  - pre-bend
r   - bend release (if no number after the r, then release immediately)
/\  - slide into or out of (from/to "nowhere")
s   - legato slide
S   - shift slide
  - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr  - trill
T   - tap
TP  - trem. picking
PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
\n  - tremolo bar down
n/  - tremolo bar up
/n\  - tremolo bar inverted dip
=   - hold bend; also acts as connecting device for hammers/pulls
<>  - volume swell (louder/softer)
x   - on rhythm slash represents muted slash
o   - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$  - Segno
&  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Gtr I (D A D G B E) - 'Guitar'
Gtr II (D A D G B E) - 'Synth'
Gtr III (D A D G B E) - 'Synth II'
Gtr IV (D A D G B E) - 'Guitar Pan
..Right'
Intro
Cybergrind Q=161
RE5
/
Gtr II
-3-
S E. Q Q Q Q S E. Q
-3-
.. Q Q Q
|--------------------|------------
|--------------------|------------
|-5-5----7-----8-7-5-|-5-5----7---
|--------------------|------------
|--------------------|------------
|--------------------|------------
...
-|--------|
-|--------|
-|--8-7-5-|
-|--------|
-|--------|
-|--------|

| Gtr I
                -3-
| S S  E S S E q q q   S S  E S S
     -3-
..E q q q
|--------------------|------------
|--------------------|------------
|--------------------|------------
|--------------------|------------
|-0-0----0-0---0-0-0-|-0-0----0-0-
|-0-0----0-0---0-0-0-|-0-0----0-0-
...
-|--------|
-|--------|
-|--------|
-|--------|
-|--0-0-0-|
-|--0-0-0-|
-3-
S E. Q Q Q Q S E. Q
-3-
.. Q Q Q
|--------------------|------------
|--------------------|------------
|-5-5----7-----8-7-5-|-5-5----7---
|--------------------|------------
|--------------------|------------
|--------------------|------------
...
-|---------|
-|---------|
-|--8-7-5--|
-|---------|
-|---------|
-|---------|
-3-
| S S E S S E q q q S S E S S
-3-
..E q q q
|--------------------|------------
|--------------------|------------
|--------------------|------------
|--------------------|------------
|-0-0----0-0---0-0-0-|-0-0----0-0-
|-0-0----0-0---0-0-0-|-0-0----0-0-
...
-|---------|
-|---------|
-|---------|
-|---------|
-|--0-0-0--|
-|--0-0-0--|
Yarrgh
RE5 / -3-
S E. Q Q Q Q S E. Q
-3-
.. Q Q Q
|--------------------|------------
|--------------------|------------
|-5-5----7-----8-7-5-|-5-5----7---
|--------------------|------------
|--------------------|------------
|--------------------|------------
...
-|--------|
-|--------|
-|--8-7-5-|
-|--------|
-|--------|
-|--------|
-3-
| S S E S S E q q q S S E S S
-3-
..E q q q
|--------------------|------------
|--------------------|------------
|--------------------|------------
|--------------------|------------
|-0-0----0-0---0-0-0-|-0-0----0-0-
|-0-0----0-0---0-0-0-|-0-0----0-0-
...
-|--------|
-|--------|
-|--------|
-|--------|
-|--0-0-0-|
-|--0-0-0-|
                -3-
  S E.   Q     Q Q Q   S E.   Q
    -3-
.. Q Q Q
|--------------------|------------
|--------------------|------------
|-5-5----7-----8-7-5-|-5-5----7---
|--------------------|------------
|--------------------|------------
|--------------------|------------
...
-|---------|
-|---------|
-|--8-7-5--|
-|---------|
-|---------|
-|---------|
                -3-
| S S  E S S E q q q   S S  E S S
     -3-
..E q q q
|--------------------|------------
|--------------------|------------
|--------------------|------------
|--------------------|------------
|-0-0----0-0---0-0-0-|-0-0----0-0-
|-0-0----0-0---0-0-0-|-0-0----0-0-
...
-|---------|
-|---------|
-|---------|
-|---------|
-|--0-0-0--|
-|--0-0-0--|
Noise
Gtr IV
PM--------| PM--------|
W W E E E E E
..E E E E E E E E E E E
|----------|----------|----------
|----------|----------|----------
|----------|----------|----------
|----------|----------|-0-0------
|----------|----------|-0-0-0-0-0
|----------|----------|-0-0-0-0-0
...
-|-------|-----------------|
-|-------|-----------------|
-|-------|-----------------|
-|-------|-0-0-------------|
-|-0-0-0-|-0-0-0-0-0-0-0-0-|
-|-0-0-0-|-0-0-0-0-0-0-0-0-|
Sample
N.C.
Wx12
|---------|
|---------|
|---------|
|---------|
|---------|
|---------|

