capo at 4th fret [sounds in the key of F#]:
FIGURE #1 (play twice):
D Daug5 D6 D7
' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' 'e-----2-2-----2-2-----2-0---2-0---|-----2-2-----2-2-----2-2.....----|
b-----3-3-----3-3-----3-----3-----|-----3-3-----3-3-----3-3.....----|
g-----2-2-----2-2-----3-----3-----|-----4-4-----4-4-----5-5.....----|
D-0---------------0---------------|-0---------------0---------------|
A---------0-----------------------|---------0-----------------------|
E---------------------------------|---------------------------------|
FIGURE #2:
e-----2-2-----2-2-----2-2-----2-2-|---------------------------------|
b-----3-3-----3-3-----2-2-----2-2-|-----3-3-----3-3-----1-1-----1-1-|
g-----2-2-----2-2-----0-0-----0-0-|-----3-3-----3-3-----0-0-----0-0-|
D-0-----------------------0-------|-----3-3-----3-3-----2-2-----2-2-|
A---------0-------2---------------|-1---------------3---------------|
E---------------------------------|---------1---------------3-------|
I can't believe you you bend your words like Uri Geller's
RE RE/LA FA# FA#/DO# SOL SOL/SI FA# FA#/DO# ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' '
e-----2-2-----2-2-----------------|---------------------------------|
b-----3-3-----3-3-----2-2-----2-2-|-----0-0-----0-0-----2-2-----2-2-|
g-----2-2-----2-2-----3-3-----3-3-|-----0-0-----0-0-----3-3-----3-3-|
D-0-------------------4-4-----4-4-|-----0-0-----0-0-----4-4-----4-4-|
A---------0---------------4-------|---------2---------------4-------|
E-----------------2---------------|-3---------------2---------------|
spoons Not quite safe here when every judgment seems to smack of
SOL SOL RE DOsus2 SOL/SI SOL MI
e---------------------2-2-----3-3-|-----3-3-----3-3-0---------------|
b-----0-0-----0-0-----3-3-----3-3-|-----3-3-----3-3-0---------------|
g-----0-0-----0-0-----2-2-----0-0-|-----0-0-----0-0-1---------------|
D-----0-0-----0-0-0---------------|-----------------2---------------|
A-------------------------3-------|-2---------------2---------------|
E-3-------3-----------------------|---------3-------0---------------|
doom Are you okay? ______________ I'm just fine
MI SOL SOL/FA# LA LA/MI ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' '
e-0---------------|----------------------------------|
b-0---------------|------0-0-----0-0-----2-2-----2-2-|
g-1---------------|------0-0-----0-0-----2-2-----2-2-|
D-2---------------|------0-0-----0-0-----2-2-----2-2-| FIGURE #1
A-2---------------|------------------0---------------|
E-0-----------0-2-|--3-------2---------------0-------|
You take Nanci, for me Loretta's fine
[same beginning as figure #2]
RE RE/LA SOLsus4/SI SOLsus4/RE SIb SIb/FA DO DO/SOL
A legal precedent could set us straight but no one's brought up
RE RE/LA FA# FA#/DO# SOL FA# SOLsuit And I'm assuming that if they did the point would still be moot
Are you joking?___________ I'm just fine
G G/F# A A/E [to FIGURE #3]
You take Nanci, for me Loretta's fine
FIGURE #3
RE RE/LA FA# FA#/DO# DO DO SI7 SI7/FA# ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' '
e-----2-2-----2-2-----------------|---------------------2-2-----2-2-|
b-----3-3-----3-3-----2-2-----2-2-|-----1-1-----1-1-----0-0-----0-0-|
g-----2-2-----2-2-----3-3-----3-3-|-----0-0-----0-0-----2-2-----2-2-|
D-0-------------------4-4-----4-4-|-----2-2-----2-2-----1-1-----1-1-|
A---------0---------------4-------|-3-------3-------2---------------|
E-----------------2---------------|-------------------------2-------|
No I've changed my mind
SOL SOL/FA# LA LA/MI RE REsus4 RE REsus4
e---------------------------------|-----2-2---3-2-------2-2---3-2---|
b-----0-0-----0-0-----2-2-----2-2-|-----3-3-----3-------3-3-----3---|
g-----0-0-----0-0-----2-2-----2-2-|-----2-2-----2-------2-2-----2---|
D-----0-0-----0-0-----2-2-----2-2-|-0---------------0---------------|
