Every chord in this song has exactly four strings in it. Play each chord as
an arpeggio of six sixteenth notes (each chord is half of a 12/16 measure.)
Here's an example:
LA(9)/MI SOL/RE DOmaj7 SIm7
|------------------------|------------------------|
|------0-----------0-----|------0-----------0-----|
|----6---6-------4---4---|----9---9-------7---7---|
|--7-------7---5-------5-|--9-------9---7-------7-|
|7-----------5-----------|------------------------|
|------------------------|8-----------7-----------|
If language were liquid, it would be rushing in
LA(9)/MI SOL/RE DOmaj7 SIm7 LAm9 SOL SOL/FA SOLInstead here we are, in a silence more eloquent than any word could ever be
LA(9)/MI SOL/RE DOmaj7 SIm7 LAm9 SOL SOL/FA SOLThese words are too solid, they don't move fast enough
To catch the blur in the brain that flies by and is gone
MIsus4 MIsus4/SI MIsus4 MIsus4/SI FA#m7(4) FA#m7(4) SOL6(9) SOL6(9)And is gone, and is gone, gone,
FA#m7(4) FA#m7(4) SOL6(9) SOL6(9) LAsus9 LAsus9 LAsus9 LAsus9Gone, gone, and is gone
I'd like to meet you in a timeless, placeless place
Somewhere out of context and beyond all consequences
Let's go back to the building on Little West 12th; it is not far away and
the river is there (Words are too solid, they don't move fast enough)
And the sun and the spaces are all laying low, and we'll sit in the slience
that comes rushing in (To catch the blur in the brain that flies by...)
And is gone, and is gone, gone,
Gone, gone, and is gone
DO#m9 DO#m9 SI(4)/FA# SI(4)/FA# MImaj7/SOL# MImaj7/SOL# LAsus9(#4) LAsus9(#4)
[instrumental]
[instrumental]
DO#m9 DO#m9 RE6(9) RE6(9) LA(9)/DO# LA(9)/DO# RE6(9) RE6(9)[instrumental]
LA(9)/MI SOL/RE DOmaj7 SIm7[instrumental]
I won't use words again, they don't mean that I meant, they don't say
what I said
It's just the crust of the meaning with realms underneath, never touched,
never stirred, never even moved through
If language were liquid, it would be rushing in
Instead here we are in a silence more eloquent than any word could ever be
MIsus4 MIsus4/SI MIsus4 MIsus4/SI FA#m7(4) FA#m7(4) SOL6(9) SOL6(9)And is gone, gone,
FA#m7(4) FA#m7(4) SOL6(9) SOL6(9) LAsus9 LAsus9 LAsus9 LAsus9Gone, gone, and is gone [repeat and fade]
Every chord in this song has
..exactly four strings in it.
..Play each chord as
an arpeggio of six sixteenth notes
..(each chord is half of a 12/16
..measure.)
Here's an example:
LA(9)/MI SOL/RE DOmaj7
|------------------------|-------
|------0-----------0-----|------0
|----6---6-------4---4---|----9--
|--7-------7---5-------5-|--9----
|7-----------5-----------|-------
|------------------------|8------
...
-|-----------------|
-|-----------0-----|
-|-9-------7---7---|
-|---9---7-------7-|
-|-----------------|
-|-----7-----------|
LA(9)/MI SOL/RE DOmaj7 SIm7 LAm9 SOL
If language were liquid, it
SIm7 LAm9 SOL SOL/FA SOL..would be rushing in
LA(9)/MI SOL/RE DOmaj7Instead here we are, in a
..silence more eloquent than any
SOL/FA SOL..word could ever be
LA(9)/MI SOL/RE DOmaj7These words are too solid, they
..don't move fast enough
LA(9)/MI SOL/RE DOmaj7To catch the blur in the
SIm7 LAm9 SOL SOL/FA..brain that flies by and is gone
MIsus4 MIsus4/SI MIsus4
And is gone,
MIsus4/SI FA#m7(4) FA#m7(4).. and is gone,
..gone,
FA#m7(4) FA#m7(4) SOL6(9) SOL6(9)Gone, gone, and
LAsus9 LAsus9 LAsus9 LAsus9..is gone
I'd like to meet you in a
..timeless, placeless place
Somewhere out of context and
..beyond all consequences
Let's go back to the building on
..Little West 12th; it is not far
..away and
the river is there (Words are
..too solid, they don't move fast
..enough)
And the sun and the spaces are all
..laying low, and we'll sit in the
..slience
that comes rushing in (To
..catch the blur in the brain that
..flies by...)
And is gone, and is gone, gone,
Gone, gone, and is gone
DO#m9 DO#m9 SI(4)/FA# SI(4)/FA#
[instrumental]
MImaj7/SOL# MImaj7/SOL# LAsus9(#4) LAsus9(#4)DO#m9 DO#m9 SI(4)/FA# SI(4)/FA#
[instrumental]
[instrumental]
LA(9)/DO# RE6(9) RE6(9)LA(9)/MI SOL/RE DOmaj7 SIm7
[instrumental]
I won't use words again, they
..don't mean that I meant, they
..don't say
what I said
It's just the crust of the meaning
..with realms underneath, never
..touched,
never stirred, never even moved
..through
If language were liquid, it would
..be rushing in
Instead here we are in a silence
LAm9 SOL..more eloquent than any word
SOL/FA SOL/FA..could ever be
And
FA#m7(4) FA#m7(4) SOL6(9)..is gone, gone,
SOL6(9)
Gone, gone, and
LAsus9 LAsus9 LAsus9 LAsus9..is gone [repeat and
..fade]
Tablature chitarra di VEGA SUZANNE Language Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti