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Gypsy

suonato 1341 volte

VEGA SUZANNE

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Capo at 2nd fret. Quarter note = 147 (approx)

Key:
0h2  - hammer-on to second fret from open string
        %    - "D.S. al coda" symbol
        @    - Coda symbol
        |[   - Beginning of a section to be repeated
]|   - Repeat the section, starting from "|["
        ||   - End of song
INTRO SECTION:
E-----------------|-----------------|---------3-------|---------3-------|
B-----------3-----|---3-------3-----|---3-------3-----|---3-------3-----|
G-------0-------0-|-------0-------0-|-------0-------0-|-------0-------0-|
D-----0-------0---|-----2-------2---|-----0-------0---|-----0-------2---|
A-----------------|---------3-------|-2---------------|---------3-------|
E-3-------2-------|-0---------------|---------2-------|-3---------------|
1 2 3 4
|-----------------|------------------|-3---------------|-3-------2-------|
|---3-------3-----|---3--------3-----|---3------3------|---3-------3-----|
|-------0-------0-|-------0--------0-|-------0------0--|-------2-------2-|
|-----0-------0---|-----2--------2---|-----2------2----|-----0-------0---|
|-----------------|---------0h2------|-3-------3-------|-0---------------|
|-3-------2-------|-0----------------|-----------------|-----------------|
5 6 7 8
|-3-------2h3-----|-3----------------|-3----------------|
|---3-------3-----|---3--------3-----|---3--------3-----|
|-------2-------0-|-------0--------0-|-------0--------0-|
|-----0-------0---|-----0--------0---|-----0--------0---|
|-----------------|---------0h2------|---------0h2------|
|-----------------|-3----------------|-3----------------|
9 10 11

VERSES:
%
|[-3---------------|-----------------|-3---------------|------------------|
|[---3-------3-----|---3-------3-----|---3-------3-----|---3--------3-----|
|[-------0-------0-|-------0-------0-|-------0-------0-|-------0--------0-|
|[-----0-------0---|-----2-------2---|-----2-------2---|-----0--------0---|
|[-----------------|---------2-------|-3-------3-------|---------0h2------|
|[-3-------2-------|-0---------------|-----------------|-3----------------|
|-3---------------|-----------------|-3---------------|---------2h3-----|
|---3-------3-----|---3-------3-----|---3-------3-----|---3-------3-----|
|-------0-------0-|-------0-------0-|-------0-------0-|-------2-------0-|
|-----0-------0---|-----2-------2---|-----2-------2---|-----0-------0---|
|-----------------|---------2-------|-3-------3-------|-0---------------|
|-3-------2-------|-0---------------|-----------------|-----------------|
|-3---------------|-----------------|-3---------------|------------------|
|---3-------3-----|---3-------3-----|---3-------3-----|---3--------3-----|
|-------0-------0-|-------0-------0-|-------0-------0-|-------0--------0-|
|-----0-------0---|-----2-------2---|-----2-------2---|-----0--------0---|
|-----------------|---------2-------|-3-------3-------|---------0h2------|
|-3-------2-------|-0---------------|-----------------|-3----------------|
|-3---------------|-----------------|-3-------3-------|------------------|
|---3-------3-----|---3-------3-----|---3-------3-----|---3--------3-----|
|-------0-------0-|-------0-------0-|-------0-------0-|-------0--------0-|
|-----0-------0---|-----2-------2---|-----2-------0---|-----0--------0---|
|-----------------|---------2-------|---------0-------|---------0h2------|
|-3-------2-------|-0---------------|-3---------------|-3----------------|
CHORUS
|-0-------0-------|-2-------3-------|-0-------0-------|-2-------3-------|
|---1-------0-----|---3-------3-----|---1-------0-----|---3-------3-----|
|-------0-------0-|-------2-------0-|-------0-------0-|-------2-------0-|
|-----2-------2---|-----0-------0---|-----2-------2---|-----0-------0---|
|-0-------0-------|-0---------------|-0-------0-------|-0---------------|
|-----------------|-----------------|-----------------|-----------------|