A-----------------0---------------|---------------------------------|
E-3-------2---------------0-------|---------------------------------|
I'll take Nanci for you Loretta's fine
BRIDGE:
DO DO/SOL DO DO/SOL SOL SOL/SI SOL SOLmaj7 SOL6
e---------------------------------|-----------------3-2---0---------|
b-----1-1-----1-1-----1-1-----1-1-|-----0-0-----0-0-0-----0---3-----|
g-----0-0-----0-0-----0-0-----0-0-|-----0-0-----0-0-0-----0-------0-|
D-----2-2-----2-2-----2-2-----2-2-|-----0-0-----0-0-0---------------|
A-3---------------3---------------|---------2-------2---------------|
E---------3---------------3-------|-3---------------3---------------|
And still we walk without quite seeing things
e---------------------------------|---------------------------------|
b-----1-1-----1-1-----1-1-----1-1-|-----0-0-----0-0-0-1-3-1---0-----|
g-----0-0-----0-0-----0-0-----0-0-|-----0-0-----0-0-0---------------|
D-----2-2-----2-2-----2-2-----2-2-|-----0-0-----0-0-0---------------|
A-3---------------3---------------|---------2-------2---------------|
E---------3---------------3-------|-3---------------3---------------|
And I'll admit there's not that much to see And
MIm MIm(maj7) MIm7 LA LA/MI ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' '
e-0---------------0---------------|-0-------------------------------|
b-0---------------0---------------|-0-------------------2-2-----2-2-|
g-0---------------0---------------|-0-------------------2-2-----2-2-|
D-2---------------1---------------|-0-------------------2-2-----2-2-|
A-2---------------2---------------|-2---------------0---------------|
E-0---------------0---------------|-0-----------------------0-------|
I will follow through and expect that you would follow
FIGURE #1 (one time)
...suit
repeat FIGURE #2, except with FIGURE #3 ending:
I can't believe you, you bend your words like Uri Geller's spoons
Not quite safe here, when every judgment seems to smack of doom
Are you okay?______ I'm just fine
You take Nanci, for me Loretta's fine
No I've changed my mind, I'll take Nanci, for you Loretta's...
[these two bars twice]:
D Daug5 D6 D7
' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' 'e-----2-2-----2-2-----2-0---2-0---|-----2-2-----2-2-----2-2---2-3---|
b-----3-3-----3-3-----3-----3-----|-----3-3-----3-3-----3-3---3-3---|
g-----2-2-----2-2-----3-----3-----|-----4-4-----4-4-----5-5---5-5---|
D-0---------------0---------------|-0---------------0---------------|
A---------0-----------------------|---------0-----------------------|
E---------------------------------|---------------------------------|
fine Loretta's fine Loretta's
RE DO# RE
e-2-------1-------2...........----|
b-3-------2-------3...........----|
g-2-------1-------2...........----|
D-0-------0-------0...........----|
A---------------------------------|
E---------------------------------|
fine
This key to this song is getting the back-and-forth bass lines, and
following the tempo (which I have done my best to designate). I would
recommend using a flat pick and -- in general -- let it ring! Give a
listen to the CD (which I would highly recommend if you don't already have
it). This will help with the vocal line as it changes from chromatic keys
like G to F# and back -- really, this is what makes the song sound so cool.
capo at 4th fret [sounds in
..the key of F#]:
FIGURE #1 (play twice):
D Daug5
.. D6 D7
' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' 'e-----2-2-----2-2-----2-0---2-0--
b-----3-3-----3-3-----3-----3----
g-----2-2-----2-2-----3-----3----
D-0---------------0--------------
A---------0----------------------
E--------------------------------
...
-|-|-----2-2-----2-2-----2-2.....-
-|-|-----3-3-----3-3-----3-3.....-
-|-|-----4-4-----4-4-----5-5.....-
-|-|-0---------------0------------
-|-|---------0--------------------
-|-|------------------------------
...
-|---|
-|---|
-|---|
-|---|
-|---|
-|---|
FIGURE #2:
e-----2-2-----2-2-----2-2-----2-2
b-----3-3-----3-3-----2-2-----2-2
g-----2-2-----2-2-----0-0-----0-0
D-0-----------------------0------
A---------0-------2--------------
E--------------------------------
...
-|-|------------------------------
-|-|-----3-3-----3-3-----1-1-----1
-|-|-----3-3-----3-3-----0-0-----0
-|-|-----3-3-----3-3-----2-2-----2
-|-|-1---------------3------------
-|-|---------1---------------3----
...
-|---|
-|-1-|
-|-0-|
-|-2-|
-|---|
-|---|
I can't believe you
.. you bend your words like Uri
..Geller's
e-----2-2-----2-2----------------
b-----3-3-----3-3-----2-2-----2-2
g-----2-2-----2-2-----3-3-----3-3
D-0-------------------4-4-----4-4
A---------0---------------4------
E-----------------2--------------
...
-|-|------------------------------
-|-|-----0-0-----0-0-----2-2-----2
-|-|-----0-0-----0-0-----3-3-----3
-|-|-----0-0-----0-0-----4-4-----4
-|-|---------2---------------4----
-|-|-3---------------2------------
...
-|---|
-|-2-|
-|-3-|
-|-4-|
-|---|
-|---|
spoons Not quite safe here
..when every judgment seems to
..smack of
e---------------------2-2-----3-3
b-----0-0-----0-0-----3-3-----3-3
g-----0-0-----0-0-----2-2-----0-0
D-----0-0-----0-0-0--------------
A-------------------------3------
E-3-------3----------------------
...
-|-|-----3-3-----3-3-0------------
-|-|-----3-3-----3-3-0------------
-|-|-----0-0-----0-0-1------------
-|-|-----------------2------------
-|-|-2---------------2------------
-|-|---------3-------0------------
...
-|---|
-|---|
-|---|
-|---|
-|---|
-|---|
doom Are you okay?
..______________ I'm just fine
MI SOL
e-0---------------|---------------
b-0---------------|------0-0-----0
g-1---------------|------0-0-----0
D-2---------------|------0-0-----0
A-2---------------|---------------
E-0-----------0-2-|--3-------2----
...
-|-------------------|
-|-0-----2-2-----2-2-|
-|-0-----2-2-----2-2-|
-|-0-----2-2-----2-2-| FIGURE #1
-|---0---------------|
-|-----------0-------|
You take
..Nanci, for me Loretta's fine
[same beginning as figure #2]
RE RE/LA SOLsus4/SI SOLsus4/RE SIb
A legal precedent could set
..us straight but no one's brought
..up
suit And I'm assuming that
SOL FA#..if they did the point would
SOL..still be moot
Are you joking?___________
SOL MI MI..I'm just fine
G G/F# A
..A/E [to FIGURE #3]
You take Nanci, for me
..Loretta's fine
FIGURE #3
RE RE/LA FA#
e-----2-2-----2-2----------------
b-----3-3-----3-3-----2-2-----2-2
g-----2-2-----2-2-----3-3-----3-3
D-0-------------------4-4-----4-4
A---------0---------------4------
E-----------------2--------------
...
-|-|---------------------2-2-----2
-|-|-----1-1-----1-1-----0-0-----0
-|-|-----0-0-----0-0-----2-2-----2
-|-|-----2-2-----2-2-----1-1-----1
-|-|-3-------3-------2------------
-|-|-------------------------2----
...
-|-2-|
-|-0-|
-|-2-|
-|-1-|
-|---|
-|---|
No
..I've changed my mind
SOL SOL/FA# LA LA/MI RE REsus4 RE
e--------------------------------
b-----0-0-----0-0-----2-2-----2-2
g-----0-0-----0-0-----2-2-----2-2
D-----0-0-----0-0-----2-2-----2-2
A-----------------0--------------
E-3-------2---------------0------
...