Raaarggh
  Q=70
  RE5
  Gtr II
e E e E e S e S e e E e
.. E e S e S e
|-----------------------|---------
|-----------------------|---------
|-5-----7-----8---7---5-|-5-----7-
|-----------------------|---------
|-----------------------|---------
|-----------------------|---------
...
-|--------------|
-|--------------|
-|----8---7---5-|
-|--------------|
-|--------------|
-|--------------|
| Gtr I
| PM---------------------------------------------
| S S E S S E e s e s e S S E S
..S E e s e s e
|-----------------------|--------
|-----------------------|--------
|-----------------------|--------
|-----------------------|--------
|-0-0---0-0---0---0---0-|-0-0---0
|-0-0---0-0---0---0---0-|-0-0---0
...
-|---------------|
-|---------------|
-|---------------|
-|---------------|
-|-0---0---0---0-|
-|-0---0---0---0-|
e E e E e S e S e e E e
.. E e S e S e
|-----------------------|---------
|-----------------------|---------
|-5-----7-----8---7---5-|-5-----7-
|-----------------------|---------
|-----------------------|---------
|-----------------------|---------
...
-|--------------|
-|--------------|
-|----8---7---5-|
-|--------------|
-|--------------|
-|--------------|
|---------------------------------------------|
| S S E S S E e s e s e S S E S
..S E e s e s e
|-----------------------|--------
|-----------------------|--------
|-----------------------|--------
|-----------------------|--------
|-0-0---0-0---0---0---0-|-0-0---0
|-0-0---0-0---0---0---0-|-0-0---0
...
-|---------------|
-|---------------|
-|---------------|
-|---------------|
-|-0---0---0---0-|
-|-0---0---0---0-|

Outro
  RE5
  Gtr III
  S S S S S S S S S S S S S S S S
.. S S S S S S S S S S S S S S S S
|--------------------------------
|--------------------------------
|--------------------------------
|--------------------------------
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3
|--------------------------------
...
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3
-|-|------------------------------
...
-|---|
-|---|
-|---|
-|---|
-|-3-|
-|---|
| Gtr II
| e E e E e S e S e
.. e E e E e S e S e
|--------------------------------
|--------------------------------
|-5-------7-------8-----7-----5--
|--------------------------------
|--------------------------------
|--------------------------------
...
-|-|------------------------------
-|-|------------------------------
-|-|-5-------7-------8-----7-----5
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
...
-|---|
-|---|
-|---|
-|---|
-|---|
-|---|
| Gtr I
| PM-----------------------------------------------------------------
| S S E S S E e s e s e
.. S S E S S E e s e s e
|--------------------------------
|--------------------------------
|--------------------------------
|--------------------------------
|-0-0-----0-0-----0-----0-----0--
|-0-0-----0-0-----0-----0-----0--
...
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|-0-0-----0-0-----0-----0-----0
-|-|-0-0-----0-0-----0-----0-----0
...
-|---|
-|---|
-|---|
-|---|
-|---|
-|---|
S S S S S S S S S S S S S S S S
.. S S S S S S S S S S S S S S S S
|--------------------------------
|--------------------------------
|--------------------------------
|--------------------------------
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3
|--------------------------------
...
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3
-|-|------------------------------
...
-|------*|
-|------*|
-|------*|
-|------*|
-|-3----*|
-|------*|

| e E e E e S e S e
.. e E e E e S e S e
|--------------------------------
|--------------------------------
|-5-------7-------8-----7-----5--
|--------------------------------
|--------------------------------
|--------------------------------
...
-|-|------------------------------
-|-|------------------------------
-|-|-5-------7-------8-----7-----5
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
...
-|------*|
-|------*|
-|------*|
-|------*|
-|------*|
-|------*|
|---------------------------------------------------------------|
| S S E S S E e s e s e
.. S S E S S E e s e s e
|--------------------------------
|--------------------------------
|--------------------------------
|--------------------------------
|-0-0-----0-0-----0-----0-----0--
|-0-0-----0-0-----0-----0-----0--
...
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|-0-0-----0-0-----0-----0-----0
-|-|-0-0-----0-0-----0-----0-----0
...
-|------*|
-|------*|
-|------*|
-|------*|
-|------*|
-|------*|
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . -
..note dotted; .. - note double
..dotted
Uncapitalized letters represent
..notes that are staccato (1/2
..duration)
Irregular groupings are notated
..above the duration line
Duration letters will always
..appear directly above the
..note/fret number it represents
..the
duration for. Duration letters
..with no fret number below them
..represent rests. Multi-
bar rests are notated in the form
..Wxn, where n is the number of
..bars to rest for. Low
melody durations appear below the
..staff
Tablature Legend
h   - hammer-on
p   - pull-off
b   - bend
pb - pre-bend
r - bend release (if no number
..after the r, then release
..immediately)
/\ - slide into or out of
..(from/to "nowhere")
s   - legato slide
S   - shift slide
  - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr  - trill
T   - tap
TP  - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount
..to dip
\n  - tremolo bar down
n/  - tremolo bar up
/n\  - tremolo bar inverted dip
= - hold bend; also acts as
..connecting device for
..hammers/pulls
<> - volume swell
..(louder/softer)
x - on rhythm slash represents
..muted slash
o - on rhythm slash represents
..single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$  - Segno
&  - Coda
Tempo markers -  =
..BPM(8/16=s8/s16), where s8 =
..swing 8ths, s16 = swing 16ths
SUONA ANCHE ..

Torna all'inizio della tablatura

Tablature chitarra di PRESCHOOL TEA PARTY MASSACRE Doggie Style Cyber Sex With Marilyn Monrobot Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti

Doggie Style Cyber Sex With Marilyn Monrobot

traduzione testo Doggie Style Cyber Sex With Marilyn Monrobot

midi Doggie Style Cyber Sex With Marilyn Monrobot

lezione Doggie Style Cyber Sex With Marilyn Monrobot

PRESCHOOL TEA PARTY MASSACRE

sito ufficiale PRESCHOOL TEA PARTY MASSACRE

concerti PRESCHOOL TEA PARTY MASSACRE

discografia PRESCHOOL TEA PARTY MASSACRE

Brani preferiti

Pagina fan