to coda
@
|-0-------0-------|-2-------3-------|-0-------0-------|-2-------3-------|
|---1-------0-----|---3-------3-----|---1-------0-----|---3-------3-----|
|-------0-------0-|-------2-------0-|-------0-------0-|-------2-------0-|
|-----2-------2---|-----0-------0---|-----2-------2---|-----0-------0---|
|-0-------0-------|-0---------------|-0-------0-------|-0---------------|
|-----------------|-----------------|-----------------|-----------------|
1
|-3---------------|-----------------|-----------------|------------------]|
|---3-------3-----|---3-------3-----|---3-------3-----|---3--------3-----]|
|-------0-------0-|-------0-------0-|-------0-------0-|-------0--------0-]|
|-----0-------0---|-----2-------2---|-----0-------0---|-----0--------0---]|
|-----------------|---------3-------|-2---------------|---------0h2------]|
|-3-------2-------|-0---------------|---------2-------|-3----------------]|
|2. |3. D.S. al coda
| | %
|------------------|-3---------------| ]|------------------|
|---3--------3-----|-----------3-----| Repeat bars ]|---3--------3-----|
|-------0--------0-|-------0-------0-| 6-11 of intro ]|-------0--------0-|
|-----0--------0---|-----0-------0---| ]|-----0--------0---|
|---------0h2------|-----------------| ]|---------0h2------|
|-3----------------|-3-------2-------| ]|-3----------------|
ENDING SECTION:

Coda
@
|-----------------| |-3---------------|-3-------2-------|
|---3-------3-----| Repeat bars |---3-------------|---3-------3-----|
|-------0-------0-| 2-6 of intro |-------0---0---0-|-------2-------2-|
|-----0-------0---| |-----2-------2---|-----0-------0---|
|-----------------| |-3-------3-------|-0---------------|
|-3-------2-------| |-----------------|-----------------|
|-3-------2h3-----|-----------------|-3---------------|-----------------|
|---2-------3-----|---3-------3-----|---3-----3-------|---3-------3-----|
|-------2-------0-|-------0-------0-|-------0-------0-|-------0-------0-|
|-----0-------0---|-----0-------0---|-----2-------2---|-----0-------0---|
|-----------------|-----------------|---2-----3-------|-2---------------|
|-----------------|-3-------2-------|-0---------------|---------2-------|
|---------3-------||
|-----------------||
|-----------------||
|-----------------||
|-----------------||
|-3---------------||

Tab notes:
1. I keep my left pinky and little fingers anchored on the bottom
two strings for most of the song. The places where they should
be removed and put elsewhere should become obvious when you start
to learn the song.
2.  In the chorus section, the second part of the 2nd (and 4th, 6th,
    and 8th) bar should be played as the D chord; the 5th note in the
            bar is played by putting down the pinky finger on the 3rd fret
You come from far away with pictures in your eyes
of coffee shops and morning streets in the blue and silent sunrise.
But night is the cathedral where we recognized the sign.
We strangers know each other now as part of the whole design.
Chorus

Oh, hold me like a baby that will not fall asleep.
Curl me up inside you and let me hear you through the heat.
Oh.___
You're the jester of this courtyard with a smile like a girl's,
Distracted by the women with the dimples and the curls,
By the pretty and the mischevious, by the timid and the blessed,
By the blowing skirts of ladies who promise to gather you to their breast.

(Chorus)
You have hands of raining water and that earring in your ear.
The wisdom on your face denies the number of your years,
With the fingers of the potter and the laughing tale of the fool,
The arranger of disorder with your strange and simple rules.
{NOTE: repeat last eight bars for the following two lines.}

Yeah, now I've met me another spinner of strange and gauzy threads
With a long and slender body and a bump upon the head.

(Chorus)
With a long and slender body and the sweetest, softest hands,
And we'll blow away forever soon and go on to different lands.
And please do not ever look for me, but with me you will stay.
And you will hear yourself in song, blowing by one day.
(Chorus)

TIMING AND MELODY
1st VERSE: (One note shown per syllable, even if note lasts for more
than one eighth.)
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
1. You come from far a - way___ with
RE RE DO SI LA SOL SOL
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
pic-tures____________in your eyes___ of
LA SOL SOL FA# SOL SOL
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
cof - fee shops__ and morn - ing streets in the blue___
RE RE RE DO SI LA SOL SOL SOL SOL
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
and si - lent sun - rise. But
SOL SOL SOL SOL LA SOL
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
night is the ca-the - dral____________where we
SI LA SOL SOL SI LA SOL SOL
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
rec- og-nized the sign.___ We
LA SOL SOL FA# SOL SOL
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
stran- gers know each___ oth- er now___ as
RE RE RE SI DO SI SI SI
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
part of the whole de- sign.___ Oh,_____
RE SI SI DO FA# SOL DO
CHORUS: (One note shown per syllable, even if note lasts for more
than one eighth; except for the sung word "Oh.")
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

_______ hold___ me like___ a ba - by that
DO SI LA SOL SI LA LA
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

will not___ fall a - sleep.
SOL SOL SOL LA LA
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

Curl me up in - side___ you___ and let me
DO SI LA SOL SI LA LA LA LA
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

hear you___ through the heat. Oh._____
LA SOL SOL LA LA SI
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
_________________("Oh." continued - sung)__________________________
SI LA SOL FA# SOL SOL
|(lead-in to next verse...) |
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
_____("Oh." continued - sung)____________ 2. You're the
SOL FA# SOL SOL SOL SOL
END OF LAST CHORUS ROUND AND SONG ENDING: (Same notation as above.)
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
  heat.                              Oh,_____________________________
  LA                                SOL              FA#     SOL  MI
                                    (One octave higher...)
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
_________________("Oh." continued - sung)__________________________
MI RE RE DO SI DO SI LA SI
(One octave higher....) (Back down now.)
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

_("Oh." contd)_ oh._______________________________________
_b_____________ (rest) c_________c b___________b a___________
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

_________________("oh." continued - sung)__________________________
LA SOL FA# SOL SOL
8 8 8 8 8 8 8 8

____("oh." continued - sung)____
SOL FA#

Timing and Melody Notes:
1. There are some slight variations in melody for each verse, not
shown above because I don't have them transcribed. You'll have to hear the
recording or put changes in as you see fit. The melody only spans a small
range, which suits Suzanne Vega's voice nicely, but it can sound a bit mono-
tonic to my ear when I sing it, unless I spice it up a bit. It doesn't
damage the song; quite the contrary.

2. Sing each "Oh." as one continuous word, i.e., all notes are
slurred. Note that there are two "Oh."s in the ending, separated by a
quarter-note rest.
Capo at 2nd fret. Quarter note =
..147 (approx)
Key:
0h2 - hammer-on to second fret
..from open string
% - "D.S. al coda"
..symbol
@ - Coda symbol
|[ - Beginning of a
..section to be repeated
]| - Repeat the section,
..starting from "|["
|| - End of song
INTRO SECTION:
E-----------------|--------------
B-----------3-----|---3-------3--
G-------0-------0-|-------0------
D-----0-------0---|-----2-------2
A-----------------|---------3----
E-3-------2-------|-0------------
...
-|---|---------3-------|---------3
-|---|---3-------3-----|---3------
-|-0-|-------0-------0-|-------0--
-|---|-----0-------0---|-----0----
-|---|-2---------------|---------3
-|---|---------2-------|-3--------
...
-|-------|
-|-3-----|
-|-----0-|
-|---2---|
-|-------|
-|-------|
1 2 3 4
|-----------------|---------------
|---3-------3-----|---3--------3--
|-------0-------0-|-------0-------
|-----0-------0---|-----2--------2
|-----------------|---------0h2---
|-3-------2-------|-0-------------
...
-|---|-3---------------|-3-------2
-|---|---3------3------|---3------
-|-0-|-------0------0--|-------2--
-|---|-----2------2----|-----0----
-|---|-3-------3-------|-0--------
-|---|-----------------|----------
...
-|-------|
-|-3-----|
-|-----2-|
-|---0---|
-|-------|
-|-------|
5 6
7 8

|-3-------2h3-----|-3-------------
|---3-------3-----|---3--------3--
|-------2-------0-|-------0-------
|-----0-------0---|-----0--------0
|-----------------|---------0h2---
|-----------------|-3-------------
...
-|---|-3----------------|
-|---|---3--------3-----|
-|-0-|-------0--------0-|
-|---|-----0--------0---|
-|---|---------0h2------|
-|---|-3----------------|
9 10 11
VERSES:

%
|[-3---------------|--------------
|[---3-------3-----|---3-------3--
|[-------0-------0-|-------0------
|[-----0-------0---|-----2-------2
|[-----------------|---------2----
|[-3-------2-------|-0------------
...
-|---|-3---------------|--------
-|---|---3-------3-----|---3----
-|-0-|-------0-------0-|-------0
-|---|-----2-------2---|-----0--
-|---|-3-------3-------|--------
-|---|-----------------|-3------
...
-|----------|
-|----3-----|
-|--------0-|
-|------0---|
-|-0h2------|
-|----------|
|-3---------------|--------------
|---3-------3-----|---3-------3--
|-------0-------0-|-------0------
|-----0-------0---|-----2-------2
|-----------------|---------2----
|-3-------2-------|-0------------
...
-|---|-3---------------|--------
-|---|---3-------3-----|---3----
-|-0-|-------0-------0-|-------2
-|---|-----2-------2---|-----0--
-|---|-3-------3-------|-0------
-|---|-----------------|--------
...
-|-2h3-----|
-|---3-----|
-|-------0-|
-|-----0---|
-|---------|
-|---------|
|-3---------------|--------------
|---3-------3-----|---3-------3--
|-------0-------0-|-------0------
|-----0-------0---|-----2-------2
|-----------------|---------2----
|-3-------2-------|-0------------
...
-|---|-3---------------|--------
-|---|---3-------3-----|---3----
-|-0-|-------0-------0-|-------0
-|---|-----2-------2---|-----0--
-|---|-3-------3-------|--------
-|---|-----------------|-3------
...
-|----------|
-|----3-----|
-|--------0-|
-|------0---|
-|-0h2------|
-|----------|
|-3---------------|--------------
|---3-------3-----|---3-------3--
|-------0-------0-|-------0------
|-----0-------0---|-----2-------2
|-----------------|---------2----
|-3-------2-------|-0------------
...
-|---|-3-------3-------|--------
-|---|---3-------3-----|---3----
-|-0-|-------0-------0-|-------0
-|---|-----2-------0---|-----0--
-|---|---------0-------|--------
-|---|-3---------------|-3------
...
-|----------|
-|----3-----|
-|--------0-|
-|------0---|
-|-0h2------|
-|----------|
CHORUS
|-0-------0-------|-2-------3----
|---1-------0-----|---3-------3--
|-------0-------0-|-------2------
|-----2-------2---|-----0-------0
|-0-------0-------|-0------------
|-----------------|--------------
...
-|---|-0-------0-------|-2-------3
-|---|---1-------0-----|---3------
-|-0-|-------0-------0-|-------2--
-|---|-----2-------2---|-----0----
-|---|-0-------0-------|-0--------
-|---|-----------------|----------
...
-|-------|
-|-3-----|
-|-----0-|
-|---0---|
-|-------|
-|-------|
..
.. to coda

..
.. @
|-0-------0-------|-2-------3----
|---1-------0-----|---3-------3--
|-------0-------0-|-------2------
|-----2-------2---|-----0-------0
|-0-------0-------|-0------------
|-----------------|--------------
...
-|---|-0-------0-------|-2-------3
-|---|---1-------0-----|---3------
-|-0-|-------0-------0-|-------2--
-|---|-----2-------2---|-----0----
-|---|-0-------0-------|-0--------
-|---|-----------------|----------
...
-|-------|
-|-3-----|
-|-----0-|
-|---0---|
-|-------|
-|-------|
1
|-3---------------|--------------
|---3-------3-----|---3-------3--
|-------0-------0-|-------0------
|-----0-------0---|-----2-------2
|-----------------|---------3----
|-3-------2-------|-0------------
...
-|---|-----------------|--------
-|---|---3-------3-----|---3----
-|-0-|-------0-------0-|-------0
-|---|-----0-------0---|-----0--
-|---|-2---------------|--------
-|---|---------2-------|-3------
...
-|----------]|
-|----3-----]|
-|--------0-]|
-|------0---]|
-|-0h2------]|
-|----------]|
|2.
.. |3.
..D.S. al coda
|
.. |
.. %
|------------------|-3------------
|---3--------3-----|-----------3--
|-------0--------0-|-------0------
|-----0--------0---|-----0-------0
|---------0h2------|--------------
|-3----------------|-3-------2----
...
-|---| ]|--------
-|---| Repeat bars ]|---3----
-|-0-| 6-11 of intro ]|-------0
-|---| ]|-----0--
-|---| ]|--------
-|---| ]|-3------
...
-|----------|
-|----3-----|
-|--------0-|
-|------0---|
-|-0h2------|
-|----------|
ENDING SECTION:
Coda
@
|----------------
|---3-------3----
|-------0-------0
|-----0-------0--
|----------------
|-3-------2------
...
-|-| |-3----------
-|-| Repeat bars |---3--------
-|-| 2-6 of intro |-------0---0
-|-| |-----2------
-|-| |-3-------3--
-|-| |------------
...
-|-----|-3-------2-------|
-|-----|---3-------3-----|
-|---0-|-------2-------2-|
-|-2---|-----0-------0---|
-|-----|-0---------------|
-|-----|-----------------|
|-3-------2h3-----|--------------
|---2-------3-----|---3-------3--
|-------2-------0-|-------0------
|-----0-------0---|-----0-------0
|-----------------|--------------
|-----------------|-3-------2----
...
-|---|-3---------------|----------
-|---|---3-----3-------|---3------
-|-0-|-------0-------0-|-------0--
-|---|-----2-------2---|-----0----
-|---|---2-----3-------|-2--------
-|---|-0---------------|---------2
...
-|-------|
-|-3-----|
-|-----0-|
-|---0---|
-|-------|
-|-------|
|---------3-------||
|-----------------||
|-----------------||
|-----------------||
|-----------------||
|-3---------------||

Tab notes:
1. I keep my left pinky and
..little fingers anchored on the
..bottom
two strings for most of the
..song. The places where they
..should
be removed and put elsewhere
..should become obvious when you
..start
to learn the song.
2. In the chorus section, the
..second part of the 2nd (and 4th,
..6th,
and 8th) bar should be played
..as the D chord; the 5th note in
..the
bar is played by
..putting down the pinky finger on
..the 3rd fret
You come from far away with
..pictures in your eyes
of coffee shops and morning
..streets in the blue and silent
..sunrise.
But night is the cathedral where
..we recognized the sign.
We strangers know each other now
..as part of the whole design.

Chorus
Oh, hold me like a baby that will
..not fall asleep.
Curl me up inside you and let me
..hear you through the heat.
Oh.___
You're the jester of this
..courtyard with a smile like a
..girl's,
Distracted by the women with the
..dimples and the curls,
By the pretty and the mischevious,
..by the timid and the blessed,
By the blowing skirts of ladies
..who promise to gather you to
..their breast.
(Chorus)

You have hands of raining water
..and that earring in your ear.
The wisdom on your face denies the
..number of your years,
With the fingers of the potter and
..the laughing tale of the fool,
The arranger of disorder with your
..strange and simple rules.

{NOTE: repeat last eight bars
..for the following two lines.}

Yeah, now I've met me another
..spinner of strange and gauzy
..threads
With a long and slender body and a
..bump upon the head.

(Chorus)
With a long and slender body and
..the sweetest, softest hands,
And we'll blow away forever soon
..and go on to different lands.
And please do not ever look for
..me, but with me you will stay.
And you will hear yourself in
..song, blowing by one day.
(Chorus)
TIMING AND MELODY

1st VERSE: (One note shown per
..syllable, even if note lasts for
..more
than one eighth.)
8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8
1. You come from
.. far a - way___
..with
RE RE DO SI LA SOL SOL
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
pic-tures____________in your
..eyes___
.. of
LA SOL SOL FA# SOL
SOL
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
cof - fee shops__ and morn
..- ing streets in the
..blue___
RE RE RE DO SI LA SOL SOL SOL SOL
8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8
      and      si -   lent    sun
..-    rise.                But
      SOL      SOL      SOL      SOL
LA SOL
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
night is the ca-the
..- dral____________where
..we
SI LA SOL SOL SI LA SOL SOL
8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8
rec- og-nized the
..sign.___
..We
LA SOL SOL FA# SOL SOL
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
stran- gers know
..each___   oth- er   now___
..  as
   RE     RE      RE          SI
DO SI SI SI
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
part of the whole de-
..sign.___
..Oh,_____
RE SI SI DO FA# SOL DO
CHORUS: (One note shown per
..syllable, even if note lasts for
..more
than one eighth; except for
..the sung word "Oh.")
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
_______ hold___ me
..like___ a ba - by
..that
DO SI LA SOL SI LA LA
8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8
will not___ fall a -
.. sleep.
SOL SOL SOL LA
LA
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
Curl me up in -
..side___ you___ and
..let me
DO SI LA SOL SI LA LA LA LA
8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8
hear you___ through the
.. heat.
..Oh._____
LA SOL SOL LA LA SI
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
_________________("Oh."
..continued -
..sung)__________________________
SI LA SOL FA# SOL SOL
..|(lead-in to next verse...)
.. |
8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8
_____("Oh." continued -
..sung)____________ 2. You're
.. the
SOL FA# SOL SOL SOL SOL
END OF LAST CHORUS ROUND AND SONG
..ENDING: (Same notation as
..above.)
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
heat.
..
..Oh,_____________________________
LA
SOL FA# SOL
.. (One octave higher...)
MI
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
_________________("Oh."
..continued -
..sung)__________________________
MI
(One octave higher....)
RE                            RE
..
  DO  SI  DO  SI      LA  SI
..(Back down now.)
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
_("Oh." contd)_
..oh._______________________________________
_b_____________ (rest)
..c_________c b___________b
..a___________
8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8
_________________("oh."
..continued -
..sung)__________________________
LA SOL FA# SOL SOL
8 8 8 8 8 8 8 8
____("oh." continued -
..sung)____
SOL FA#

Timing and Melody Notes:
1. There are some slight
..variations in melody for each
..verse, not
shown above because I don't have
..them transcribed. You'll have
..to hear the
recording or put changes in as you
..see fit. The melody only spans
..a small
range, which suits Suzanne Vega's
..voice nicely, but it can sound a
..bit mono-
tonic to my ear when I sing it,
..unless I spice it up a bit. It
..doesn't
damage the song; quite the
..contrary.
2. Sing each "Oh." as one
..continuous word, i.e., all notes
..are
slurred. Note that there are two
.."Oh."s in the ending,
..separated by a
quarter-note rest.
SUONA ANCHE ..

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Tablature chitarra di VEGA SUZANNE Gypsy Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti

Gypsy

traduzione testo Gypsy

midi Gypsy

lezione Gypsy

VEGA SUZANNE

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concerti VEGA SUZANNE

discografia VEGA SUZANNE

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