-|-|-----2-2---3-2-------2-2---3-2
-|-|-----3-3-----3-------3-3-----3
-|-|-----2-2-----2-------2-2-----2
-|-|-0---------------0------------
-|-|------------------------------
-|-|------------------------------
...
-|---|
-|---|
-|---|
-|---|
-|---|
-|---|
I'll take Nanci for you
..Loretta's fine
BRIDGE:
DO DO/SOL DO DO/SOL
e--------------------------------
b-----1-1-----1-1-----1-1-----1-1
g-----0-0-----0-0-----0-0-----0-0
D-----2-2-----2-2-----2-2-----2-2
A-3---------------3--------------
E---------3---------------3------
...
-|-|-----------------3-2---0------
-|-|-----0-0-----0-0-0-----0---3--
-|-|-----0-0-----0-0-0-----0------
-|-|-----0-0-----0-0-0------------
-|-|---------2-------2------------
-|-|-3---------------3------------
...
-|---|
-|---|
-|-0-|
-|---|
-|---|
-|---|
And still we walk
..without quite seeing things
e--------------------------------
b-----1-1-----1-1-----1-1-----1-1
g-----0-0-----0-0-----0-0-----0-0
D-----2-2-----2-2-----2-2-----2-2
A-3---------------3--------------
E---------3---------------3------
...
-|-|------------------------------
-|-|-----0-0-----0-0-0-1-3-1---0--
-|-|-----0-0-----0-0-0------------
-|-|-----0-0-----0-0-0------------
-|-|---------2-------2------------
-|-|-3---------------3------------
...
-|---|
-|---|
-|---|
-|---|
-|---|
-|---|
And I'll admit there's
..not that much to see
.. And
MIm MIm(maj7)
e-0---------------0--------------
b-0---------------0--------------
g-0---------------0--------------
D-2---------------1--------------
A-2---------------2--------------
E-0---------------0--------------
...
-|-|-0----------------------------
-|-|-0-------------------2-2-----2
-|-|-0-------------------2-2-----2
-|-|-0-------------------2-2-----2
-|-|-2---------------0------------
-|-|-0-----------------------0----
...
-|---|
-|-2-|
-|-2-|
-|-2-|
-|---|
-|---|
I will follow through
.. and expect that you would
..follow
FIGURE #1 (one time)
...suit
repeat FIGURE #2, except
..with FIGURE #3 ending:
I can't believe you, you bend
..your words like Uri Geller's
..spoons
Not quite safe here, when
..every judgment seems to smack of
..doom
Are you okay?______ I'm just
..fine
You take Nanci, for me
..Loretta's fine
No I've changed my mind, I'll
..take Nanci, for you Loretta's...
[these two bars twice]:
D Daug5
.. D6 D7
' ' ' ' ' ' ' ' ' 'e-----2-2-----2-2-----2-0---2-0--
b-----3-3-----3-3-----3-----3----
g-----2-2-----2-2-----3-----3----
D-0---------------0--------------
A---------0----------------------
E--------------------------------
...
-|-|-----2-2-----2-2-----2-2---2-3
-|-|-----3-3-----3-3-----3-3---3-3
-|-|-----4-4-----4-4-----5-5---5-5
-|-|-0---------------0------------
-|-|---------0--------------------
-|-|------------------------------
...
-|---|
-|---|
-|---|
-|---|
-|---|
-|---|
fine
..Loretta's fine
.. Loretta's
RE DO# RE
e-2-------1-------2...........---
b-3-------2-------3...........---
g-2-------1-------2...........---
D-0-------0-------0...........---
A--------------------------------
E--------------------------------
...
-|-|
-|-|
-|-|
-|-|
-|-|
-|-|
fine
This key to this song is
..getting the back-and-forth bass
..lines, and
following the tempo (which I
..have done my best to designate).
.. I would
recommend using a flat pick
..and -- in general -- let it
..ring! Give a
listen to the CD (which I
..would highly recommend if you
..don't already have
it). This will help with the
..vocal line as it changes from
..chromatic keys
like G to F# and back --
..really, this is what makes the
..song sound so cool.
Tablature chitarra di TOAD THE WET SPROCKET Nanci Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti